Archive-Date: Mon, 03 Feb 2003 18:24:12 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 03 Feb 2003 18:26:12 -0800 From: "Ed St.Germain" Subject: How the upper crust danced To: ECD list Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <3E3F24C3.86427C84-AT-AmericanRevolution.org> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1; x-mac-type=54455854; x-mac-creator=4D4F5353 Content-Transfer-Encoding: 8BIT From the Norfolk Chronicle, Saturday, January 22, 1780 LONDON & c. Tuesday, Jan. 18 This being the day appointed to be kept as her Majesty’s birth day, the usual rejoicings were observed. The morning was ushered in with ringing of bells, and the flags were hoisted on the steeples, and at one o’clock the Park and Tower guns were fired. There was a levee and a drawing-room at which the great officers of state, foreign ministers, and the nobility, &c. were present. The Princess Royal received the compliments of the Nobility yesterday in her own apartment, in honour of her Majesty’s birth day.The Prince of Wales and Bishop of Osnaburgh were at the drawing-room. There will be no drawing-room to-morrow. Count Weldren, the Dutch Ambassador, and the Countess were at St. James this day. The ladies dresses were mostly sattin, fancifully ornamented with foil, gauze, and flowers. Lady Augusta Campbell, the Duchess of Rutland, and the Burrells, were most distinguished. - Lady Taylor appeared in a magnificent dress of white and gold, and blue foils, richly trimmed with crape, and embroidered with gold, and blue foils and tassels of gold and silver; and her head was superbly ornamented with diamonds. The gentlemen most remarkable for dress were, the Lords Carlisle and Cholmondeley, and Mr. Thomas Onslow. The King, as usual on her Majesty’s birth day, was most superbly cloathed in a brown-coloured velvet, embroidered with gold and foil, and a vast profusion of diamonds. The Queen, according to custom, was dressed plain. Their Majesties came into the ball room last night soon after nine o’clock, and after paying compliments to the Foreign Ministers, and the Nobility round the circle, the minuets began. His Royal Highness the Prince of Wales, and her Grace the Duchess of Athol, opened the ball; about half a score minuets were danced, which were succeeded by country dances and cotillions. Their Majesties left the ball room soon after eleven. ================================================================================ Archive-Date: Mon, 03 Feb 2003 21:31:30 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 03 Feb 2003 21:31:39 -0800 From: Alan Ackerman Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: How the upper crust danced To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset=us-ascii Content-Transfer-Encoding: 7BIT References: <3E3F24C3.86427C84-AT-AmericanRevolution.org> >From the Norfolk Chronicle, Saturday, January 22, 1780 >Cholmondeley I always like that name. Pronounced "Chumly" I believe -- Alan Ackerman, alan.ackerman-AT-earthlink.net ================================================================================ Archive-Date: Tue, 04 Feb 2003 06:16:17 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 04 Feb 2003 09:15:56 -0500 (EST) From: Terence Gaffney Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: How the upper crust danced To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Content-Transfer-Encoding: 7BIT Note that they must have been dancing by candle light in January. The reflection off the foil must have been very nice. best, Terry ================================================================================ Archive-Date: Thu, 06 Feb 2003 15:38:29 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 06 Feb 2003 17:35:15 -0500 From: Deb Karl Reply-To: ECD-AT-playford.slac.stanford.edu Subject: [Fwd: cheap room available for Dance Flurry in Saratoga Springs, NY] To: ECD list Message-ID: <3E42E323.B8FC7669-AT-wi.mit.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT without checking with Peter first, I'm taking the liberty of posting this to the List from rec.folk-dancing, for those who don't read both. --Deb -------- Original Message -------- Subject: cheap room available for Dance Flurry in Saratoga Springs, NY Date: Thu, 06 Feb 2003 22:26:53 GMT From: "Peter Olszowka" Organization: AT&T Broadband Newsgroups: rec.folk-dancing Hi, I find myself with an extra room reservation for the Dance Flurry in Saratoga Springs, NY on Feb. 14-16. The room is at the Birches Motel about 3 mi. north of the convention center. The rate is $65/night + tax for up to two people and the room has two beds. I will have to pay a one night penalty if I can't find someone who wants the room. --Peter Olszowka olszowka-AT-sophia2.somerville.ma.us ================================================================================ Archive-Date: Thu, 06 Feb 2003 15:38:33 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 06 Feb 2003 22:45:32 +0000 From: Orly Krasner Reply-To: ECD-AT-playford.slac.stanford.edu Subject: NY Playford Ball To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU BCC: Message-ID: MIME-Version: 1.0 Content-Type: text/plain; format=flowed Content-Transfer-Encoding: 7BIT Greetings One and All! It gives me great pleasure to announce Country Dance * New York's 20th Annual Playford Ball, to be held in its usual location on Saturday, April 5, 2003. Full details as well as a downloadable registration form can be found on our website: www. cdny.org. Click on English Calendar and then Playford Ball. Just to whet your appetite (in case you've forgotten that NY prides itself on having one of the most lavish refreshment breaks around): the emcees will be Carol Martinez and Paul Ross, guiding us through a retrospective series of dances from our previous 19 balls (you've got to see this program to believe it!!). AND the musicians will be Susie Lorand, Cynthia Shaw Simonoff and Jennifer Baron Southcott. This is one ball you won't want to miss! See y'all real soon-- Orly Krasner _________________________________________________________________ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 ================================================================================ Archive-Date: Thu, 06 Feb 2003 15:38:55 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 06 Feb 2003 18:54:48 +1100 From: John Garden Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Questions on late 18th early 19th century dance sources To: "ECD-AT-SSRL04.SLAC.STANFORD.EDU" Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT Dear friends, Can anyone help me with the following...? 