Archive-Date: Mon, 16 May 2005 07:17:23 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu, Bruno Kowalczyk <bkharp-AT-wanadoo.fr>
Subject: Re: [ECD] Bicoastal dancing
MIME-Version: 1.0
Message-ID: <OF3FCB5320.D57D906F-ON85257003.004DED50-85257003.004E629C-AT-biogenidec.com>
From: Campbell Kaynor <Campbell.Kaynor-AT-biogenidec.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Date: Mon, 16 May 2005 10:16:04 -0400
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Dear Bruno,
I don't have my Fallibroome here at work and it will take some time for me
to locate it in the attic at home. I am not familiar with the tune, but
others on this English Country Dance list may be able to help you so I
have taken the liberty of passing your request on to them. If you don't
hear from them, I will try to find it myself and convert it to a format
for Email. Your English is fine.
Cheers, Cammy

----- Forwarded by Campbell Kaynor/Cambridge/Biogen on 05/16/05 10:11 AM
-----

Bruno Kowalczyk <bkharp-AT-wanadoo.fr>
15-May-2005 05:33 AM
Message Size: 2.9 KB

To
cammydance-AT-earthlink.net
cc

Subject
Vienna






Hello,

I'm Bruno a french dancer and musician. I try to find a score for Vienna
(Fallibroome). I looked all around the web and I found nothing. Have you
any idea ?
Thank you very much.
Sorry for my bad english....

Regards,
Bruno


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<br><font size=2><tt>Dear Bruno, </tt></font>
<br><font size=2><tt>I don't have my Fallibroome here at work and it will
take some time for me to locate it in the attic at home. I am not familiar
with the tune, but others on this English Country Dance list may be able
to help you so I have taken the liberty of passing your request on to them.
If you don't hear from them, I will try to find it myself and convert it
to a format for Email. Your English is fine. </tt></font>
<br><font size=2><tt>Cheers, Cammy</tt></font>
<br>
<br><font size=1 color=#800080 face="sans-serif">----- Forwarded by Campbell
Kaynor/Cambridge/Biogen on 05/16/05 10:11 AM -----</font>
<br>
<table width=100%>
<tr valign=top>
<td width=40%><font size=1 face="sans-serif"><b>Bruno Kowalczyk &lt;bkharp-AT-wanadoo.fr&gt;</b>
</font>
<p><font size=1 face="sans-serif">15-May-2005 05:33 AM</font>
<p><font size=1 face="sans-serif">Message Size: <b>2.9 KB</b></font>
<td width=59%>
<table width=100%>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">cammydance-AT-earthlink.net</font>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">cc</font></div>
<td>
<tr valign=top>
<td>
<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Vienna</font></table>
<br>
<table>
<tr valign=top>
<td>
<td></table>
<br></table>
<br>
<br>
<br><font size=2><tt>Hello,<br>
<br>
I'm Bruno a french dancer and musician. I try to find a score for Vienna
<br>
(Fallibroome). I looked all around the web and I found nothing. Have you
<br>
any idea ?<br>
Thank you very much.<br>
Sorry for my bad english....<br>
<br>
Regards,<br>
Bruno<br>
<br>
</tt></font>
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================================================================================
Archive-Date: Mon, 16 May 2005 07:59:33 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <20050516145844.40606.qmail-AT-web32415.mail.mud.yahoo.com>
Date: Mon, 16 May 2005 07:58:44 -0700 (PDT)
From: Graham Christian <bray1699-AT-yahoo.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Vienna--trying to clarify
To: bkharp-AT-wanadoo.fr
CC: ECD List <ecd-AT-ssrl04.slac.stanford.edu>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: quoted-printable

Bruno:
Are you trying to determine which volume of Fallibroome includes this dan=
ce? (it's volume 2)--or
do you need someone to scan that page for you?
You should also be able to find the tune in Jeremy Barlow's *Complete Cou=
ntry Dance Tunes from
Playford=92s Dancing Master, 1651-c.1728*.=20
You should be aware that neither of these sources would have chords or ar=
rangements.=20



Graham Christian
"Sphinx of black quartz, judge my vow."
================================================================================
Archive-Date: Mon, 16 May 2005 08:37:50 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <6.2.1.2.2.20050516103637.01e11e08-AT-mail.mhtc.net>
Date: Mon, 16 May 2005 10:36:49 -0500
To: ECD-AT-ssrl04.slac.stanford.edu
From: "M.G. Mudrey, Jr." <mgmudrey-AT-mhtc.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] Tune details
References: <001f01c559ed$b5c895b0$ef1e86d9-AT-enduserg5dd8mf>
MIME-Version: 1.0
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At 5/16/2005  03:03 AM, you wrote:
>Not really ECD but can anyone please provide the notes for Stern Polka?
>Alan Corkett
Emacs!

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<font size=3>At 5/16/2005&nbsp; 03:03 AM, you wrote:<br>
</font><blockquote type=cite class=cite cite=""><font face="arial" size=2>
Not really ECD but can anyone please provide the notes for Stern
Polka?<br>
Alan
Corkett</blockquote>
<img src="cid:6.2.1.2.2.20050516103637.01e11e08-AT-mail.mhtc.net.0" width=348 height=350 alt="Emacs!">
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--=====================_56968937==.REL--

================================================================================
Archive-Date: Mon, 16 May 2005 11:33:44 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
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Reply-To: ECD-AT-playford.slac.stanford.edu
From: "Alan Corkett" <alan-AT-bcorkett.freeserve.co.uk>
To: <ECD-AT-ssrl04.slac.stanford.edu>
References: <001f01c559ed$b5c895b0$ef1e86d9-AT-enduserg5dd8mf> <6.2.1.2.2.20050516103637.01e11e08-AT-mail.mhtc.net>
Subject: Re: [ECD] Tune details
Date: Mon, 16 May 2005 19:32:46 +0100
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Many thanks for Stern Polka notes.
Alan Corkett
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<DIV><FONT face=3DArial size=3D2>Many thanks for Stern Polka =
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<DIV><FONT face=3DArial size=3D2>Alan Corkett</FONT><FONT face=3Darial=20
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================================================================================
Archive-Date: Tue, 17 May 2005 13:47:54 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Tue, 17 May 2005 13:45:10 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: [ECD] BAERS "Vanity Fair" Ball in San Mateo, CA, May 21
To: ECD-AT-ssrl04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-playford.slac.stanford.edu
Message-ID: <01LOD7RJ44DW9BVCRW-AT-SSRL.SLAC.STANFORD.EDU>
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Join Becky Sharp at the

                        VANITY FAIR BALL

suggested by William Thackeray's classic social satire.

Flirtatious country dances, vivacious cotillions, and scandalous waltzes --
everything taught and called by dancing master Alan Winston with music by the
Divertimento Dance Orchestra under the direction of James Langdell.

SATURDAY, MAY 21, 2005

at the

SAN MATEO MASONIC LODGE
(San Mateo, California)
100 N. Ellsworth, at Tilton

Doors open 7:30

The ball starts with "Congress of the Vanities" at 8:00 and concludes the same
way.

$15 in advance (mail by Wednesday, 5/18)
$20 at the door

($2 discount for GBACG and BACDS members)

Mr. Thackeray's novel was set in the Regency but written in the mid-Victorian
eras.  His original illustrations show Victorian costume.  So if you'd like to
wear costume, Regency costume (early 1800s), Victorian costume, Indian costume
(saris and silks, brought back from India by Jos. Sedley) will all be
appropriate and admired, but not required.

For more information, call 650/365-2913, 510/465-0533, or visit
http://www.baers.org (where you can download a registration form at
http://www.baers.org/VFFlyer05.html )

Directions: From Highway 101, exit at 3d Avenue. Go west on 3d, turn right
at N. Ellsworth. The temple is at the corner of N. Ellsworth and Tilton.


Mark your calendars for:

  BAERS second-Friday dance parties at St. Mark's Episcopal Church, 600 Colorado
Avenue (just off Middlefield) in Palo Alto, doors opening 7:30, dance 8:00
-10:30, admission $8.

       June 10: Special guest dance leader Lise Dyckman
       July 9:  Special Early American dance with Alan Winston
       -- No dance party in August --
       September 9: Dances for Trafalgar Victory Ball
       October 14:  Dances for Trafalgar Victory Ball
       November 11: Favorites
       -- No dance party in December, resuming in January --

And on _Friday_ October 21: The Trafalgar "Victory" Ball, celebrating the
200th anniversary of that most celebrated naval battle, held in conjunction
with the Golden Gate Tall Ships Society.  At the Arlington Community Church,
52 Arlington Avenue, Kensington.




--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Tue, 17 May 2005 17:46:47 PST
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <20050518004552.86280.qmail-AT-web50802.mail.yahoo.com>
Date: Tue, 17 May 2005 17:45:51 -0700 (PDT)
From: Giovanni De Amici <sbecd-AT-yahoo.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Southern California Playford Ball - teachers' instructions
To: ecdlist ecdlist <ECD-AT-SSRL04.SLAC.STANFORD.EDU>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii

Good day all.
as announced previously, the 2005 Southern California
Playford Ball (faces and Places) will take place on
the evening of 1 October in Long Beach.

