LORD THOMAS OF WINCHBURY
Pat Shaw c. 1975 (from unpublished notes)
Tune trad from the Greig-Duncan Folk Song Collection
Tune on "Long Live London"
3-cpl longways set, 32 bar AABC jig, very Scottishy, mixer


A1: M1 heys with 3dCpl, starting Lsh with 3d Wo & finishing in
    M2's place, WHILE W1 & M2 wait 2 bars, set r&l in bars 3&4,
    then turn RH once round, M2 finishing in M1's place.

A2: 1-2: 1s LH turn halfway
    3-4: M1 casts R below W2 (who moves up to W1s place) 
         WHILE W1 turns away R in M2s place
    5-6: M1 sets to M3, moving down W3s place WHILE
         W3 casts up to 2nd place.
    7-8: W1 glances at M2 then casts down to M3s place (M3 moving up to 2nd
         place)

B:  1-6: M3 passes LSH with W2 and contines L around top of set to stand
         in middle of set below M2 (who moves lightly in towards middle of set)
         WHILE W3 passes RSH with W2 and follows M3 around top of set to
         first man's place, W2 turning round RSH to follow up to W1s place.
    7-8: 3s and W2 make a ring of three around M2 and
         circle R halfway to finish in a line of 3 across top of set,
         M3 in middle, W2 on R, W3 on L.


C:  1-4: M2 takes hands in a ring with 1s (improper at bottom) and 
         circles L 2/3 (slipping) till M2 and W1 are in bottom place proper
         (bars 1-2) then set to M1 as he turns R into M2s place (3-4) WHILE
         at top 3s and W2 part reel of 3 thus: M3 passes W3 RSH, turns around
         RSH, passes RSH with W2 and turns L into M1s place *while*
         W3 passes M3 Rsh, W2 Lsh, turns L and crosses set,
         turning R in W2s place while W2 passes W3 LSH, M3 RSH and
         turns R in W1s place.

    5-8: M2 and W1 (at buttom) Tulloch swing as top 4 circle L once round.

Set is now:
M3 W2
M1 W3
M2 W1