1. Where can I access (buy or see online - I'm writing from Australia so can't pop into libraries in the U.S. or U.K.) originals of the 'Apted' / Thompson dances/tunes - A Trip to Highgate, Mutual Love, The Flight, Comical Fellow, The Happy Captive, The Dusky Night, Pleasures of the Town, The Fair Maid of the Inn, Barley Mow, Linnen Hall, Lasses of Portsmouth? I have modern versions but would really like to see the originals and unfortunately these are from sources beyond the scope of Robert Keller's wonderful on-line Dancing Master compendium and do not appear (though some Thompson dances do) in that other good source of orginals, The Playford Ball. 2. Where can I access a copy of Thomas Wilson's The Correct Method of German and French Waltzing (London, 1817)? Although some of Wilson's Country Dancing manuals are accessible on-line via the American Library of Congresses Ballroom Companion site (and some other sites), and although one particular illustration from this Waltz manual is frequently reproduced, I've not been able to find the text for this manual anywhere. 3. Does anyone have any idea what the dance and tune are which follow Shrewsbury Lasses (but precedes Mr Beveridges' Maggot) in the BBC dramatisation of Pride&Prejudice (I've worked out all the other dances in the film series)? 4. Does anyone have any thoughts on how to best dance La Boulangere, the French import popular in Regency time? I have one original description saying start as in a cotillion (suggesting an even number of couples), chain around then 1W gives right hand to her corner and left hand back to her partner to start the 'stripping' of the circle. I would have thought, however, with an even number of couples it would be more natural for the 1st Woman to go from the chain to the stripping giving right hand to her partner (again), then left hand to person of opposite sex etc (just as we strip in The Baker's Wife in Australia today). How do you all do it (e.g. with which hand and in which direction do you start the grand chain and the stripping)? Any links? 5. Has anyone considered doing the Duke of Kent's Waltz (1801) in the following fashion (with minimum changing of hands) - right hand star, left hand star, but then (instead of changing to 2 hand open hold as often prescibed) come out of the left hand star with 1s l.h. in l.h., joining r.hs over the top and in this skater's promenade hold 'lead down the middle' (with 4 waltz steps - not 2 chasses), switch about and 'up again' (with 4 waltz steps), and don't caste (the original does not say to) but to raise hands into a high over-the-shoulder promenade hold and 'allemande' into 2nd place in the way Scotts do today (i.e. caste as a couple in the coures of the allemande and not treat the allemand as a non-progressing balance and twirl on alternate hands as often prescibed and as pleasant as this may be), then 1s release l.hs but retain r.hs long enough to pull past each other to start the 'swing corners' passing partner by right shoulder and giving l.h. to corner (as a contra dancer might do, not giving r.h. to corner as often prescribed for this dance), and return to turn partner into place with r.h. (not l.h.) ready to slide straight into a r.h. star with a new couple below? Any thoughts? Better stop there! Many thanks, John Garden. garden-AT-earthlydelights.com.au http://www.earthlydelights.com.au ================================================================================ Archive-Date: Thu, 06 Feb 2003 15:57:57 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 06 Feb 2003 18:57:46 -0500 From: Campbell Kaynor Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Just a reminder - A Playford Party - This Saturday in Montague, Massachusetts To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT My annual "Playford Party" in Western Massachusetts is being held this Saturday, February 8 in the Montague Grange Hall. There is no overlap in repertoire at the two sessions so one may attend either or both. The band is "Mad Robin:" Lila Feingold, Harpsichord (mandolin, guitar) Vandy Kaynor, Violin Cammy Kaynor, Violin and recorders As with all my dances, I welcome newcomers and sit-ins at any time. All the details (maps, dance list, etc...) are posted on my website or you may Email me (Campbell_kaynor-AT-biogen.com). http://home.earthlink.net/~manystrings/ Cammy ================================================================================ Archive-Date: Thu, 06 Feb 2003 17:37:59 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 06 Feb 2003 20:37:10 -0500 From: cedar Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Home Page To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="Boundary_(ID_wR4JI7vtww9ihp/cVA4Dzg)" --Boundary_(ID_wR4JI7vtww9ihp/cVA4Dzg) Content-type: text/html Content-transfer-encoding: 7BIT --Boundary_(ID_wR4JI7vtww9ihp/cVA4Dzg) Content-id: Content-type: TEXT/PLAIN; NAME=Substitute.txt Content-transfer-encoding: 7BIT Content-disposition: attachment; filename=Substitute.txt An executable attachment was removed by the SLAC Gateway. SLAC does not allow executable files to be sent via email. Please attempt to get your file via web download or ftp. 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be there this year. I'll be touring Italy with a group of musicians and singers, performing some very old music in some very old halls. We'll be doing some concert performances and some Masses in Orvieto, Perugia, Siena, and Rome. I'm leaving Wednesday. I'll be thinking fondly of all of you, but I won't be there. And that goes for my Veggie Chili on the landing upstairs at the Music Hall as well. See you next year. ______ /\/\/\/\ <______> | | | | | David Barnert <______> | | | | | <______> | | | | | Albany, N.Y. <______> \/\/\/\/ Ventilator Concertina Bellows Bellows (Vocation) (Avocation) ================================================================================ Archive-Date: Fri, 07 Feb 2003 08:31:26 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 07 Feb 2003 08:31:07 -0800 (PST) From: Benjamin Stein Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: NY Playford Ball To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <20030207163107.77063.qmail-AT-web41504.