The program includes:
Alice                      King of Poland
Angels unawares            Maid peeped out of the
wndow
Apley house                Margaret's waltz
Barbarini's tambourine     On Wittman's golden floor
the Bonny cuckoo           Saint Martin's lane
Braes of Dornoch           Siege of Limerick
Hit and miss               Since first I saw your face
Homecoming                 Trip to Kilburn
the Indian princess        Trip to Richmond
Jacob hall's jig           When Laura smiles

Full details are at
www.geocities.com/sbecd/playford/playford_front.html

For those dance leaders who might be interested in
teaching dances from the program, our Dance Master
Gary Shapiro has prepared a compendium of instructions
and music sheets (for those tunes not found in Barnes'
book). If you are interested, please drop me a note
off-line at sbecd1-AT-yahoo.it and I will email back the
.pdf file (about 900 Kb).
Giovanni De Amici


for information about English Country Dance
in and around Los Angeles, please check our web
page at: www.geocities.com/sbecd

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com
================================================================================
Archive-Date: Sat, 21 May 2005 01:25:06 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <6.2.1.2.0.20050520235513.04b11160-AT-sirius.asd1.rl.ac.uk>
Date: Fri, 20 May 2005 23:59:29 +0100
To: ECD-AT-ssrl04.slac.stanford.edu
From: Mike Courthold <M.J.D.Courthold-AT-rl.ac.uk>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Chippenham Folk Festival 2005, Friday May 27th to Monday May 30th
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="=====================_602429237==.ALT"

--=====================_602429237==.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed

For those of you who are still undecided about attending the Chippenham
Folk Festival next weekend, or who would like a preview of some of the
events taking place during the weekend, there is now a "Festival At A
Glance" page on the web-site at www.chippfolk.co.uk

Hope to see you there,

Mike Courthold,
Dance Director,
Chippenham Folk Festival.
--=====================_602429237==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
For those of you who are still undecided about attending the Chippenham
Folk Festival next weekend, or who would like a preview of some of the
events taking place during the weekend, there is now a &quot;<b>Festival
At A Glance</b>&quot; page on the web-site at
<a href="http://www.chippfolk.co.uk/" eudora="autourl">
www.chippfolk.co.uk<br><br>
</a>Hope to see you there,<br><br>
Mike Courthold,<br>
Dance Director,<br>
Chippenham Folk Festival. </body>
</html>

--=====================_602429237==.ALT--

================================================================================
Archive-Date: Sat, 21 May 2005 01:59:01 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Sat, 21 May 2005 01:53:51 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: [ECD] The List is back
To: ecd-AT-ssrl04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-playford.slac.stanford.edu
Message-ID: <01LOI48WVPLE8ZE64S-AT-SSRL.SLAC.STANFORD.EDU>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; CHARSET=us-ascii

ECDers --

In case you were wondering, yes, the list was unavailable from Wednesday
through tonight.

This is because the Stanford Linear Accelerator Center had a tree fall into a
power line, resulting in a massive and complete power failure that took two and
half days to fix.  My UPSes are good for about forty-five minutes.  Anyway, we
seem to be back now.

(I had been feeling a little smug when people said things like "my laptop hard
disk crashed and all my files are gone", since I had my files on dual-redundant
RAID systems with automatic nightly tape backups, etc.  But when I wanted stuff
off the systems on Wednesday, I was in just as bad shape as the laptop person.
[We don't have an offsite disaster recovery site because those don't usually
come equipped with two-mile long accelerators or 26-beam-line synchrotrons, and
without those we're out of business anyway.])

Sorry for the inconvenience.

-- Alan Winston
ECD list owner

--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Sat, 21 May 2005 02:32:31 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Date: Thu, 19 May 2005 12:45:29 -0400
Subject: [ECD] please comment on this program
Message-ID: <20050519.124530.-594559.5.FFuerst-AT-juno.com>
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary=--__JNP_000_254d.6691.2b09
From: Fae Fuerst <ffuerst-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu

This message is in MIME format.  Since your mail reader does not understand
this format, some or all of this message may not be legible.

----__JNP_000_254d.6691.2b09
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Here is the most likely program for our Ann Arbor advanced English
"Familiar Favorites" party dance Sunday afternoon June 12. It's from 2:00
- 5:30, so 18 dances seems like a reasonable number. (More info below.)
I'm not experienced at this, so I hope you'll recommend any improvements
I've missed.

Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,
Ashford Anniversary -- 5 minute break -- Lilli Burlero, Young Widow, Sun
Assembly, Yellow Stockings -- 1/2 hour break -- Knives & Forkes,
Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5
minute break -- Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and
Sellenger's Round.

This is a lot less challenging than our usual 2nd Friday program, and
nearly all the dances are very familiar here, so we'll keep teaching to a
minimum as much as possible and adjust as necessary. (We'll probably pull
a bit different crowd than usual too.) Interested parties will be able to
get the dance directions at http://www.aactmad.org/sa/advancedecd.html or
from me by email. Our great new band Childgrove will play, and we'll have
a lot of leaders; a different one for every dance if I succeed in setting
that up.

Are the short breaks important? Not everybody wants to dance
continuously. Could someone email me directions for Levi Jackson's? Also,
please advise me on the copyright issues of dance directions.

Thanks!

Fae Fuerst
----__JNP_000_254d.6691.2b09
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1141" name=3DGENERATOR></HEAD>
<BODY bottomMargin=3D0 leftMargin=3D3 topMargin=3D0 rightMargin=3D3>
<DIV>Here&nbsp;is the most likely program for our Ann Arbor advanced =
English=20
"Familiar Favorites" party dance Sunday afternoon June 12.&nbsp;It's from 2=
:00 -=20
5:30, so&nbsp;18 dances seems like a reasonable number. (More info below.) =
I'm=20
not experienced at&nbsp;this, so I hope you'll recommend any improvements I=
've=20
missed. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,=20
Ashford Anniversary -- 5 minute break --&nbsp;Lilli Burlero, Young Widow, =
Sun=20
Assembly, Yellow Stockings -- 1/2 hour break --&nbsp;Knives &amp; Forkes,=20
Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5 =
minute=20
break --&nbsp;Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and=20
Sellenger's Round. </DIV>
<DIV>&nbsp;</DIV>
<DIV>
<DIV>
<DIV>This is&nbsp;a lot less challenging than our usual 2nd Friday program,=
 and=20
nearly all the dances are very familiar here, so we'll keep teaching to a=20
minimum as much as possible and&nbsp;adjust as necessary. (We'll probably =
pull a=20
bit different crowd than usual too.) Interested parties will be able to get=
 the=20
dance directions at <A=20
href=3D"http://www.aactmad.org/sa/advancedecd.html">http://www.aactmad.org/=
sa/advancedecd.html</A>&nbsp;or=20
from me by email. Our great new band Childgrove will play, and we'll have a=
 lot=20
of leaders; a different&nbsp;one&nbsp;for every dance if I succeed in =
setting=20
that up. &nbsp;</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Are the short breaks important?&nbsp;Not everybody wants to dance=20
continuously.&nbsp;Could someone email me directions for Levi Jackson's? =
Also,=20
please advise me on the copyright issues of dance directions.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Fae Fuerst</DIV></DIV></BODY></HTML>

----__JNP_000_254d.6691.2b09--

================================================================================
Archive-Date: Sat, 21 May 2005 03:00:57 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Sat, 21 May 2005 02:39:51 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: Re: [ECD] please comment on this program
To: Fae Fuerst <ffuerst-AT-juno.com>
CC: ECD-AT-SSRL04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-playford.slac.stanford.edu
Message-ID: <01LOI6EM3GX28ZE64S-AT-SSRL.SLAC.STANFORD.EDU>
MIME-Version: 1.0
Content-Type: message/rfc822



> Here is the most likely program for our Ann Arbor advanced English
> "Familiar Favorites" party dance Sunday afternoon June 12. It's from 2:00
> - 5:30, so 18 dances seems like a reasonable number. (More info below.)
> I'm not experienced at this, so I hope you'll recommend any improvements
> I've missed.

> Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,
> Ashford Anniversary -- 5 minute break -- Lilli Burlero, Young Widow, Sun
> Assembly, Yellow Stockings -- 1/2 hour break -- Knives & Forkes,
> Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5
> minute break -- Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and
> Sellenger's Round.

If those are the dances you want to do, we could tweak around the order a
little bit.  Most of what I'm about to suggest is matters of taste.
I'd be much more inclined to open with Sellenger's than end with it if you're
going to have it at all.  (If you're doing it as a single circle for as many as
will, then you end up with a huge ring that is very unlikely to slip
satisfactorily; that's not the memory to leave with people.  If it's
four-couple circles, or whatever, then you lose the "everybody in one set"
appeal.  Not sure how many you're going to have, but if you want to end on a
big circle, The Wood Duck or Margaret's Waltz or even Walpole Cottage might be
better choices.

You'd really like the last dance to have a seriously killer tune; that's what
the dancers will have playing in their heads on their way home.  "Wood Duck"
qualifies.  You'd like the last dance to be something that even tired people
feel that they'd be sorry if they didn't get up and dance, and then have the
tune lift them up further; "Barbarini's Tambourine" works for that, and so does
"Young Widow."  Put really strong dances toward the end.  You're already trying
to break up sweaty dances with breaks or slower dances, which is good.

I think I would rework your second half like this:

Sellenger's Round, Levi Jackson, Mulberry Garden, Knives & Forks, Fandango
(five minutes)
Dublin Bay, Corelli's Maggot, When Laura Smiles, Barbarini's Tambourine

But this just my opinion, and maybe your dancers so love Sellenger's Round and
Mulberry Garden that they'll get up for them even if they're really tired.

> Are the short breaks important? Not everybody wants to dance
> continuously.

I think the occasional water break is a good idea, but not everybody agrees
with me.

-- Alan

> Could someone email me directions for Levi Jackson's? Also,
> please advise me on the copyright issues of dance directions.

We've been around about copyrights on the list repeatedly.  My guideline would
be that if there's somebody alive to ask permission from before reproducing
their dance directions, it would be a good idea to ask them.  I am not a
lawyer and this advice is worth what you pay for it.

-- Alan

PS: Please turn off HTML when posting to the list.


--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Sat, 21 May 2005 03:05:10 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Date: Thu, 19 May 2005 13:54:37 -0400
Subject: [ECD] please comment on this program
Message-ID: <20050519.135439.-594559.13.FFuerst-AT-juno.com>
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary=--__JNP_000_37bb.6b3c.3c2f
From: Fae Fuerst <ffuerst-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu

This message is in MIME format.  Since your mail reader does not understand
this format, some or all of this message may not be legible.

----__JNP_000_37bb.6b3c.3c2f
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

Sorry about any duplicates -- I didn't get a copy of this post so I'm
sending it again.

Here is the most likely program for our Ann Arbor advanced English
"Familiar Favorites" party dance Sunday afternoon June 12. It's from 2:00
- 5:30, so 18 dances seems like a reasonable number. (More info below.)
I'm not experienced at this, so I hope you'll recommend any improvements
I've missed.

Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,
Ashford Anniversary -- 5 minute break -- Lilli Burlero, Young Widow, Sun
Assembly, Yellow Stockings -- 1/2 hour break -- Knives & Forkes,
Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5
minute break -- Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and
Sellenger's Round.

This is a lot less challenging than our usual 2nd Friday program, and
nearly all the dances are very familiar here, so we'll keep teaching to a
minimum as much as possible and adjust as necessary. (We'll probably pull
a bit different crowd than usual too.) Interested parties will be able to
get the dance directions at http://www.aactmad.org/sa/advancedecd.html or
from me by email. Our great new band Childgrove will play, and we'll have
a lot of leaders; a different one for every dance if I succeed in setting
that up.

