TUNE:
 - Grandpa's jig - a gentle jig with a little swing  (Clara GByom)

 - Winter Blossom (O. MOrrison a gorgeous floaty waltz)
 - Meredith (Elixir)
 - Millbrook (slightly melancholy)
 - "Le Pied De Vent" (Crowfoot - Ten Waltzes) - builds up to an amazing drive.
 - Genticorum "Kamouraska Waltz" - slightly melancholy, very pretty, moderate tempo.

 - "New Year's Evie" by Kendall Rogers - has a "Quite Carried Away"  kind of
quality.  (See Google Doc for PDFs).
- "Ester's Waltz" combines a sweeping, slightly jazzy, quality with a kind of
country feel.
- "For a Birthday Present" is swirly, slightly saddish, pretty.
- Beautiful Stranger - also country feel, mdoerate to slow, has some depth. 
Might be too slow.  A little bit like Early Frost / Midwinter Blossom, but the
ending parses differently.
- A Better Last Waltz - happier, briskish, 2-bar phrasing, a little sad it's
ending.

"Spice" by Todd Silverstein has a nice calypso-esque quality.


"Autumn Tapestry" nice old-fashioned quality (hm, 2/2?) On"Promise of Spring".
Make a lovely Playford-style dance, or maybe elegant longways.

Rebecca Lomincky played "When Will ye Wed me with a Ring?"  
thoughtful, slightly sprung, piece somewhat like "Air Tune".


- "Brown Eyes" by Dave Bartley - beautiful simplicity, calm waltz tune, feels
classic.



TITLES:
 The Northern Quoll
 Toad Sausages
 Incidental Refreshments
 Caribou of the Cretaceous
 Marcher Lords
 Queen of the Border Lands
 Foss, Dansant (Edward lear's cat in heraldic blazon)
 Zooxanthellae  (photosynthetic algae that live in coral and give it color)
 ("A colloquial name for single-cell dinoflagellates.")
 Narwhal in Daylight
 


IDEA: "AROUND THE WORLD IN EIGHTY HEYS"



Sicilian Circle, maybe, using "Trip to the Manor" heys on both axes.  Or
HeyDaze like multiple heys; maybe including dolphin heys.  And what about
overlapping heys for four _along_ the set?




Not sure if this is for contra or english; maybe both.

Idea: "MIRROR HEY FOR FOUR"

Ends face middles.  

Hey: Whenever middles face ends, middles bulge as they go out to ends, ends split middles.
     When middles face other middles,  PASS THROUGH
    

Applications: Longways set of four couples
              Four-face-four contras

Variation: Crossover mirror hey for four: ENDS ALWAYS CROSS (single hey is fine; half hey not so much)


ECD: "Crown Prince Wiliam" 
Longways set of four couples

Crossover Mirror Hey for Four 

Ends cast to middle, middles leading out; new middles circle four
repeat to home
Falling Star progression (1s and 2s halfway, 1s and 3s halfway, 1s and 4s halfway, partner two-hand-turn half
and face hey direction.


------------



4x4 Contra

A1: Short lines F&B; opposites swing, end facing partner
A2: (crossover?) mirror hey
B1: Partner Balance and swing
B2: All 8 circle L halfway, balance the ring, CT.


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Promenade Hey for Four

Cuddle up with partner; stay connected and dance as a unit
Middles face ends; pass left on the ends, right in the middle.


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TITLES
-------
Painting the World


TUne that needs something

Saddle Old Paint (like "Indian Point", a little)




FIGURE:
In longways duple formation, slip jig or waltz time
*might* be four bars each, duple meter 8 bars or fit
a slightly shorter tune.

First corners cross through the inside of the set and go 
around standing partner 3/4 by the left shoulder, then up
and down through the middle to finish in corner's place.
(Kind of an inside-out Barbarini track.)
Second corners the same through partner's original place,
right shoulder around standing person in that spot.