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT --- Orly Krasner wrote: > Greetings One and All! > > It gives me great pleasure to announce Country Dance > * New York's 20th > Annual Playford Ball, to be held in its usual location on > Saturday, April 5, > 2003. Full details as well as a downloadable > registration form can be found > on our website: www. cdny.org. Click on English Calendar > and then Playford > Ball. Just to whet your appetite (in case you've > forgotten that NY prides > itself on having one of the most lavish refreshment > breaks around): the > emcees will be Carol Martinez and Paul Ross, guiding us > through a > retrospective series of dances from our previous 19 balls > (you've got to see > this program to believe it!!). AND the musicians will be > Susie Lorand, > Cynthia Shaw Simonoff and Jennifer Baron Southcott. This > is one ball you > won't want to miss! > > See y'all real soon-- > Orly Krasner > Thanks orly. Already have my application in and a request for hospitality. Hope to see you then. Ben Stein > > > > _________________________________________________________________ > Protect your PC - get McAfee.com VirusScan Online > http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 > __________________________________________________ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com ================================================================================ Archive-Date: Sat, 08 Feb 2003 11:00:42 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sat, 08 Feb 2003 11:00:19 -0800 (PST) From: Annette Kirk Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Flurry room available To: ZEngMus-Mary Abdill , ZEngMus-Judy Carlson , English Countrydance , Charlie & Penny Eriksen , EvaCeskava , Faye Henderson , Liz Holt , jwethere-AT-suffolk.lib.ny.us, Peter & Barbara Kingsley , Hilary Woodward Message-ID: <20030208190019.24275.qmail-AT-web11706.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT Hi, This was posted to the English Country Dance listserv by a Massachusetts Morris dancer: "I find myself with an extra room reservation for the Dance Flurry in Saratoga Springs, NY on Feb. 14-16. The room is at the Birches Motel about 3 mi. north of the convention center. The rate is $65/night + tax for up to two people and the room has two beds. I will have to pay a one night penalty if I can't find someone who wants the room." --Peter Olszowka olszowka-AT-sophia2.somerville.ma.us phone 6l7-666-02l6 ===== Annette Kirk 23 Jefferson Ave Northport NY 11768 631-757-3627 ================================================================================ Archive-Date: Sun, 09 Feb 2003 09:04:32 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sun, 09 Feb 2003 09:03:52 -0800 From: Jon Berger Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Information about Celtic Colours festival? To: ecd-list Message-ID: <3E4689F8.4040807-AT-sbcglobal.net> MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset=us-ascii Content-Transfer-Encoding: 7BIT My apologies for this off-topic use of the list. Are there any East Coast folks, or anyone else for that matter, who have been to the Celtic Colours Festival in Cape Breton? We're thinking about going this year, and we'd welcome consultation (off-list, I need hardly add) with anyone familiar with the festival about accommodations, events that are particularly good or particulary missable, and any other insider information that would be convenient to a newbie. -- Jon Berger http://pages.sbcglobal.net/jberger ================================================================================ Archive-Date: Mon, 10 Feb 2003 11:55:53 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 10 Feb 2003 02:51:34 -0500 From: Terence Gaffney Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Valentine's day party dance To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <79AAB8E8-3CCC-11D7-B797-000393B84248-AT-research.neu.edu> MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset=US-ASCII Content-Transfer-Encoding: 7BIT Dear Friends, You're all invited to our annual Valentine's day party dance, taking place this Wednesday, Feb. 12, 7:30-10:30 at the Park Avenue Church in Arlington. As usual, we've asked our leaders to produce a program celebrating the romantic dances of our repertoire. Whenever I work on this dance, it's always fun to think of the possibilities--St. Margaret's Hill, The Old Mill, Easter Thursday, Turning by Threes, Rafe's Waltz, Astoria Lass, Heidenroslein, Quite Carried Away--each carrying special memories of special partners. If you're within driving distance of Boston, you're likely facing a bitterly cold week, So, bring your memories, enjoy our decorations, refreshments, and company and together we'll light a fire against the cold. Directions can be found at our web site at: http://www.cds-boston.org/english.html Best, Terry ================================================================================ Archive-Date: Mon, 10 Feb 2003 14:08:09 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 10 Feb 2003 13:56:00 -0800 (PST) From: Alan Winston - SSRL Central Computing Subject: Re: Valentine's day party dance To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <01KS9XJFPBHQEI7B8T-AT-SSRL.SLAC.STANFORD.EDU> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; format=flowed; CHARSET=us-ascii Content-Transfer-Encoding: 7BIT ECDers -- If you're in the San Francisco Bay Area on February 14, you're welcome to the Bay Area English Regency Society Valentine's Day dance party in Palo Alto. Alan Winston will lead romantic and flirtatious, mostly waltz-time, country dances in the first part of the evening. About 9:00 pm, vintage dance instructor Stan Isaacs will teach authentic Regency waltz from Mr. Wilson's manual. (The country dances are in modern ECD style; Regency footwork is admired when seen, but not taught at parties.) No partner required, of course. And Regency waltz is extremely symmetrical, so learning one sex's part is an advantage in learning the other, not a drawback. St. Mark's Episcopal Church, 600 Colorado Avenue (a block and a half West of Middlefield Road). Dancing starts at 8:00 for sure; doors open 7:30 and we sometimes start earlier if band and dancers want to. Subscription $5; bring a Valentine treat to share! Info on the Bay Area English Regency Society at http://www.sfregency.org -- Alan =============================================================================== Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU Disclaimer: I speak only for myself, not SLAC or SSRL Phone: 650/926-3056 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA 94025 =============================================================================== ================================================================================ Archive-Date: Mon, 10 Feb 2003 16:01:21 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 10 Feb 2003 18:46:19 -0500 From: Marge Cramton Reply-To: ECD-AT-playford.slac.stanford.edu Subject: English country dancing - Ann Arbor Dawn Dance Weekend To: "'ECD-AT-PLAYFORD.SLAC.STANFORD.EDU'" Message-ID: <111C7A5AB1BCD411918A000103212474013C3126-AT-MAIL1> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT The Ann Arbor Dawn Dance Weekend is coming up February 28 - March 2nd. You may know it as a big contra dance weekend blowout, and it definitely is. But the program also offers a complete weekend of English country dancing. Headlining the English country program are Scott Higgs from Philadelphia, Joseph Pimentel from Columbus, and a band called Goldcrest. I think the band made the name up for this occasion, so it's not a household word, but the musicians - Dave Weisler, Paul Oorts and Daron Douglas - are absolutely wonderful. As a band they've won nothing but raves from dancers, so we're planning