Merry Merry Milkmaids 4 couples longways - in Barnes and PB This version from mice rivello's webstie., [A] Up a double and back (8) Set and turn (8) That again. [B] Shuttles 1's through 2's, and 3's through 4's, there and back (8) Take hands in line, back a double and forward (8) Two right hand stars, 1's with 2's, and 3's with 4's, once around (8) Repeat shuttles (8) Repeat back a double in lines (8) 1 right hand star in the middle, 2's with 3's, while 1's and 4's turn each other once around (8) [A] Siding (8) Set and turn (8) That again. [B] Men's line cast out, fish hook around, invert line (8) Women's line do the same (8) Men's line repeat back to home (8) Women's line do the same (8) [A] Arming (8) Set and turn (8) That again. [B] Men's line take hands, back a double and forward (8) Men's hey (16) Women take hands, fall back a double and forward (8) Women's hey (16) Honor All This from Palmer's Pocket Playford: The Merry, Merry Milkmaids 4 couple longways Lead up a double and back; set and turn single. Repeat. 1st and 3rd couples balance back, meet, take both hands and slip through 2nd or 4th couples who slip up; all fall back and come forward a double; R hands across in fours. Repeat, 2nd and 4th couples leading. Side; set and turn single. Repeat. Men cast to invert men's line; then women cast similarly; set and turn single. Repeat, casting back up to places. Arm R; set and turn single. Arm L; set and turn single. Men fall back and come forward; men's hey. Women fall back and come forward; women's hey. --- This from Colin Hume: Here's the way I do it. First figure: A1: Up a double and back. Set and turn single. A2: Same. B1: (12 bars): Ones and threes meet partner, acknowledge; give two hands, slip down while others slip up (to change places). In fours, right-hand star. Left-hand star. B2: All that again with twos and fours leading. Second figure: A1: Side right. Set and turn single. A2: Same left. B1: Men face up, cast to invert set. Ladies same.All set and turn single. B2: The same but facing down and casting up. Third figure: A1: Arm right. Set and turn single. A2: Same left. B1: Men take hands in lines and fall back a double; lead forward. Middles face the ends: straight hey. B2: Ladies the same. Sharp's version uses Sharp siding whereas I use Playford siding. I specify meet, acknowledge and then slip in the first figure, and try to make people do three separate movements rather than just lurch into it (though I often can't convince them). Sharp borrows the lines falling back and coming forward from the third figure to pad out the first figure, whereas I take "take hands across and go round" to mean right-hand star followed by left-hand star. One of my favourite Playford dances. It has a good tune, it's not that complicated, and I like the contrast between walking the introductions and dancing the figures.