Are the short breaks important? Not everybody wants to dance
continuously. Could someone email me directions for Levi Jackson's? Also,
please advise me on the copyright issues of dance directions.

Thanks!

Fae Fuerst
----__JNP_000_37bb.6b3c.3c2f
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1141" name=3DGENERATOR></HEAD>
<BODY bottomMargin=3D0 leftMargin=3D3 topMargin=3D0 rightMargin=3D3>
<DIV>Sorry about any duplicates -- I&nbsp;didn't get a copy of this post so=
 I'm=20
sending it again.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Here&nbsp;is the most likely program for our Ann Arbor advanced =
English=20
"Familiar Favorites" party dance Sunday afternoon June 12.&nbsp;It's from 2=
:00 -=20
5:30, so&nbsp;18 dances seems like a reasonable number. (More info below.) =
I'm=20
not experienced at&nbsp;this, so I hope you'll recommend any improvements I=
've=20
missed. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,=20
Ashford Anniversary -- 5 minute break --&nbsp;Lilli Burlero, Young Widow, =
Sun=20
Assembly, Yellow Stockings -- 1/2 hour break --&nbsp;Knives &amp; Forkes,=20
Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5 =
minute=20
break --&nbsp;Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and=20
Sellenger's Round. </DIV>
<DIV>&nbsp;</DIV>
<DIV>
<DIV>
<DIV>This is&nbsp;a lot less challenging than our usual 2nd Friday program,=
 and=20
nearly all the dances are very familiar here, so we'll keep teaching to a=20
minimum as much as possible and&nbsp;adjust as necessary. (We'll probably =
pull a=20
bit different crowd than usual too.) Interested parties will be able to get=
 the=20
dance directions at <A=20
href=3D"http://www.aactmad.org/sa/advancedecd.html">http://www.aactmad.org/=
sa/advancedecd.html</A>&nbsp;or=20
from me by email. Our great new band Childgrove will play, and we'll have a=
 lot=20
of leaders; a different&nbsp;one&nbsp;for every dance if I succeed in =
setting=20
that up. &nbsp;</DIV></DIV>
<DIV>&nbsp;</DIV>
<DIV>Are the short breaks important?&nbsp;Not everybody wants to dance=20
continuously.&nbsp;Could someone email me directions for Levi Jackson's? =
Also,=20
please advise me on the copyright issues of dance directions.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Thanks!</DIV>
<DIV>&nbsp;</DIV>
<DIV>Fae Fuerst</DIV></DIV></BODY></HTML>

----__JNP_000_37bb.6b3c.3c2f--

================================================================================
Archive-Date: Sat, 21 May 2005 04:14:55 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <20050521111407.45901.qmail-AT-web31414.mail.mud.yahoo.com>
Date: Sat, 21 May 2005 04:14:07 -0700 (PDT)
From: Deb Karl <ecddeb-AT-yahoo.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] comments on Fae's Ann Arbor program
To: ECD-AT-ssrl04.slac.stanford.edu
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii

Just a few comments, since I'm not a programmer:
--the practice around here is to end the evening with
Sellenger's Round.  I love the unifying experience of
setting into the center and getting to see everyone
else at the dance.  "La-la-la"ing the last verse also
joins us together.  It would be strange to me to be
doing that in the middle of the dance.

--if I were to include a mixer a la "Wood Duck", I'd
have it far earlier in the program.

--five-minute water breaks are a great idea!  After
the last Boston Ball, we talked about adding those in
for future Balls (and afternoon practices).  None of
us wanted to miss "the next dance" to get water, so we
didn't do a good job of keeping well-hydrated.
Just make sure the breaks are well-marked & announced
("after this dance we'll have a five-minute break), so
that folks don't still line up.

--as to the last dance before Sellengers:  I've
experienced both Barbarini's and Dublin Bay as the
last dance of the evening.  They both work.  Having
Barbarini's as the lead-in to your last three dances
isn't a bad idea--it will pull tired folks back in
from the water break.

but let's hear what more programmers have to say...

hope it's a terrific dance,
Deb




Yahoo! Mail
Stay connected, organized, and protected. Take the tour:
http://tour.mail.yahoo.com/mailtour.html

================================================================================
Archive-Date: Sat, 21 May 2005 05:24:50 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: Re: [ECD] comments on Fae's Ann Arbor program - Levi Jackson
MIME-Version: 1.0
Message-ID: <OFFF0927F5.5B52E000-ON85257008.0040FB48-85257008.00438A2F-AT-biogenidec.com>
From: Campbell Kaynor <Campbell.Kaynor-AT-biogenidec.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Date: Sat, 21 May 2005 08:17:31 -0400
Content-Type: text/plain; charset="US-ASCII"

Fae,
Unlike the others, I love Sellenger's as a last dance. It requires no
teaching to speak of (and this crowd will not need any). It involves no
thinking to speak of. It includes everyone in the hall in the set with
equal activity. And it reminds us all of the peasant roots from whence
this artform arose (my opinion).

In my opinion, the last dance of an evening should not be the climax in
energy, sophistication, or any of the other aspects one may have toyed
with earlier on. I try to construct an evening so that it provides variety
at each point but in the backdrop of a gradual build to a climax about 2
or 3 dances before the end. The last 2 dances are to let people gently
return to earth. So the last dance should be beautiful, simple, and primal
in a way - to make the dancers start thinking about home and bed and the
peace that comes after a delicious evening of ECD. Sellenger's does this
for me.

Of course, if the dance is really just a prelude to the singing and music
making that is about to occur in the ice cream shop or pub around the
corner, your agenda may change.


Levi Jackson: (2 side couples facing 2 side couples with a head couple at
the top, facing down the middle)

A music (8 steps for each numbered line below with semicolon after 4 where
appropriate)
1) Sides do a right an left through; and while they wheel to face back,
the heads march half way down the set.
2) Sides right and left back; while the heads dance on to the bottom.
3) Heads separate and come up the outside back to the top while the sides
do circle once.
4) Everyone do-si-dos partner at home.

B music
5) 5 Ladies star 2 places (not including partner, skip 1 gent and courtesy
turn with the second)
6) 5 Ladies star 2 more places (same as above - ending with new partner
who is one gent shy of original partner)
7) Promenade new partner (counterclockwise) 1 notch around the U-shaped
figure; balance partner
8) Swing partner

All should be in new places with new partners; the gents progress 1
position each time through, while the ladies progress 2 places. 5 times
through brings everyone back home with original partner.
Notes:
Pat Shaw wrote this in the style of American Contradancing, to be done in
a Gazebo in Levi JAckson Park (Berea Kentucky). The Gazebo has a large
pillar in the center so the Ladies Chain is not meant to be done with
hands joined in the center but rather with hands stretched toward the
center. The head couple is standing with a pillar between them at the end
of the first bit...
Economy of motion is pretty important in order to stick with the tune
(i.e., there is only just enough time for the circles and the chains and
no time for being confused). It is helpful for the Ladies if the Gents can
assist them out of the chains at the right time. They need to be able to
figure out who they are receiving next in order to dispel any confusion
that may arise from newcomer ladies.
Cammy
================================================================================
Archive-Date: Sat, 21 May 2005 06:15:00 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Message-ID: <20050521131413.76774.qmail-AT-web41005.mail.yahoo.com>
Date: Sat, 21 May 2005 06:14:13 -0700 (PDT)
From: Melanie Axel-Lute <maxellute-AT-yahoo.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] comments on Fae's Ann Arbor program - Levi Jackson
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My two cents: Yes, end with Sellenger's! Stick to your
first instinct on this one.


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From: Terence Gaffney <gaff-AT-research.neu.edu>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] please comment on this program
Date: Sat, 21 May 2005 09:23:15 -0400
To: ECD-AT-ssrl04.slac.stanford.edu


On May 19, 2005, at 1:54 PM, Fae Fuerst wrote:

>
> Here is the most likely program for our Ann Arbor advanced English
> "Familiar Favorites" party dance Sunday afternoon June 12. It's
> from 2:00 - 5:30, so 18 dances seems like a reasonable number.
> (More info below.) I'm not experienced at this, so I hope you'll
> recommend any improvements I've missed.
>
> Auretti's Dutch Skipper, Handel With Care, Jack's Health,
> Elizabeth, Ashford Anniversary -- 5 minute break -- Lilli Burlero,
> Young Widow, Sun Assembly, Yellow Stockings -- 1/2 hour break --
> Knives & Forkes, Fandango, When Laura Smiles, Corelli's Maggot,
> Levi Jackson's Rag -- 5 minute break -- Barbarini's Tambourine,
> Mulberry Garden, Dublin Bay, and Sellenger's Round.
>
>




Dear Fae,
  Thanks for giving us a chance to comment! I think it does a good
job of doing what you want it to do; I have just two suggestions--
start with a jazzier opening dance than Auretti's Dutch Skipper. For
the level you want, you might consider "Apley House". Your second
section is a little monochromatic; I'd replace "Sun Assembly" with a
slow one with great music--something like "Easter Morn", "Rafe's
Waltz" or maybe a set dance like "Bonnie Cuckoo" since there isn't a
set dance in that section. That would also make a nice contrast with
"Yellow Stocking" which is a great dance to end with before the break.

Have fun!

  Best,
  Terry
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From: "Paul Stamler" <pstamler-AT-pobox.com>
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Subject: Re: [ECD] comments on Fae's Ann Arbor program - Levi Jackson
Date: Sat, 21 May 2005 10:34:51 -0500
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----- Original Message -----
From: "Melanie Axel-Lute" <maxellute-AT-yahoo.com>


<<My two cents: Yes, end with Sellenger's! Stick to your
first instinct on this one.>>

I agree -- the times we've ended on that, it has felt very good for all of
the reasons others have expressed.

Peace,
Paul

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From: "Marge Cramton" <margecramton-AT-hotmail.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: RE: [ECD] please comment on this program
Date: Sat, 21 May 2005 11:40:46 -0400
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>Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,
>Ashford Anniversary -- 5 minute break -- Lilli Burlero, Young Widow, Sun
>Assembly, Yellow Stockings -- 1/2 hour break -- Knives & Forkes,
>Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5
>minute break -- Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and
>Sellenger's Round.