on a big helping of beautiful musicianship, eclectic improvisation, and vibrant spirit to create a memorable dance experience. In addition to Goldcrest, great Michigan bands Perfect Match and Dr. Grangelove also play for ECD sessions. This year's program offers English country dance sessions showcasing a variety of great performers all weekend: Friday night from 8 - 11 pm; Saturday afternoon from 1:30 - 4 pm; Saturday evening from 7 - 10 pm; and Sunday afternoon from 11:30 am - 1:15pm. Three of the four time blocks include a session marked as "advanced." And when you're not doing English country dancing, there are lots of opportunities to enjoy Scottish, Scandinavian, and international dancing, musicians' and singers' workshops, as well as all the high-energy contras you'd expect. You can preregister for the whole weekend for $58. Preregistrations can be for the weekend or for any combination of segments, and need to be received by February 21. If you need a place to stay, call 734-994-5494 before February 15 and leave a message with all the pertinent information (how many people, how to contact you by phone and email). The website has the complete schedule, performer bios, accommodations info, and a registration form: http://www.aadawndance.org If you don't preregister, you can always come and pay at the door, but it costs more. Plus we'd love to know you're coming. Feel free to call with questions 734-665-7704 or email me or rbantle-AT-htdconnect.com. Marge Cramton (If you know of people not on this list who might be interested in this event, please forward this message to them. Thanks for your help in getting the word out.) ================================================================================ Archive-Date: Mon, 10 Feb 2003 16:03:38 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 10 Feb 2003 19:03:14 -0500 (EST) From: "Susan R. Lorand" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Valentine's day party dance To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Content-Transfer-Encoding: 7BIT And anyone within reach of Princeton, New Jersey* - for instance, any sword dancer who might happen to be en route to NYC - is warmly invited to LCD's 2nd annual Valentine's Day English dance. Judi Rivkin will call "romantic English dances in waltz and triple time" to the music of Bob Pasquarello, Kathy Talvitie, Paul Prestopino, and the undersigned. "Festive attire" is welcome but not required. Admission $8 (discount for bringing homemade goodies to share). 8-11 pm at Princeton Friends School, Quaker Road, 1.5 miles south of downtown Princeton and 3 miles north of I-95 Bring clean, soft-soled shoes. You are welcome with or without a partner. More details at . *Princeton is about halfway between New York and Philadelphia and accessible by train from both cities. Call or e-mail me as soon as possible if you would like a ride from the train. Susie Lorand srl-AT-princeton.edu, srlorand-AT-monmouth.com, 609-252-0248 ================================================================================ Archive-Date: Tue, 11 Feb 2003 00:21:56 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 11 Feb 2003 02:22:09 -0600 From: Paul Stamler Subject: Re: Valentine's day party dance To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <003701c2d1a6$ac1181c0$f379550c-AT-paulstam> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT References: Likewise, the St. Louis English Country Dancers will have a Valentine's Day dance on Friday, Feb. 14th, at Church of the Holy Communion, Jackson & Delmar in University City (just west of St. Louis proper -- map on our website, see below). Workshop at 7:00 pm sharp, dancing 7:30 - 9:30. Music by the Original Speckled Band, calling by Peter Wollenberg, Missy Reisenleiter & Rebecca Taylor. We've dug up a fair assortment of date-appropriate dances. For more information phone me (314-664-9207) or check out the website. Peace, Paul Stamler http://members.aol.com/paradiseMO/english.html ================================================================================ Archive-Date: Tue, 11 Feb 2003 07:51:37 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 11 Feb 2003 10:50:43 -0500 From: smckinley Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re:ECD,look,my beautiful girl friend To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="Boundary_(ID_gjLjH4MXriC3NCs5xBfKeg)" --Boundary_(ID_gjLjH4MXriC3NCs5xBfKeg) Content-type: text/html Content-transfer-encoding: 7BIT --Boundary_(ID_gjLjH4MXriC3NCs5xBfKeg) Content-id: Content-type: TEXT/PLAIN; NAME=Substitute.txt Content-transfer-encoding: 7BIT Content-disposition: attachment; filename=Substitute.txt An executable attachment was removed by the SLAC Gateway. SLAC does not allow executable files to be sent via email. Please attempt to get your file via web download or ftp. 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We did 27 dances (JTC twice-afternoon and evening). The outfits were great, the sit-ins enthusiastic, and the harpsichord sounding brighter than in previous years made Mad Robin sound its best. Lloyd (who built the harpsichord) did something to help the sound project and although he claimed the Ab was a problem I never heard it. Thanks to Flo we had a wonderful potluck supper between the sessions and refreshments in the mid-evening. Here is the list of dances done. 3-6: Daphne Parson's Farewell Alchurch The Valiant Captain (The Gun) Well Hall Jack's Health Nonesuch (for as many as will) Blew Britches (for as many as will) John Talis' Cannon Fair Quaker of Deal Hunsdon House Indian Queen Greensleeves and Yellow Lace 8-11: The Fine Companion Fandango Grimstock Slaughter House Mr. Isaac's Maggot The Joy of Dance Dargason Buckingham House Mr. Lane's Maggot Chelmsford Assembly Saint Margaret's Hill Hambleton's Round O The Mulberry Garden John Talis' Cannon (again) Cammy ================================================================================ Archive-Date: Fri, 14 Feb 2003 14:19:40 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 14 Feb 2003 17:19:25 -0500 From: Campbell Kaynor Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Happy Valentines Day - a little off topic, but To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT I feel I have gotten to know many of you over the past year so you are now victims of my incurable romanticism. Cammy To Carrie and all the others, This year I ended up with a whole slew of good ideas that will make great poems some other day. Only one of them seemed to gather shape over lunch so here it is: Centerpiece(s) Have you ever tried to taste the moonlight - The faintest hint of sweet? Have you ever tried to feel the grass grow Underneath your feet? Have you ever tried to catch the smell Of snowflakes as they fall? If you haven't done such simple things You haven't lived at all! Have you ever watched a drooping Bulrush