BONNY AT MORN
Alan Winston
10/27/2005; revised 10/30; 11/05; 11/06.
Tune: per Barnes (black book), but 32-bar (16-bar A, BB)
Minor-key waltz; moderate/slow
Paul Young plays it beautifully: https://youtu.be/yXywKRNuPvo?si=VKRjn2YckvNvYkRp

Longways duple IMPROPER or Sicilian Circle (but probably better as a longways
so that halfway around lines up with a wall).

A: 1-4: Neighbors right shoulder around 1.5 finishing close to neighbor for
   5-8: neighbor ballroom position waltz halfway round, opening facing in on 
        other side of set with gent on L, ladies on R; keep hold of inside hands.
  9-10: ladies give right hand to each other as in chain and pull by
 11-12: ladies give left hand to partner's RIGHT hand; raise joined hands in
        arch as she goes under and he goes forward to finish in ballroom 
        position, pointy end facing in line of direction.
 13-16: waltz halfway around set; open up facing in, with gent on L.

[GENTS progressed and on original side of the set; LADIES not progressed and 
crossed over.]

B1: 1-2: Holding near hands on the side of the set, Set r&l
    3-4: Petronella turn (traveling turn single) one place to right around
         the minor set.
    5-8: Face NEIGHBOR up and down; three changes of a circular hey,
         no hands.  (In more detail, that's two brisk changes and a leisurely
         one, more like a half right shoulder around.)

B2: 1-2: Gents cross  (first corner places)
    3-4: Ladies cross  (second corner places)
    5-8: Partners turn two hands  all the way around;
         open facing new couple to start again.
 
Teaching notes:

(1) Gents Start the right shoulder around in A1 on LEFT FOOT, ladies on RIGHT FOOT, in order to
be on the correct foot for the waltz round.  Emphasize spiraling
in and taking all the music for the right shoulder around.

(2) Make sure people get the timing on the three changes of R&L (1 bar, 1 bar,
2 bars) so that they're in place to cross at B2.  There's a tendency to either
stand stupefied for a bar and start late or take two bars for each pass.

(3) Some people require to be told that you waltz CCW around your minor set.