Hi, Fae,

This does look like fun. My comments: I made Auretti's the Ann Arbor Tuesday
dance of the month recently and I'd say it didn't justify repeated exposure.
Also, I personally am mystified by why people feel fondly about Sellenger's
Round, so it would not be my choice for a season closer. I dance it to be a
good sport or because I don't know it's coming. The only times I've seen its
value was when we did it at Henry Ford museum with the brownies, toddlers,
reluctant dads, etc., over and over and over again, week after week, because
it worked. I'm thinking the June advanced dance level will be a bit higher
than that...! (For perspective, Christchurch Bells and Comical Fellow also
worked at HFM and we also did them over and over and over again, week after
week, but I don't now wish I had sat down when I hear them announced.)

Thanks for doing this!

Marge


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Date: Sat, 21 May 2005 11:15:59 -0700 (PDT)
From: SUSAN <susantiq-AT-prodigy.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Re: The "Levi Jackson Rag"'s history - a few corrections
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While Cammy's instructions for the "Levi Jackson Rag" are correct, the history of the dance offered is a bit skewed. Levi Jackson State Park is located just outside of London, Kentucky, (In Laurel County, not Berea's Madison County, Kentucky),  about an hour down the road south of Berea. It was named for an early Kentucky judge, and contains part of Daniel Boone's Wilderness Road, a working pioneer gristmill,  a collection of pioneer cabins and other early structures, and a large group camphouse, built about eight or ten years ago to replace the first one, which was lost to a fire. Rustic cabins surround the camphouse, for those who enjoy roughing it. The park is mostly wooded, and has walking trails and picnic areas.

Levi Jackson State Park is the home of an annual fall dance weekend, sponsored by the adult folkdaincing group in Berea. It was at one of these dance weekends that Pat Shaw was inspired to write the "Levi Jackson Rag", which indeed was in turn inspired by the architecture of the original camphouse: two substantial wooden posts supported the ceiling of the rustic structure, which also featured two large stone fireplaces and a great wooden floor.  I believe that Pat Shaw was commissioned to compose this dance, but need to check more carefully.

When fire destroyed the old camphouse in December of 1994, many dancers were quite distraught. A lettter circulated among those attending Berea's Christmas Country Dance School that year - it was signed by most of those in attendance, and was sent to the state parks commissioner, asking that a good dance floor be included in the replacement building. Two years later  in 1996, after more input and negotiation,  we got it! John Ramsay was then the director of the Berea College Country Dancers, and his knowledgability and persuasiveness were key in persuading the state parks department to include the dance floor (I wrote the Christmas School letter that about 300 people signed,  and made a few phone calls, and others also did their parts...).

It was great to see democracy working.

 While the new group camp building does not have posts, it has a fine, large wooden floor, a nice stone fireplace, an excellent kitchen and restroom facilities, and we still dance the "Levi Jackson Rag" each night of the dance weekend in late September.

Even if we have to dance it with "ghost posts"...

Hope this helps clarify things. There may be gazebos in Berea, but the "Levi Jackson Rag" was inspired elsewhere.

Susan Booker
(in Lexington, KY, about 45 minutes from Berea and two hours from Levi Jackson State Park)


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<DIV>While Cammy's instructions for the "Levi Jackson Rag" are correct, the history of the dance offered is a bit skewed. Levi Jackson State Park is located just outside of London, Kentucky, (In Laurel County, not Berea's Madison County, Kentucky), &nbsp;about an hour down the road south of Berea. It was named for an early Kentucky judge, and contains part of Daniel Boone's Wilderness Road, a working pioneer&nbsp;gristmill, &nbsp;a collection of pioneer cabins and other early structures, and a large group camphouse, built about eight or ten years ago to replace the first one, which was lost to a fire. Rustic cabins surround the camphouse, for those who enjoy roughing it. The park is mostly wooded, and has walking trails and picnic areas.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Levi Jackson State Park is the home of an annual fall dance weekend, sponsored by the adult folkdaincing group in Berea. It was at one of these dance weekends that Pat Shaw was inspired to write the "Levi Jackson Rag", which indeed was in turn inspired by the architecture of the original camphouse: two substantial wooden posts supported the ceiling of the rustic structure, which also featured two large stone fireplaces and a great wooden floor.&nbsp; I believe that Pat Shaw was commissioned to compose this dance, but need to check more carefully. </DIV>
<DIV>&nbsp;</DIV>
<DIV>When fire destroyed the old camphouse&nbsp;in December of 1994, many dancers were quite distraught. A lettter circulated among those attending Berea's Christmas Country Dance School that year - it&nbsp;was signed by most of those&nbsp;in attendance, and was sent to the state parks commissioner, asking that a good dance floor be included in the replacement building. Two years later&nbsp; in 1996,&nbsp;after more input and negotiation,&nbsp; we got it! John Ramsay was then the director of the Berea College Country Dancers, and his knowledgability and persuasiveness were key in&nbsp;persuading&nbsp;the state parks department&nbsp;to&nbsp;include the dance floor (I wrote the Christmas School letter that about 300 people signed, &nbsp;and made a few phone calls, and others also did their parts...).&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>It was great to see democracy working.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;While the new group camp&nbsp;building does not have posts, it has a fine, large wooden floor, a nice stone fireplace, an excellent kitchen and restroom facilities, and we still dance the "Levi Jackson Rag" each night of the dance weekend in late September. </DIV>
<DIV>&nbsp;</DIV>
<DIV>Even if we have to dance it with "ghost posts"...</DIV>
<DIV>&nbsp;</DIV>
<DIV>Hope this helps clarify things. There may be gazebos in Berea, but the "Levi Jackson Rag" was inspired elsewhere.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Susan Booker</DIV>
<DIV>(in Lexington, KY, about 45 minutes from Berea and two hours from Levi Jackson State Park)</DIV>
<DIV>&nbsp;</DIV>
--0-113785393-1116699359=:55485--
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Date: Sat, 21 May 2005 16:07:19 -0400
Subject: Re: [ECD] please comment on this program
Message-ID: <20050521.160720.-768097.2.FFuerst-AT-juno.com>
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From: Fae Fuerst <ffuerst-AT-juno.com>
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This message is in MIME format.  Since your mail reader does not understand
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Thanks, everybody, for your comments so far. Keep 'em coming!

The short breaks are definitely in now, and I've got Levi Jackson's
(thanks for that too). Does anyone have an email address for Cathy and
John Millar?

I'll post something in a while on my reasoning for some of the choices...

Fae

On Thu, 19 May 2005 12:45:29 -0400 Fae Fuerst <ffuerst-AT-juno.com> writes:
Here is the most likely program for our Ann Arbor advanced English
"Familiar Favorites" party dance Sunday afternoon June 12. It's from 2:00
- 5:30, so 18 dances seems like a reasonable number. (More info below.)
I'm not experienced at this, so I hope you'll recommend any improvements
I've missed.

Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,
Ashford Anniversary -- 5 minute break -- Lilli Burlero, Young Widow, Sun
Assembly, Yellow Stockings -- 1/2 hour break -- Knives & Forkes,
Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5
minute break -- Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and
Sellenger's Round.

This is a lot less challenging than our usual 2nd Friday program, and
nearly all the dances are very familiar here, so we'll keep teaching to a
minimum as much as possible and adjust as necessary. (We'll probably pull
a bit different crowd than usual too.) Interested parties will be able to
get the dance directions at http://www.aactmad.org/sa/advancedecd.html or
from me by email. Our great new band Childgrove will play, and we'll have
a lot of leaders; a different one for every dance if I succeed in setting
that up.

Are the short breaks important? Not everybody wants to dance
continuously. Could someone email me directions for Levi Jackson's? Also,
please advise me on the copyright issues of dance directions.

Thanks!

Fae Fuerst
----__JNP_000_3e09.2282.4a40
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1141" name=3DGENERATOR></HEAD>
<BODY bottomMargin=3D0 leftMargin=3D3 topMargin=3D0 rightMargin=3D3>
<DIV>Thanks, everybody, for your comments so far. Keep 'em coming!</DIV>
<DIV>&nbsp;</DIV>
<DIV>The short breaks are definitely in now, and I've got Levi Jackson's (=
thanks=20
for that too). Does anyone have an email address for Cathy and John Millar?=
=20
</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'll post something in a while on my reasoning for some of the=20
choices...</DIV>
<DIV>&nbsp;</DIV>
<DIV>Fae</DIV>
<DIV>&nbsp;</DIV>
<DIV>On Thu, 19 May 2005 12:45:29 -0400 Fae Fuerst &lt;<A=20
href=3D"mailto:ffuerst-AT-juno.com">ffuerst-AT-juno.com</A>&gt; writes:</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 10px; MARGIN-LEFT: 10px; BORDER-LEFT: #000000 2px =
solid">
  <DIV>Here&nbsp;is the most likely program for our Ann Arbor advanced =
English=20
  "Familiar Favorites" party dance Sunday afternoon June 12.&nbsp;It's from=
 2:00=20
  - 5:30, so&nbsp;18 dances seems like a reasonable number. (More info =
below.)=20
  I'm not experienced at&nbsp;this, so I hope you'll recommend any =
improvements=20
  I've missed. </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Auretti's Dutch Skipper, Handel With Care, Jack's Health, Elizabeth,=
=20
  Ashford Anniversary -- 5 minute break --&nbsp;Lilli Burlero, Young Widow,=
 Sun=20
  Assembly, Yellow Stockings -- 1/2 hour break --&nbsp;Knives &amp; Forkes,=
=20
  Fandango, When Laura Smiles, Corelli's Maggot, Levi Jackson's Rag -- 5 =
minute=20
  break --&nbsp;Barbarini's Tambourine, Mulberry Garden, Dublin Bay, and=20
  Sellenger's Round. </DIV>
  <DIV>&nbsp;</DIV>
  <DIV>
  <DIV>
  <DIV>This is&nbsp;a lot less challenging than our usual 2nd Friday =
program,=20
  and nearly all the dances are very familiar here, so we'll keep teaching =
to a=20
  minimum as much as possible and&nbsp;adjust as necessary. (We'll probably=
 pull=20
  a bit different crowd than usual too.) Interested parties will be able to=
 get=20
  the dance directions at <A=20
  href=3D"http://www.aactmad.org/sa/advancedecd.html">http://www.aactmad.=
org/sa/advancedecd.html</A>&nbsp;or=20
  from me by email. Our great new band Childgrove will play, and we'll have=
 a=20
  lot of leaders; a different&nbsp;one&nbsp;for every dance if I succeed in=
=20
  setting that up. &nbsp;</DIV></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Are the short breaks important?&nbsp;Not everybody wants to dance=20
  continuously.&nbsp;Could someone email me directions for Levi Jackson's? =
Also,=20
  please advise me on the copyright issues of dance directions.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Thanks!</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Fae Fuerst</DIV></DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

----__JNP_000_3e09.2282.4a40--

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From: "Margherita Davis" <margheritad1-AT-hotmail.com>
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From: "Marge Cramton"  wrote:

<snip>
Also, I personally am mystified by why people feel fondly about Sellenger's
Round, so it would not be my choice for a season closer. I dance it to be a
good sport or because I don't know it's coming.  <snip>

While Sellinger's is not a favorite of many people, it seems to hold a
traditional spot as the closer for an evening (often a special dance),
weekend  or dance week. I seem to recall that Sue Salmons, Jenny Shimer, et
al programmed it this way, and conveyed the regard that the dance belonged
as the closer. Perhaps someone who has been around longer than I can comment
on how the tradition started.