Barely touch the snow, And as the breezes catch the leaf Twisting to and fro? You watch it etch a perfect arc As if it wished to say That nothing is as precious as This very perfect day. I love these things just as they are And all the other stuff, Yet since I met you, loving things Is never quite enough. They set the scene, frame the view and I love them all the more Because there is a centerpiece That I am yearning for. CK, 2/14/03 If you were not in on this tradition in years past, below are a few: 2001 To whom it may concern, On this Valentine's day, I am thinking about how grateful I am for all of the people and things that I love in this life. Being a romantic through and through, there is an element of romance in my relationship with all things - even the boiling of maple sap on the grill on a cold Feb night under the stars. I haven't the time to create appropriate art for each of you, so I have devoted my energy to a single poem that I have addressed to my wife, Carrie, "and all the others". Believe me when I say that my thoughts turned to each of you in its crafting. I hope you enjoy. PS. I did see my first Robin of the spring yesterday. You are my Valentine What emotion from above, Is it love? A passing whisper of romance In the stars, A delicious savoring From afar. Or a noisy passion arises Strictly bridled To torment my soul, devastate, Debilitate With helpless longing I flounder In pools of lust. In the dust I saw a robin today Cold, hungry, eager. His bright eye caught mine Tugging at my heart. The sweet steam of early sap Rises on the wind - is it love? CK (2/13/01) 2002 Last night near midnight, over roast chicken and the BBC, I scratched a few lines that are a feeble attempt to acknowledge what you all do for my life. Once again I must apologize for the fact that I am sending a single creation to the multitude of people I love. This modest attempt to express the depth of feeling and appreciation I have for each of you, falls far short of the real thing. I can only beg forgiveness for what it lacks in inspiration and creative skill, and hope that the intent and the sentiments are clear. Considering how distraught I am at the state of the world, the unending cycles of violence and death and my dismay at my role as an American, it is by virtue of my unquenchable romantic nature and your very existence that I can face the future with some modicum of joy. Believe me when I say that my thoughts turned to each of you as I wrote these lines and I hope you enjoy them. Nothing but the Words (to Carrie and all the others) The lyrics are nothing but the words, The melody holds nought but the tune, Yet when I sing of you, my love The words and song are one. Flowers exude attractive scents, Their colors catch our eye, Yet cannot compare with you, my dear As hard as they may try. If all the things I love on earth, Were assembled in one place, They would not move my heart so much As gazing on your face. So make me happy, share a kiss, And dance with me 'till dawn, And let my lust for you, my love Go on and on and on. CK, 2/13/02 My love to you all, Cammy ================================================================================ Archive-Date: Fri, 14 Feb 2003 16:02:49 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 14 Feb 2003 19:02:18 -0500 (EST) From: SallenNic-AT-aol.com Reply-To: ECD-AT-playford.slac.stanford.edu Subject: No Subject To: ecd-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <30.38944cda.2b7edd8a-AT-aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT Just two months till The Assembly (Edinburgh) Workshop Weekend on April 12/13. Venue: Columcille Centre, Newbattle Terrace (off Morningside Road), Edinburgh. Teacher: Simone Verheyen from Belgium, who gave us a wonderful weekend of inspired instruction last year aand created such a delightful atmosphere for dancing. Other details: why not have a look at the whole package on our web site at www.nicolasbroadbridge.com The capacity of the hall is such that we must limit numbers to a maximum of fifty, so get in touch asap if you are even considering it! We'd love to see you! Nicolas B., Lanark, Scotland. ================================================================================ Archive-Date: Fri, 14 Feb 2003 22:49:23 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sat, 15 Feb 2003 00:49:29 -0600 From: Paul Stamler Subject: Re: 2/8 Playford Party To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <002401c2d4be$6421b2c0$7786550c-AT-paulstam> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT References: ----- Original Message ----- From: Campbell Kaynor <> If you do the right exercises, you can have Abs of steel. Peace, Paul ================================================================================ Archive-Date: Sun, 16 Feb 2003 08:42:25 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sun, 16 Feb 2003 11:41:28 -0500 From: JBGrun Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Of Service To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="Boundary_(ID_e5/yOzfDwiyhSWJCsiqEMw)" --Boundary_(ID_e5/yOzfDwiyhSWJCsiqEMw) Content-type: text/html Content-transfer-encoding: 7BIT --Boundary_(ID_e5/yOzfDwiyhSWJCsiqEMw) Content-id: Content-type: TEXT/PLAIN; NAME=Substitute.txt Content-transfer-encoding: 7BIT Content-disposition: attachment; filename=Substitute.txt An executable attachment was removed by the SLAC Gateway. SLAC does not allow executable files to be sent via email. Please attempt to get your file via web download or ftp. 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TlQ+Cjwvc21hbGw+PC9jZW50ZXI+PC9ib2R5PjwvaHRtbD4K --Boundary_(ID_e5/yOzfDwiyhSWJCsiqEMw)-- ================================================================================ Archive-Date: Mon, 17 Feb 2003 13:51:24 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Mon, 17 Feb 2003 16:50:45 -0500 (EST) From: JBGrun-AT-aol.com Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Of Service To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <14.a657466.2b82b335-AT-aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7BIT Dear ECD list: I have NO IDEA what this is---I never sent it.... Judy G, ================================================================================ Archive-Date: Tue, 18 Feb 2003 05:44:58 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 18 Feb 2003 08:45:17 -0500 From: Allison M Thompson Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Bare Necessities Weekend in Pittsburgh, PA on Feb 28 - March 3, 2003 To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <20030218.084534.