BLUEBONNETS (or, TRIP TO TEXAS)
Joseph Pimentel, Tune by Debbie Jackson 
ldm Meter: 9/8, Key: Dm (Bluesy slip jig) Barnes3 112 BPM
Goldcrest Collection // Fairly accessible

A1 1-2 1s lead forward to meet each other and fall back
   3-4 1s 2-hand turn

A2 1-4 2s As above

B All face corner
    1 Balance back (step back, step together, pause)
    2 Balance right (step right, step together, pause)
  3-4 Corners simultaneous Hole in the Wall cross (Clumps)
  5-6 Circle left roughly halfway to original home place
  7-8 1s cast down, 2s lead up.

Teaching Notes (Joseph sez)

B 3-4: Everyone comes into the center and moves around each other
as they would if they were changing places with just their own corner
person, then backs out into their corner's place.  For initial teaching,
I have found it useful to sugget that dancers put their right shoulders
into the center and move around each other in what feels like a
tight right-shoulder star.  Once they have the geography, I have
them adjust so that they are facing their corner with their shoulders
parallel to each other.

B 5-6: The circle is actually closer  to 5/8 of the way around rather than
halfway.  When dancers balance to the right in bar 2, they end in something
of a diamond.  TGhey then change places with their corner and so have more
distance to circle to get to their home places.  I usually do not say 
this explicitly, but do make a point to mention that the circle takes them
to their original palces.

Background: Borrows figures from "The Merry Conclusion" in a simpler context;
can be a primer for that dance if you must call it.  "Trip to Texas" because
it was after Joseph and Fred moved there in 2005, but they saw the incredible
Texas bluebonnets and renamed it (and then presumably used Debbie's existing tune).