Margherita


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From: "allisonthompson-AT-juno.com" <allisonthompson-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Date: Sun, 22 May 2005 00:29:32 GMT
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: [ECD] Sellenger's
Content-Type: text/plain
Message-ID: <20050521.173026.6612.106893-AT-webmail23.nyc.untd.com>


Margherita wrote:   Perhaps someone who has been around longer than I can comment on how the tradition started.

I'm guessing from my research in early folk revival is that this dance was a particular fave of Mr Sharp: the fairly-reliable semi-documentary novels of Elsie J. Oxenham show him ("The Prophet" or "The Director") standing and beaming with delight in the center of the concentric rings while the "The Little Foot Page" (Maude Karpeles) and "Joshua" (Douglas Kennedy) organize the dancers, some circling CW, others CCW. Because all the participants felt (based on nothing but wishful thinking) that this was a mystic connection to Their Pagan Roots--worshipping the sacred Tree or Well or whatever--it was long a favorite ending dance. Indeed, even as I write this I am overcome with a Mystic Sensibility....must...take...off...clothes....

(Whew! am returned, fully clad, to present). Anyway, his disciples, including the Little Robin (May Gadd) would certainly have maintained this dance as a traditional finale with its sense of communality and mysticism. I certainly remember dancing it often as The Last Dance at various camps in the--well, some time ago.

Allison Thompson

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"show closer"
I used to frequently play for London Phoenix, (UK) dance display team/group
back in the 1960s, they invariably closed and danced off with Sellingers
Round. Perhaps others may remember the routine or programme.
Alan Corkett


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Date: Sun, 22 May 2005 22:35:41 +0100
Subject: [ECD] Re: Levi Jackson Rag
From: Nicolas Broadbridge <nicolas-AT-f2s.com>
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Just one further addition to Alison's exposition. It was John Ramsay who
commissioned the dance from Pat (and later commissioned what came out as
'Levi Jackson Rose' from Bernard Chalk).
    John has since himself completed a trio by adding 'Levi Jackson Waltz',
his own composition.
Nicolas Broadbridge
www.nicolasbroadbridge.com



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Date: Sun, 22 May 2005 15:45:38 -0700 (PDT)
From: SUSAN <susantiq-AT-prodigy.net>
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Adtually, I, rather than Allison,  posted about the history and background of Pat Shaw's "Levi Jackson Rag".

However,  I am flattered to be mistaken for her (although generally I don't divest myself of my garments when dancing "Sellenger's Round"....:-)

Susan Booker
Lexington, KY

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<DIV>Adtually,&nbsp;I, rather than Allison,&nbsp;&nbsp;posted about the history and background of Pat Shaw's "Levi Jackson Rag".&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>However,&nbsp;&nbsp;I am flattered to be mistaken for her (although generally I don't divest myself of my garments when dancing "Sellenger's Round"....:-)</DIV>
<DIV>&nbsp;</DIV>
<DIV>Susan Booker</DIV>
<DIV>Lexington, KY</DIV>
--0-320182433-1116801938=:92066--
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Subject: Re: [ECD] Re: The "Levi Jackson Rag"'s history - a few corrections
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Thanks Susan for the corrections on the inspiration for Levi Jackson.

One thing I used to do to make the ghost post seem more substantial is to
stand with my fiddle in the center of the set. You have to be careful not
to poke someone with the bow and there may be ladies who are more or less
eager to place hands on the "post" during the chains, but it is kind of
fun to do.
Cammy
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Date: Mon, 23 May 2005 08:57:01 -0400
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Thanks Susan for the corrections on the inspiration for Levi Jackson.

One thing I used to do to make the ghost post seem more substantial is to
stand with my fiddle in the center of the set. You have to be careful not
to poke someone with the bow and there may be ladies who are more or less
eager to place hands on the "post" during the chains, but it is kind of
fun to do.
Cammy
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From: Campbell Kaynor <Campbell.Kaynor-AT-biogenidec.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Date: Mon, 23 May 2005 09:09:16 -0400
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I use Sellenger's to end the evening because it is easy, it has plenty of
partner interaction, and it includes the entire room full of dancers in
one set; not because someone has designated it a "closer."
You end the evening feeling a little more connected to the whole
assemblage than when you end with a 3 couple set dance, more satisfied
with your abilities than when you end with a more complicated number, and
more connected with your partner than a dance such as JTCannon for
example.
It is also a dance that is easy to do with the entire band playing
acoustically in the center of the hall. This has the practical aspect that
if the dance is running late and there is sound gear to be packed up, the
stage is free of musicians and instruments for the last dance and little
or no teaching is required.
CK
================================================================================
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To: ECD mailing list <ECD-AT-ssrl04.slac.stanford.edu>
From: Margaret Talbot <MargaretTalbot-AT-mac.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] South Carolina Dance Workshop and Ball
Date: Mon, 23 May 2005 09:33:41 -0400

Friday and Saturday English Country Dance workshop and ball,
featuring Nicholas and Aidan Broadbridge,  of England and the Assembly
Players,
to be held in Greenville, South Carolina July 15 & 16, 2005

The new group of English Country Dancers here in Greenville, South
Carolina will be holding other events in the interim.

Those who are interested in the ECD Workshop and Ball Weekend, or other
ECD opportunities in Greenville SC, may contact me via
Margarettalbot-AT-mac.com, by mail at PO Box 1792, Taylors, SC 29687 or by
telephone at 443 350-0030

Pre-registration would be most helpful as we plan the details of these
events.


Margaret Talbot
================================================================================
Archive-Date: Mon, 23 May 2005 08:06:35 PDT
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Message-ID: <4291F149.4080505-AT-uiuc.edu>
Date: Mon, 23 May 2005 10:05:45 -0500
From: Jonathan Sivier <jsivier-AT-uiuc.edu>
Reply-To: ECD-AT-playford.slac.stanford.edu
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To: ECD-AT-ssrl04.slac.stanford.edu
Subject: Re: [ECD] Re: Levi Jackson Rag
References: <BEB6B9BD.1898%nicolas-AT-f2s.com>
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Nicolas Broadbridge wrote:
> Just one further addition to Alison's exposition. It was John Ramsay who
> commissioned the dance from Pat (and later commissioned what came out as
> 'Levi Jackson Rose' from Bernard Chalk).
>     John has since himself completed a trio by adding 'Levi Jackson Waltz',
> his own composition.

    John was the featured dance leader at our English & American dance
weekend last March.  He did all three of these dances.  One thing we
discovered was that ladies wearing big, hooped skirts have trouble
passing under the arches in Levi Jackson Rose, and if there are several
of them in a set the center area becomes very crowded as they all go
into the center, under the arches, at the same time.   Imagine five
women wearing large, hooped skirts all dancing inside a ring made by
five men making arches.

Jonathan
-----
Jonathan Sivier
Beckman Institute Flight Simulation Lab
jsivier AT uiuc DOT edu
Home Page: https://netfiles.uiuc.edu/jsivier/www/
-----
Q: How many angels can dance on the head of a pin?
A: It depends on what dance you call.
================================================================================
Archive-Date: Mon, 23 May 2005 08:15:24 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Mon, 23 May 2005 11:14:21 -0400
From: susan-AT-generalist.org
Reply-To: ECD-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: Re: [ECD] Re: Levi Jackson Rag
Message-ID: <20050523151421.GA31698-AT-g3.lse.org>
References: <BEB6B9BD.1898%nicolas-AT-f2s.com> <4291F149.4080505-AT-uiuc.edu>
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On Mon, May 23, 2005 at 10:05:45AM -0500, Jonathan Sivier wrote:
>    John was the featured dance leader at our English & American dance
> weekend last March.  He did all three of these dances.  One thing we
> discovered was that ladies wearing big, hooped skirts have trouble
> passing under the arches in Levi Jackson Rose, and if there are several
> of them in a set the center area becomes very crowded as they all go
> into the center, under the arches, at the same time.   Imagine five
> women wearing large, hooped skirts all dancing inside a ring made by
> five men making arches.

Shades of the Cazorti, wherein four hoop-skirted ladies appear to pass
through the center of a set simultaneously.  The crowd at NEFFA back
in April applauded every time the Commonwealth Vintage Dancers did
that move.

Susan
================================================================================
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To: ECD mailing list <ECD-AT-ssrl04.slac.stanford.edu>
From: Margaret Talbot <MargaretTalbot-AT-mac.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Broadbridges of Lanark
Date: Mon, 23 May 2005 11:25:52 -0400

Please accept my apologies for the error in my previous announcement
about the ball in South Carolina wherein I was guilty of suddenly
moving Lanark from Scotland to England, I promise you it was not
another attempt by the English to take over our dear neighbours north
of Hadrian's wall!

Many thanks to Catie Condrian Geist for reminding me of the correct
location.

Margaret
================================================================================
Archive-Date: Mon, 23 May 2005 09:18:25 PDT
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Message-ID: <6.2.1.2.2.20050523111502.01dea900-AT-mail.mhtc.net>
Date: Mon, 23 May 2005 11:17:28 -0500
To: ECD-AT-ssrl04.slac.stanford.edu
From: "M.G. Mudrey, Jr." <mgmudrey-AT-mhtc.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] Re; Levi Jackson Rag
References: <20050522224538.92291.qmail-AT-web80213.mail.yahoo.com>
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Could some enterprising individual seach through the ECD archives
(again...I just did).

I recall a tread about 5 years ago on Levi Jackson.  One historian
recounted that the first time that the dance was dance at Levi Jackson
State Park, the set was moved from around the pole so that historically the
pole prompted the dance, but the pole was not used in the dance.