-1914687.3.AllisonThompson-AT-juno.com> MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7BIT Join the Country Dance & Song Society of Pittsburgh for our annual weeked of dance with Bare Necessites. Friday, February 28, contra dance with Ron Buchanan calling to music by Peter & Mary Saturday afternoon ECD workshop with Jacqueline teaching Saturday evening, ECD party with traditional Cake Walk Sunday afternoon, advanced ECD workshop with Jacqueline. Fees, directions and more information available at www.cdssp.org. ================================================================================ Archive-Date: Tue, 18 Feb 2003 05:48:11 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 18 Feb 2003 05:47:48 -0800 (PST) From: Graham Christian Reply-To: ECD-AT-playford.slac.stanford.edu Subject: contact request To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <20030218134748.50886.qmail-AT-web20608.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT I would like to make contact with Trevor Munson and also with Gene Murrow, whom I know to be readers of and contributors to this list--and I don't seem to have current contact points for either of these gentlemen. Trevor, Gene, would you contact me if you could? email: bray1699-AT-yahoo.com tel: [in the USA] 617-566-1972 address: 17 Tabor Place #3 Brookline, MA 02445 (and now that I've put my telephone number here, please, no heavy breathers saying, "Psst, hey, wanna go up a double?") ===== Graham Christian "Sphinx of black quartz, judge my vow." __________________________________________________ Do you Yahoo!? Yahoo! Shopping - Send Flowers for Valentine's Day http://shopping.yahoo.com ================================================================================ Archive-Date: Tue, 18 Feb 2003 17:45:44 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Tue, 18 Feb 2003 20:43:07 -0500 From: "Linda M. Nelson" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Cape Cod, Massachusetts, USA - Dance Friday February 21 To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset=us-ascii Content-Transfer-Encoding: 7BIT References: <20030218134748.50886.qmail-AT-web20608.mail.yahoo.com> For those who live in the area or are planning to visit southeastern Massachusetts this week: Please join us for English country dancing *this* Friday, February 21! Beat the blizzard blues while dancing the evening away... Lively and Elegant English Country Dance on Cape Cod, Massachusetts Friday, February 21, 2002 8 - 11 pm at the East Sandwich Grange, 85 Old County Road, E Sandwich, MA Dance Leaders: Priscilla Adams and Linda Nelson Musicians: Jan Elliott (recorder and concertina) Barbara Blair (violin) Ron Geering (concertina) J.M. Graetz (piano) Admission: $8 Directions to East Sandwich Grange: From Exit 3 of the Mid-Cape Highway (Route 6) go north on Quaker Meetinghouse Road for about a mile, until you reach Route 6A. Turn right on 6A and travel east for one mile. Turn right on Old County Road (across from the East Sandwich Post Office.) The Grange Hall is on the left, a bit past the railroad tracks and next to the Benjamin Nye Homestead. Both traditional and modern English country dances will be included in the program, ranging from the early 1600's to the present. New dancers are welcome, and all dances will be taught. Bring a friend! English Country dances are danced in various formations (sets) of couples, but no partner is necessary to attend the event. Soft sole shoes are recommended. More upcoming 3rd Friday English dances: March 21, May 16, June 20 and July 18, 2003. Plan ahead to enjoy as many as possible! For more information: reply email or call: 508-428-4231 or 508-540-1151 In case of severe winter weather: Please call the information numbers before you travel. -- +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ We hanker after the unnatural or supernatural, that which does not exist, a miracle. As if ordinary reality isn't enigmatic enough! - M.C. Escher +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ ================================================================================ Archive-Date: Wed, 19 Feb 2003 13:54:14 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Wed, 19 Feb 2003 17:07:45 -0500 From: "Thomas G. Spilsbury" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Mark your calendar for special dances events in the Washington, DC/Baltimore area To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU CC: madrobin9-AT-starpower.net Message-ID: <003c01c2d863$552d76c0$53af3bd0-AT-cable.rcn.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="Boundary_(ID_DqXC8cIvVgPsu5N3esPp2g)" This is a multi-part message in MIME format. --Boundary_(ID_DqXC8cIvVgPsu5N3esPp2g) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Here are three events in the Washington, DC/Baltimore area that you will want to mark your calendar to attend. Saturday, March 29, in Washington, DC Helene Cornelius will be leading English country dances to the music of Jacqueline Schwab, on solo piano, in Washington, DC. There will be an afternoon workshop and even dance, both of which will be held at: Whitby Gymnasium, Washington Cathedral School, 3106 Woodley Road, NW, Washington, DC Afternoon workshop: 2:30-5:00 pm Evening dance: 8:00-11:00 pm Costs: Afternoon workshop $10 FSGW, BFMS & CDSS members/ $12 Non-members Evening dance $15 FSGW, BFMS & CDSS members/ $17 Non-members Both events $23 FSGW, BFMS & CDSS members/ $26 Non-members For further information, contact Stephanie Smith, 301-229-3577, steph-AT-boo.net Sunday, March 30, in Baltimore, MD Jacqueline Schwab will give a solo concert. She will then play for an afternoon of English country dancing lead by Helene Cornelius. Both concert and dance will be held at: St. Marks on the Hill 1620 Reisterstown Road, Baltimore, MD (1/2 mile inside the Baltimore Beltway at exit 20) Concert and Reception: 2:30-4:00 pm English dance: 4:00-6:30 pm Costs: Concert $6 BFMS, FSGW & CDSS members/ $8 Non-members Dance $8 BFMS, FSGW & CDSS members/ $10 Non-members Both events $12 BFMS, FSGW & CDSS members/ $15 Non-members For further information, contact Diane Schmit, 301-330-2021, DSchmit-AT-ix.netcom.com Saturday, May 17, in Washington, DC The Washington Spring Ball will again be the third Saturday of May. This year we will be dancing to the music of Goldcrest (Dave Wiesler, Daron Douglas Paul Oorts). The evening Ball will be held at: Whitby Gymnasium, Washington Cathedral School 3106 Woodley Road, NW, Washington, DC There will be the usual practice session (music provided by Liz Donaldson) the afternoon of the Ball. The practice session will be held at Rosemary Hills Elementary School, in Silver Spring, MD, and will be followed by an open house dinner, to which all Ball attendees are invited. Cost this year will be $24 FSGW, BFMS & CDSS members/ $26 Non-members. For further information, contact Thomas Spilsbury, 301-585-7857, madrobin9-AT-starpower.net --Boundary_(ID_DqXC8cIvVgPsu5N3esPp2g) Content-type: text/html; charset=iso-8859-1 Content-transfer-encoding: 7BIT
Here are three events in the Washington, DC/Baltimore area that you will want to mark your calendar to attend.
 
Saturday, March 29, in Washington, DC
 
    Helene Cornelius will be leading English country dances to the music of Jacqueline Schwab, on solo piano, in Washington, DC.
    There will be an afternoon workshop and even dance, both of which will be held at:
 
    Whitby Gymnasium, Washington Cathedral School,
    3106 Woodley Road, NW, Washington, DC
 
    Afternoon workshop: 2:30–5:00 pm              Evening dance: 8:00–11:00 pm
 
    Costs: Afternoon workshop $10 FSGW, BFMS & CDSS members/ $12 Non-members
              Evening dance $15 FSGW, BFMS & CDSS members/ $17 Non-members
              Both events $23 FSGW, BFMS & CDSS members/ $26 Non-members
 
    For further information, contact Stephanie Smith, 301-229-3577, steph-AT-boo.net
 
Sunday, March 30, in Baltimore, MD
    Jacqueline Schwab will give a solo concert. She will then play for an afternoon of English country dancing lead by Helene
    Cornelius. Both concert and dance will be held at:
 
        St. Marks on the Hill
        1620 Reisterstown Road, Baltimore, MD
        (1/2 mile inside the Baltimore Beltway at exit 20)
 
    Concert and Reception: 2:30–4:00 pm            English dance: 4:00–6:30 pm
 
    Costs: Concert $6 BFMS, FSGW & CDSS members/ $8 Non-members
               Dance $8 BFMS, FSGW & CDSS members/ $10 Non-members
               Both events $12 BFMS, FSGW & CDSS members/ $15 Non-members
 
    For further information, contact Diane Schmit, 301-330-2021, DSchmit-AT-ix.netcom.com
 
Saturday, May 17, in Washington, DC
 
     The Washington Spring Ball will again be the third Saturday of May. This year we will be dancing to the music of
     Goldcrest (Dave Wiesler, Daron Douglas Paul Oorts). The evening Ball will be held at:
 
         Whitby Gymnasium, Washington Cathedral School
         3106 Woodley Road, NW, Washington, DC
 
    There will be the usual practice session (music provided by Liz Donaldson) the afternoon of the Ball. The practice session
    will be held at Rosemary Hills Elementary School, in Silver Spring, MD, and will be followed by an open house dinner, to
    which all Ball attendees are invited.
 
    Cost this year will be $24 FSGW, BFMS & CDSS members/ $26 Non-members.
 
    For further information, contact Thomas Spilsbury, 301-585-7857, madrobin9-AT-starpower.net
 