There are also some good threads from 1999 about Pat Shaw's teaching,
nature of the courtesy turn, nature of the promenade, and nature of the
balance and swing.

mike


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<html>
<body>
<x-sigsep><p></x-sigsep>
<font size=3>Could some enterprising individual seach through the ECD
archives (again...I just did).<br><br>
I recall a tread about 5 years ago on Levi Jackson.&nbsp; One historian
recounted that the first time that the dance was dance at Levi Jackson
State Park, the set was moved from around the pole so that historically
the pole prompted the dance, but the pole was not used in the
dance.<br><br>
There are also some good threads from 1999 about Pat Shaw's teaching,
nature of the courtesy turn, nature of the promenade, and nature of the
balance and swing.<br><br>
mike<br><br>
</font></body>
</html>

--=====================_323971484==.ALT--

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Archive-Date: Mon, 23 May 2005 10:15:04 PDT
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Date: Mon, 23 May 2005 10:14:13 -0700
From: Jon Berger <jberger-AT-sbcglobal.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
MIME-Version: 1.0
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: Re: [ECD] Sellenger's
References: <OFC72F91E2.39934855-ON8525700A.00474404-8525700A.0048479B-AT-biogenidec.com>
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Campbell Kaynor wrote:

> It is also a dance that is easy to do with the entire band playing
> acoustically in the center of the hall.

I hate that, personally.  And I don't even play piano; I can just imagine
how pianists must feel about it -- "would you mind just moving over here?
Umm, that does have wheels, doesn't it?"  But my beef is, if the hall and
crowd are big enough that a sound system was necessary in the first place,
it doesn't get any less necessary because I'm standing someplace else.
Well, maybe a little bit, since I'm now standing a maximum of a half-hall
distance from the most distant dancer rather than a full hall, but as a
practical matter playing acoustically in a big hall for a big crowd is just
a lot of not particularly rewarding work -- especially since, on the last
dance, everyone is going to want to do a lot of whoopie-ing and yahoo-ing.

If you're going to pull this on the band, at least let them know in
advance, and maybe they'll have some extra-loud instruments they can bring
for the occasion.  I'd play "Sellenger's" on the accordion in this
instance, even though I don't generally use it for ECD, just for the added
volume.

--
Jon Berger
http://pages.sbcglobal.net/jberger

================================================================================
Archive-Date: Mon, 23 May 2005 11:34:13 PDT
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To: ECD-AT-ssrl04.slac.stanford.edu
Subject: Re: [ECD] Sellenger's
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From: Campbell Kaynor <Campbell.Kaynor-AT-biogenidec.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Date: Mon, 23 May 2005 14:33:16 -0400
Content-Type: text/plain; charset="US-ASCII"

Jon wrote:
> It is also a dance that is easy to do with the entire band playing
> acoustically in the center of the hall.

I hate that, personally.  And I don't even play piano; I can just imagine
how pianists must feel about it -- "would you mind just moving over here?
Umm, that does have wheels, doesn't it?"  But my beef is, if the hall and
crowd are big enough that a sound system was necessary in the first place,
it doesn't get any less necessary because I'm standing someplace else.
Well, maybe a little bit, since I'm now standing a maximum of a half-hall
distance from the most distant dancer rather than a full hall, but as a
practical matter playing acoustically in a big hall for a big crowd is
just
a lot of not particularly rewarding work -- especially since, on the last
dance, everyone is going to want to do a lot of whoopie-ing and yahoo-ing.

Jon,
Of course it is a matter of taste. I think most musicians who play for me
expect that I will do this so I don't feel I need to "warn" them, and it
is certainly not required. Those who have a reason not to want to
participate may begin packing up their instruments or may play quietly (so
they can follow the beat being set in mid-hall) from the stage. There have
been plenty of times when I played solo in the center (what we call "ring
around the caller") while all the rest of the tired band packed up for
their drives home.

Maybe it works for us because:
1) we don't use piano for ECD (since I stick fairly strictly to the
earlier dances).
2) we don't usually do "a lot of whoopie-ing and yahoo-ing" on
Sellenger's.
3) we don't play in halls that are so large (or to dancers that are so
noisy) that "a sound system is necessary."
4) playing for dancing from the middle of the room does not feel strange
since most of us play for Scandinavian dancing that way.

Explanation:
Although we have lots of non-period instruments in the band and sit-ins, I
find piano so alters the sound and style that we almost never use one. Our
harpsichord player (when we have one) is capable and eager to play
mandolin or guitar in situations where the band is asked to be mobile.
Our big climax in the way of excitement, energy, enthusiasm and the
accompanying whoops was about 2 dances prior to Sellenger's. Being
Sellenger's there is some amount of excitement, but not what I would call
"a lot." It falls in the part of the program where we are setting the
dancers down as if we have driven them aloft with our music and now we are
bringing them back to earth for the trip home. Some people end their
evenings with a waltz for a similar effect. Sellenger's is our last dance
and it serves that function.

I have always found that the louder the band is, the louder the dancers
are tempted to be; either to be heard over the din or because they feel
their individual little noise will not impinge on the sound that the other
dancers are hearing. When others turn the sound system up, I prefer to
turn it down or off altogether, and gain the dancers' attention by
reducing the volume so they have to LISTEN in order to hear. I have not
found that dancing more quietly equates with dancing with less energy, or
raw enthusiasm. Whoops and yahoos do occur in unamplified settings but
they seem more judiciously used so they don't drown out the music for more
than a beat or two.
At my dances, amplification is employed for 3 reasons: as a concession to
those who want to hear the music more easily and at near full volume
throughout the room; so that the caller's instructions can be heard with
ease even if hubbub arises during a poorly taught figure; and so the
sit-ins can FOLLOW the band rather than DOMINATE the sound. For this last
dance, these reasons seem less relevant. As you mentioned, being in the
center of the hall means dancers are less likely to be far from the band.
Teaching is not needed during Sellenger's at the end of an evening where
all the figures have been done before in other contexts. And for this last
dance I am trying to end with a feeling of participation and community.
Inviting the sit-ins to be as central to the sound as the hired band, is a
move in that direction. In fact, it is not unusual for the band members to
dance Sellenger's while they play.
Cammy
================================================================================
Archive-Date: Tue, 24 May 2005 09:36:28 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Date: Tue, 24 May 2005 12:34:41 -0400
Subject: [ECD] HTML issues
Message-ID: <20050524.123442.-468491.1.FFuerst-AT-juno.com>
MIME-Version: 1.0
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From: Fae Fuerst <ffuerst-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu

In Juno, all messages start out in plain text if the default is set that
way (mine is).

If you paste in from Word, or change things like the text color or
alignment, it switches to html. So now I'll try to remember to switch it
back for ECD posts, since I cut and paste a lot. Live and learn -- thanks
for your patience.

Contrary to Juno help info, adding a hyperlink does not appear to make it
switch to html. I don't know what controls whether the link is "live" or
not.

Fae Fuerst
================================================================================
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Date: Tue, 24 May 2005 07:18:16 -0400
To: ECD-AT-ssrl04.slac.stanford.edu
From: "Emily L. Ferguson" <elf-AT-cape.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Re: Levi Jackson Rag
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

One other thing that really gets to me about Levi Jackson is getting
the name wrong.

It's not a dance for a man  named Levi Jackson, so it's not Levi Jackson's Rag.

It's the Levi Jackson Rag.
--
Emily L. Ferguson
mailto:elf-AT-cape.com
508-563-6822
New England landscapes, wooden boats and races, press photography
http://www.vsu.cape.com/~elf/

================================================================================
Archive-Date: Tue, 24 May 2005 17:09:16 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ECD-AT-ssrl04.slac.stanford.edu
Date: Tue, 24 May 2005 20:08:10 -0400
Subject: Re: [ECD] Re: Levi Jackson Rag
Message-ID: <20050524.200810.-849799.2.FFuerst-AT-juno.com>
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From: Fae Fuerst <ffuerst-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu

Thanks, Emily -- that explains why Google failed me on this one!

Fae

On Tue, 24 May 2005 07:18:16 -0400 "Emily L. Ferguson" <elf-AT-CAPE.COM>
writes:
> One other thing that really gets to me about Levi Jackson is getting
> the name wrong.
>
> It's not a dance for a man  named Levi Jackson, so it's not Levi
> Jackson's Rag.
>
> It's the Levi Jackson Rag.
> --
> Emily L. Ferguson
> mailto:elf-AT-cape.com
> 508-563-6822
> New England landscapes, wooden boats and races, press photography
> http://www.vsu.cape.com/~elf/
>
>
>
================================================================================
Archive-Date: Wed, 25 May 2005 15:28:53 PDT
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Message-ID: <9f752a3f0505251528394ca4a0-AT-mail.gmail.com>
Date: Wed, 25 May 2005 18:28:33 -0400
From: Country Dancers of Westchester <cdw.ecd-AT-gmail.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: ECD List <ECD-AT-ssrl04.slac.stanford.edu>
Subject: [ECD] Ice Cream Social this Saturday
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Country Dancers of Westchester ends its 2004-2005 season with the
annual "Ice Cream Social" featuring emcees Fried Herman, Carol
Martinez, Gene Murrow, and Paul Ross. Music by the house band and
guest musicians, all led by Leah Barkan

Dance from 8pm to 11pm, Saturday, May 28, in White Plains, NY. Get
directions & other information at the C.D.W. website:
 http://www.geocities.com/cdwestchester/
================================================================================
Archive-Date: Wed, 25 May 2005 17:15:19 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Wed, 25 May 2005 17:10:36 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: [ECD] Mendocino English Week - July 9-16 2005 - openings
To: ecd-AT-ssrl04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-playford.slac.stanford.edu
Message-ID: <01LOOLCWT77O96VK3H-AT-SSRL.SLAC.STANFORD.EDU>
MIME-Version: 1.0
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ECDers --

There've been a couple of cancellations, and there are now a _very few_ places
available for Mendocino (California) English Dance Week, July 9 - 16.


The 2005 staff includes:

    * English country dancing with Scott Higgs , Gary Roodman, and Jody McGeen
    * Longsword and display dance choreography with Judy Erickson
    * Cotswold morris with Kalia Kliban
    * Dance leaders' seminar with Scott Higgs
    * Singing technique with Wayne Hankin
    * English country dance band with Jon Berger
    * Slow jam with Ruth Anne Fraley
    * And our musicians: Jon Berger, Noel Cragg, Daron Douglas, Ruth Anne
Fraley, Earl Gaddis, Wayne Hankin, Jonathan Jensen, and Craig Johnson.

More info, and a reg form you can print out, at
http://www.bacds.org/camps/eweek2005/


-- Alan

--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Wed, 25 May 2005 17:47:51 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
Date: Wed, 25 May 2005 20:47:32 -0400
From: "Gene Murrow" <gmurrow-AT-verizon.net>
Subject: Re: [ECD] The List is back
To: <ECD-AT-ssrl04.slac.stanford.edu>
Reply-To: ECD-AT-playford.slac.stanford.edu
Message-ID: <046401c5618c$81f96c90$0200a8c0-AT-DELLLAPTOP>
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References: <01LOI48WVPLE8ZE64S-AT-SSRL.SLAC.STANFORD.EDU>

----- Original Message -----
From: "Alan Winston - SSRL Central Computing" <winston-AT-slac.stanford.edu>
To: <ecd-AT-ssrl04.slac.stanford.edu>
Sent: Saturday, May 21, 2005 4:53 AM
Subject: [ECD] The List is back


> ECDers --
>
... [We don't have an offsite disaster recovery site because those don't
usually
> come equipped with two-mile long accelerators or 26-beam-line
> synchrotrons, and
> without those we're out of business anyway.])
>

Hey guys... Alan and SSRL are maintaining the ECD list for us, why don't we
maintain a two-mile long accelerator and a 26-beamline synchrotron for him?
Can we build a couple of those gizmos at a work weekend?  Pinewoods?
Mendocino?  Lichfield?  Eastbourne?  Least we can do, don't you think?  And
when SSRL isn't using them, we can accelerate 26 or so chestnut ECD's into a
collision at a few billion EVs and see if any new figures come out of it!

Gene.



================================================================================
Archive-Date: Wed, 25 May 2005 17:52:32 PDT
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References: <01LOI48WVPLE8ZE64S-AT-SSRL.SLAC.STANFORD.EDU> <046401c5618c$81f96c90$0200a8c0-AT-DELLLAPTOP>
Date: Wed, 25 May 2005 20:52:06 -0400
To: ECD-AT-ssrl04.slac.stanford.edu
From: "Emily L. Ferguson" <elf-AT-cape.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] The List is back
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Gene, Gene!  Hold on there.  You're getting deep into geektalk!
--
Emily L. Ferguson
mailto:elf-AT-cape.com
508-563-6822
New England landscapes, wooden boats and races, press photography
http://www.vsu.cape.com/~elf/

================================================================================
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Subject: [ECD] Yellow Stockings
Date: Thu, 26 May 2005 11:26:05 +1000
Message-ID: <D915DF838686C64AA0E51D9C9407B53085D264-AT-email2.parl.net>
From: "Garden, John \(DPS\)" <John.Garden-AT-aph.gov.au>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: <ECD-AT-ssrl04.slac.stanford.edu>

Can anyone offer me the original intructions for 'Yellow Stockings' as
in John and William Neal's 1726 Dublin publication (keyed in text or
link to electronic facsimile)

- and also a pointer to where I might obtain a copy of Rich Jackson and
George A. Fogg 1990 edited facsimile of this book?

Much appreciating any help anyone can offer,

John Garden
================================================================================
Archive-Date: Wed, 25 May 2005 18:44:40 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
From: "Patricia Ruggiero" <ruggierop-AT-earthlink.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: <ECD-AT-ssrl04.slac.stanford.edu>
Subject: RE: [ECD] Yellow Stockings
Date: Wed, 25 May 2005 21:44:23 -0400
Message-ID: <002601c56194$71b57a60$6429bc3f-AT-g9tfz>
MIME-Version: 1.0
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John wrote:
> Can anyone offer me the original intructions for 'Yellow
> Stockings' as in John and William Neal's 1726 Dublin
> publication (keyed in text or link to electronic facsimile)

Yellow stocken's: each strain twice

1st ma: turn 2d wo:
1st wo: turn 2d ma:
1st cu: dance down & up taking both hands, & cast off into 2d cu: place:
Right & left quite round:


> - and also a pointer to where I might obtain a copy of Rich
> Jackson and George A. Fogg 1990 edited facsimile of this book?

Can't help with this part.

================================================================================
Archive-Date: Wed, 25 May 2005 19:53:49 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
From: "Patricia Ruggiero" <ruggierop-AT-earthlink.net>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: <ECD-AT-ssrl04.slac.stanford.edu>
Subject: RE: [ECD] Yellow Stockings
Date: Wed, 25 May 2005 22:53:33 -0400
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John, FWIW, the instruction for the R&L is on a separate line in the
original instructions as printed in the Jackson and Fogg book.  I typed it
that way, don't know why it didn't show up that way after transmission (in
the post that I received).

Pat

> 1st ma: turn 2d wo:
> 1st wo: turn 2d ma:
> 1st cu: dance down & up taking both hands, & cast off into 2d cu: place:
Right & left quite round:

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Subject: RE: [ECD] Yellow Stockings
Date: Thu, 26 May 2005 17:33:58 +1000
Message-ID: <D915DF838686C64AA0E51D9C9407B530890F75-AT-email2.parl.net>
From: "Garden, John \(DPS\)" <John.Garden-AT-aph.gov.au>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: <ECD-AT-ssrl04.slac.stanford.edu>

Many thanks to everyone for their help on and off list.=20

John.=20

-----Original Message-----
From: owner-ecd-AT-ssrl04.slac.stanford.edu
[mailto:owner-ecd-AT-ssrl04.slac.stanford.edu] On Behalf Of Patricia
Ruggiero
Sent: Thursday, 26 May 2005 11:44 AM
To: ECD-AT-ssrl04.slac.stanford.edu
Subject: RE: [ECD] Yellow Stockings


John wrote:
> Can anyone offer me the original intructions for 'Yellow Stockings' as

> in John and William Neal's 1726 Dublin publication (keyed in text or=20
> link to electronic facsimile)

Yellow stocken's: each strain twice

1st ma: turn 2d wo:
1st wo: turn 2d ma:
1st cu: dance down & up taking both hands, & cast off into 2d cu: place:
Right & left quite round:


> - and also a pointer to where I might obtain a copy of Rich Jackson=20
> and George A. Fogg 1990 edited facsimile of this book?

Can't help with this part.

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Date: Thu, 26 May 2005 02:17:33 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: (fwd from John Ramsay) Levi Jackson Rag
To: ECD-AT-ssrl04.SLAC.STANFORD.EDU
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Date: Wed, 25 May 2005 17:29:17 -0500
From: John Ramsay <johnberni-AT-charter.net>
Subject: Levi Jackson Rag
To: owner-ecd-AT-SSRL04.SLAC.STANFORD.EDU, mgmudrey-AT-mhtc.net
Cc: susan-AT-GENERALIST.ORG, McDonald Bill <mcdjr-AT-swbell.net>, nicolas-AT-f2s.com
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Dear Dance Leaders:

Bill suggests that I, as the "horses mouth," participate in the Levi
Jackson discussion.  Susan and Nic are correct.  Here is some
additional information "for posterity!"

We had some small amount of funds ($50) left after the 1974 Adult
Section of the Mountain Folk Festival held at Levi Jackson State Park.
Pat Shaw had been the featured caller for the weekend (I have 1
cassette tape of his calls and songs at Levi Jackson and 1 of his
programs  in eastern Kentucky Schools under a grant from the Kentucky
Arts Council just before Levi Jackson, if anyone is interested).  It is
always nice to have some extra funds because they can be used to do
extra nice things--like ask Pat to create a dance for the Festival. I
asked Pat for a dance which would accommodate  the two posts in the
hall at the Lodge (as Susan pointed out--she, by-the-way, is really the
one who spearheaded getting the State to build a dance-friendly new
lodge).  Pat went back to Edinburgh and worked up the dance there.

The following summer, I took the Berea College Country Dancers to
England and Scotland.  Pat met us at the Tyne and Wear Folkmoot where
we represented the United States.  He then accompanied us to Edinburgh
where he had arranged several engagements for us.  I don't remember if
it was in Prince's Street Gardens or while we were still in Newcastle
that Pat tried out the Levi Jackson Rag on our troupe.  He made some
small adjustment in the choreography and then printed up a sheet of
instructions and his music for the dance.  The music recapitulated the
sounds of both Lewis and Donna Lamb (Appalachian hoedown} and the
McLain Family Band (bluegrass/Beaumont Rag).  Both bands had provided
music at the Levi Jackson Festival.

Musicians found the music challenging because of its unusual
progressions, but they liked challenges.  We callers also had to learn
how to teach the dance:  "Ladies, after the do-si-do move in toward the
center for the 5-ladies chain.  Gentlemen, be ready to snag the second
lady past your partner."  It was an unusual dance at the time.

Pat was a wonderful host in Scotland.  He gave us a haggis supper at
Gladstone's end on the Royal Mile (Lewis asked me how I liked the
haggis and I replied that I would like it better with ketchup! ) Pat
read Browning's Ode to the Haggis before he plunged the butcher knife
into it.  He also provided dinner at a new theatre venue (can't recall
its name, L____) with the newest technology in some old stables; the
dining room had gorgeous wall to wall purple carpeting, the tables were
covered with white linen and the crystal goblets contained yellow
elderberry flower squash-- it was a beautiful sight.  Pat had spent the
day gathering elderberry flowers, carefully picking off the flowerets
and then steeping them to make the drink.

Pat drove himself to the limit in bringing joy to others and used his
wonderful creative talent and love of puzzles in the service of the
music and dance communities.  The accordion took a toll on his back and
as I drove him from school to school in my station wagon in eastern
Kentucky, he stretched out flat on his back in the back with the seats
down.  We played Pinky Stinky as we traveled for amusement.

Happy dancing to all of you!

John Ramsay


--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

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Date: Thu, 26 May 2005 15:51:49 -0700 (PDT)
From: Mike White <dangnabbit_2-AT-yahoo.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Re: (fwd from John Ramsay) Levi Jackson Rag
To: ECD-AT-ssrl04.slac.stanford.edu, johnberni-AT-charter.net
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OK, Dr. John, I'll bite.

What the heck is Pinky Stinky?

> down.  We played Pinky Stinky as we traveled for
> amusement.
>
> Happy dancing to all of you!
>
> John Ramsay




__________________________________
Do you Yahoo!?
Yahoo! Small Business - Try our new Resources site
http://smallbusiness.yahoo.com/resources/
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Date: Thu, 26 May 2005 15:55:03 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-slac.stanford.edu>
Subject: Re: [ECD] Re: (fwd from John Ramsay) Levi Jackson Rag
To: Mike White <dangnabbit_2-AT-yahoo.com>
CC: ECD-AT-SSRL04.SLAC.STANFORD.EDU, johnberni-AT-charter.net
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Mike White wrote:

> OK, Dr. John, I'll bite.

> What the heck is Pinky Stinky?

> > down.  We played Pinky Stinky as we traveled for
> > amusement.
> >
> > Happy dancing to all of you!
> >
> > John Ramsay

I'm not John, but I think I can answer.  The game of "Stinky Pinky" is for
one player to propose a definition (eg, "smelly little finger") that can be
rendered as a pair of rhyming words (eg, "Stinky Pinky".)  The one-syllable
variation is "Stink Pink"; the three-syllable variation is "Stinkeroo
Pinkeroo."

For example: "The Chief Executive is at home" is a Stinkeroo Pinkeroo.

[I think I encountered these in "Thank You For the Giant Sea Tortoise", or some
other book.  I had no idea the game was known in international ECD circles.]

-- Alan (very far off-topic indeed)

--
===============================================================================
 Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
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Date: Sat, 28 May 2005 05:16:48 -0400
From: Country Dancers of Westchester <cdw.ecd-AT-gmail.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
To: ECD List <ECD-AT-ssrl04.slac.stanford.edu>
Subject: [ECD] Leah Barkan at Four Score
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Leah Barkan, longtime stalwart of the music for Country Dancers of
Westchester, was feted on the occasion of her 80th birthday. Some of
the testaments offered at the gathering at Church in the Highlands in
White Plains are reproduced here . . .

 http://www.geocities.com/cdwestchester/leah_80.htm

And the crowd serenaded the honoree in the usual manner. And, in a
pinch, Leah played during that singing of "Happy Birthday." What else?
================================================================================
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Date: 30 May 2005 10:42:33 EDT
From: David.Millstone-AT-valley.net (David Millstone)
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: [ECD] Stinky Pinky
To: ECD-AT-ssrl04.slac.stanford.edu
MIME-Version: 1.0
Content-Type: text/plain

Warning: no ECD content whatsoever.

Alan wrote, stating it as though it were Absolute Truth, "the three-syllable
variation is "Stinkeroo Pinkeroo."

I hesitate to take issue with my esteemed West Coast colleague and keeper of
this list, but when I was growing up in Pennsylvania and my family played this
on long car trips, three syllables was always Stinkety Pinkety.

David M.
================================================================================
Archive-Date: Mon, 30 May 2005 10:03:29 PDT
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Message-ID: <429B4750.4040501-AT-uiuc.edu>
Date: Mon, 30 May 2005 12:03:12 -0500
From: Jonathan Sivier <jsivier-AT-uiuc.edu>
Reply-To: ECD-AT-playford.slac.stanford.edu
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Subject: [ECD] Playford Ball, June 4, Urbana, IL
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                   The Central Illinois English Country Dancers
                                 Invite You To An

                    E N G L I S H   C O U N T R Y   D A N C E
                            P L A Y F O R D   B A L L


    The Central Illinois English Country Dancers will be holding their
tenth annual Playford Ball on Saturday, June 4, 2005.  The dance will be
held in the ballroom of the Illini Student Union, 1401 W. Green, Urbana,
IL, on the campus of the University of Illinois.  There will be  a warm
up session from 7:00 to 8:00, followed by the Ball from 8:00 to 11:00
p.m.  Fans and finery are encouraged and we will be holding a costume
contest to choose a King and Queen of the Ball.  There will be a $7.00
suggested donation to help cover the cost of the Ball.  We ask that
dancers wear soft soled shoes to help protect the dance floor and avoid
using excessive amounts of perfume for the benefit of others who may
experience allergic reactions.  All dances will be taught and all lovers
of English Country dance and music are welcome.

Dances Led By: Jane Hobgood and Jonathan Sivier
Music Provided By: The Flatland Consort
Dance Warmup: 7:00 p.m.
Playford Ball: 8:00 to 11:00 p.m.
Date: Saturday, June 4, 2005
Location: Illini Union, Ballroom, 1401 W. Green, Urbana, IL
Suggested Donation: $7.00

    There will be refreshments at the break and a party following the
dance.

    There will be a costume contest with a Top Couple (King and Queen of
the Ball) being chosen.

Dances for the evening will be taken from the following list:

Alexandrovsky Waltz - circle of couples
Corelli's Maggot - duple minor longways
Dressed Ship - duple minor longways
Easter Morn - duple minor longways
Emma's Commencement - duple minor longways
Gisburn Processional - longways
Heartsease - 2 couples facing
Hole In The Wall - duple minor longways
Hunsdon House - 4 couples in a square
I Care Not For These Ladies - circle mixer
Juice of Barley - duple minor longways
Portland Fancy - 4 facing 4
Prisoner - cotillion for 4 couples in a square
Sweet Richard - triple minor longways
Waltz Country Dance - Sicilian circle

    The instructions for the dances are on the webpage (see below).
However all dances will be taught so isn't necessary to know them in
advance.

    For further information contact Jonathan Sivier (jsivier-AT-uiuc.edu) at
217/359-8225 or Jane Hobgood at 217/328-1708 or check the webpage at
http://www.prairienet.org/ciecd/playford.html

    For those who are interested, the Urbana Country Dancers will be
holding a contra dance on Friday, June 3, from 8 to 11 p.m. at the
Phillips Recreation Center, 505 W. Stoughton, Urbana.  David Grove will
be calling and the band will be The Farmers' Market String Band.

    Thanks for the support of the Champaign Park District and the Illini
Folk Dance Society.

-----
Jonathan Sivier
Beckman Institute Flight Simulation Lab
jsivier AT uiuc.edu
Home Page: https://netfiles.uiuc.edu/jsivier/www/
-----
Q: How many angels can dance on the head of a pin?
A: It depends on what dance you call.
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From: Judy Grunberg <jbgrun-AT-berk.com>
Reply-To: ECD-AT-playford.slac.stanford.edu
Subject: Re: [ECD] Stinky Pinky
Date: Mon, 30 May 2005 15:07:48 -0400
To: ECD-AT-ssrl04.slac.stanford.edu


On May 30, 2005, at 10:42 AM, David Millstone wrote:

>  but when I was growing up in Pennsylvania and my family played this
> on long car trips, three syllables was always Stinkety Pinkety.
>

I seem to recall Stinkally-Pinkally (sp?)- growing up in NYC.

Judy Grunberg

================================================================================
Archive-Date: Mon, 30 May 2005 19:07:38 PDT
Sender: owner-ecd-AT-playford.slac.stanford.edu
To: ecd-AT-ssrl04.slac.stanford.edu
CC: solweber-AT-juno.com
Date: Mon, 30 May 2005 22:06:14 -0400
Subject: [ECD] Crazy Marie REVISED
Message-ID: <20050530.220620.2828.0.solweber-AT-juno.com>
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From: Sol Weber <solweber-AT-juno.com>
Reply-To: ECD-AT-playford.slac.stanford.edu


Gene Murrow called this dance of mine a few months ago, in NYC.  It went
well,
and folks liked it.  When I mentioned it on this list, a bunch of people
asked
for copies, and several reported back that they tried it and it was well
received.
I also received  comments and suggestions from Colin, Judi, and others --

thanks, y'all -- and have revised my baby a bit, to smooth out a few
rough
spots.    In the description below, the basic calls are in CAPS,
clarification to
calls is lower case, and humorous "patter" is in parentheses.

The A music is a glorious Norwegian tune, "Crazy Marie" (hence the name
of the
dance), and Jonathan Jensen kindly wrote the excellent B music.  If you'd
like a
copy of the music, let me know (off-list).  I can email it.  If you
already have it,
from before, there's one small correction.  On line 2, 3rd measure, add a
natural
to the first note, the 'e'.

For those who received the dance earlier, the main change was to switch
to LEFT
circles in the B section (responding to many kvetches) and a smoother
transition
at the end of the A section.   Also, a small typo in the A section --
'their tune' now
correctly says 'their turn'.

CRAZY  MARIE -- An English-style "FDR" dance (Flirtation, Denial,
Reconciliation)
Dance by Sol Weber
A  Music, Norwegian, traditional
B  Music, Jonathan Jensen
3 couples, longways, proper, waltz
.
.
A   SECTION
.
6.  MEN SET, MOVING FORWARD   waltz steps     (Eagerly)
6.  WOMEN TURN SINGLE RIGHT                             (Turning away,
disdainfully)
.             while MEN FALL BACK
(Crestfallen)
.
6.  Now WOMEN SET, MOVING FORWARD             (Eagerly, change of heart)
6.  MEN TURN SINGLE RIGHT
(Disdainfully, THEIR turn)
.         while WOMEN FALL BACK
(Surprised)
.
6.   all APPROACH PARTNER step, close;step, close  (Hesitantly. Time to
reconcile?)
6.   partners GYPSY RIGHT once around                         (Increasing
interest)
.
6.   flow into ARM RIGHT  once around                          (All is
forgiven!)
6.   all FALL BACK TO PLACE step, close;step, close  (Friends again. Time
to meet
.
                           the neighbors.)
.
B   SECTION
.
12.  FIRST TRIANGLE CIRCLE LEFT once around, return home. others back
away.
.         "end men" and middle woman
.
12.  SECOND TRIANGLE CIRCLE LEFT once around, return home.  others back
away.
.              "end women" and middle man.
.
6.  LINES of three SET, MOVING FORWARD, with hands         (Finally, ALL
are friends)
6.  LINES SET, MOVING BACK
.        1s and 2s, keep neighbor's hand; 3s let go
.
.                 PROGRESSION
6.   TWOS GATE ONES halfway          2s back up as 1s go forward, to
change places.   both
.                                                                     are
facing out.  3s turn in place, toward the other
.
dancers, to also face out
6.   THREES GATE ONES halfway,       3s back up, as 1s go forward, to
change places.  both
.                 to bottom                                     are
facing in.    old 2s, at top, turn in place, to face in.





Sol "Roundman" Weber  --- "So many rounds, so little time"
25-14  37 St,  Astoria NY 11103, 718-278-4389 (after 11am)
SINGERS & musicians, contact me for info on books, albums,
& misc. fun items. solweber-AT-juno.com;
web: http://roundz.tripod.com    (DON'T use 'www')