 --Boundary_(ID_DqXC8cIvVgPsu5N3esPp2g)-- ================================================================================ Archive-Date: Thu, 20 Feb 2003 19:38:25 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 20 Feb 2003 22:39:09 -0500 From: Don Bell Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Teaching Heys to Beginners To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <000401c2d95a$cb20be80$6401a8c0-AT-nycap.rr.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT I'm doing my 4 lesson 'Introduction to ECD for Beginners' again at the Union College dance studio in Schenectady Friday nights 7-8:30 p.m., March 14th through April 4th. What's really great now is that I can rely on graduates of former lesson series to act as 'dance angels' to beginners. I'm going to need all of them this time as I expect to have a class of 20+ beginners. As I'm not totally satisfied with how I've been teaching heys for 3 and heys for 4, I'm hoping people will share their thoughts and successful techniques with me on this topic. For any who are interested in having/collecting dances for beginners, I have recently made some improvements to 2 dances I wrote for beginners , 'Newcastle Circle' and 'Farewell to Marian Again'. Let me know if you want copies. Although these dances were written to introduce certain figures to beginners, I think they also work well as easy dances for a general dance audience. thanks in advance, Don Bell p.s. my thanks to all who have been involved in creating/producing 'danceable' ECD CDs, as these recordings are the main music for my dance lesson series. I've also found the high quality of music on the CDs inspiring to new dancers. ================================================================================ Archive-Date: Thu, 20 Feb 2003 21:36:33 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 20 Feb 2003 23:39:41 -0500 From: "Dawn C. Culbertson" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Teaching Heys to Beginners To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <20030221.002416.-302225.11.dcculb-AT-juno.com> MIME-Version: 1.0 Content-Type: text/plain Content-Transfer-Encoding: 7BIT On Thu, 20 Feb 2003 22:39:09 -0500 Don Bell writes: > > > As I'm not totally satisfied with how I've been teaching heys for 3 > and > heys for 4, I'm hoping people will share their thoughts and > successful > techniques with me on this topic. I find it helps to tell people to remember that when they do a hey, they're constantly going to be passing in between two people. It also helps to break the movements down step by step. Dawn Culbertson ________________________________________________________________ Sign Up for Juno Platinum Internet Access Today Only $9.95 per month! Visit www.juno.com ================================================================================ Archive-Date: Thu, 20 Feb 2003 22:22:00 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Thu, 20 Feb 2003 22:21:13 -0800 From: Pat Corvini Reply-To: ECD-AT-playford.slac.stanford.edu Subject: coming forward turning single To: ecd-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <000101c2d971$767eaba0$a7db5142-AT-PC1> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT Question on technique: How does "come forward a double turning single to the right", as in Apley House, work? In particular, where does the first step go? I've always felt awkward doing this move, and I'm wondering if that's because I've been taking the first step directly in front of me. That means I don't get much rotation on that step. Getting around would be much easier if I instead took the first step out to the right a bit, and continued in that direction for the second step, so that the trajectory of my center of gravity (as projected on the floor) was more like a cycloid than like a straight line. Does this make sense, and if so, how is it with *your* c.g.? All advice welcome. Thanks, Pat Corvini ================================================================================ Archive-Date: Fri, 21 Feb 2003 04:13:50 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 04:13:37 -0800 From: Norman Bradley Reply-To: ECD-AT-playford.slac.stanford.edu Subject: RE: Teaching Heys to Beginners To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT I've found that, for 3 person Heys, it helps to chant the phrase "Right at the top, Left at the bottom" with the rhythm of the beat. Some dancers have problems turning in the correct direction at the ends and coming back in to the set with the correct shoulder. One method I've found that works for any length Hey is to have the dancers go around an imaginary pole as they come out of the set. If they do that they will automatically turn correctly, come back in with the correct shoulder and be on time. I hope this helps. Norman Bradley > -----Original Message----- > From: owner-ecd-AT-ssrl04.SLAC.STANFORD.EDU > [mailto:owner-ecd-AT-ssrl04.SLAC.STANFORD.EDU]On Behalf Of Don Bell > Sent: Thursday, February 20, 2003 7:39 PM > To: ECD-AT-SSRL04.SLAC.STANFORD.EDU > Subject: Teaching Heys to Beginners > > > I'm doing my 4 lesson 'Introduction to ECD for Beginners' again at the > Union College dance studio in Schenectady Friday nights 7-8:30 p.m., > March 14th through April 4th. What's really great now is that > I can rely > on graduates of former lesson series to act as 'dance angels' to > beginners. I'm going to need all of them this time as I > expect to have a > class of 20+ beginners. > > As I'm not totally satisfied with how I've been teaching heys > for 3 and > heys for 4, I'm hoping people will share their thoughts and successful > techniques with me on this topic. > > For any who are interested in having/collecting dances for > beginners, I > have recently made some improvements to 2 dances I wrote for > beginners , > 'Newcastle Circle' and 'Farewell to Marian Again'. Let me know if you > want copies. Although these dances were written to introduce certain > figures to beginners, I think they also work well as easy dances for a > general dance audience. > > thanks in advance, > > Don Bell > > p.s. my thanks to all who have been involved in creating/producing > 'danceable' ECD CDs, as these recordings are the main music > for my dance > lesson series. I've also found the high quality of music on the CDs > inspiring to new dancers. > > ================================================================================ Archive-Date: Fri, 21 Feb 2003 04:58:24 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 04:57:56 -0800 (PST) From: Benjamin Stein Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Teaching Heys to Beginners To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <20030221125756.13714.qmail-AT-web41505.mail.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT --- Don Bell wrote: > I'm doing my 4 lesson 'Introduction to ECD for Beginners' > again at the > Union College dance studio in Schenectady Friday nights > 7-8:30 p.m., > March 14th through April 4th. What's really great now is > that I can rely > on graduates of former lesson series to act as 'dance > angels' to > beginners. I'm going to need all of them this time as I > expect to have a > class of 20+ beginners. > > As I'm not totally satisfied with how I've been teaching > heys for 3 and > heys for 4, I'm hoping people will share their thoughts > and successful > techniques with me on this topic. > > For any who are interested in having/collecting dances > for beginners, I > have recently made some improvements to 2 dances I wrote > for beginners , > 'Newcastle Circle' and 'Farewell to Marian Again'. Let me > know if you > want copies. Although these dances were written to > introduce certain > figures to beginners, I think they also work well as easy > dances for a > general dance audience. > > thanks in advance, > > Don Bell > > p.s. my thanks to all who have been involved in > creating/producing > 'danceable' ECD CDs, as these recordings are the main > music for my dance > lesson series. I've also found the high quality of music > on the CDs > inspiring to new dancers. Sounds fascinat9ing Don. Unfortunately I dislocated my left shoulder in a bad ski fall last Monday and for a while am not traveling or dancing much. Afraid of dancing with beginners-arm pull not welcome. Sorry. Ben Stein > __________________________________________________ Do you Yahoo!? Yahoo! Tax Center - forms, calculators, tips, more http://taxes.yahoo.com/ ================================================================================ Archive-Date: Fri, 21 Feb 2003 06:16:00 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 09:15:31 -0500 (EST) From: "Roger W. Broseus" Subject: Teaching Heys: the GR&L Analogy To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <45764.148.184.176.32.1045836931.squirrel-AT-63.122.103.150> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT References: <20030221.002416.-302225.11.dcculb-AT-juno.com> To me, a hey is variation on a 'grand right and left' (GR&L) with no hands. If those who have not experienced a hey are taught on the first round to use hands as in a GR&L, they catch on pretty quickly to where they are supposed to go with a minumum of words. Moreover, for those who have square danced, the GR&L analogy has immediate meaning. This method is useful to the many who do NOT respond well to word descriptions of heys (I've seen multiple instances of a caller reciting the moves of a particular figure for naught . . . it's just a train of pretty meaningless babble to those who have NOT done a particular figure). Others can not picture themselves in the place of a person during a demo, especially 'kinesthetic learners,' for which the GR&L analogy is also useful. Cheers. -- Roger W. Broseus ================================================================================ Archive-Date: Fri, 21 Feb 2003 07:49:29 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 09:49:00 -0600 (CST) From: Jonathan Sivier Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Teaching Heys to Beginners To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <200302211549.h1LFn0Y27977-AT-staff2.cso.uiuc.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT Don Bell writes: > > As I'm not totally satisfied with how I've been teaching heys for 3 and > heys for 4, I'm hoping people will share their thoughts and successful > techniques with me on this topic. The hey for 3 is usually fairly easy for new dancers to grasp. It really is a figure 8 (unlike the hey for 4 which is sometimes referred to as a figure 8, but isn't really). The head person passes between the other 2 and loops one direction (depending on the hey) at the foot of the set, the other 2 follow and loop the other direction at the head of the set. One way I was shown to teach a hey for 4 is to start with a ladies chain (over and back). Emphasise that the dancers should pay close attention to the path the ladies take. Do that a couple of times. Then have the women walk that path without taking hands in the middle or interacting with the men on the sides. Then have the men walk the path with the women standing at the sides. Now put it together with the women starting and the men following, and "hey presto" you have a hey for 4. Jonathan ------------------------------------------------------------------------- | Jonathan Sivier |Q: How many angels can dance on the | | j-sivier (at) uiuc.edu | head of a pin? | | Flight Simulation Lab |A: It depends on what dance you call. | | Beckman Institute | | | 405 N. Mathews | SWMDG - Single White Male | | Urbana, IL 61801 | Dance Gypsy | | Work: 217/244-1923 | | | Home: 217/359-8225 | Have shoes, will dance. | ------------------------------------------------------------------------- | Home page URL: http://www.uiuc.edu/ph/www/j-sivier | ------------------------------------------------------------------------- ================================================================================ Archive-Date: Fri, 21 Feb 2003 07:59:51 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 09:59:24 -0600 (CST) From: Jonathan Sivier Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Teaching Heys: the GR&L Analogy To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <200302211559.h1LFxOw02353-AT-staff2.cso.uiuc.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT Roger W. Broseus writes: > > To me, a hey is variation on a 'grand right and left' (GR&L) with no > hands. If those who have not experienced a hey are taught on the first > round to use hands as in a GR&L, they catch on pretty quickly to where > they are supposed to go with a minumum of words. Moreover, for those who > have square danced, the GR&L analogy has immediate meaning. This method is > useful to the many who do NOT respond well to word descriptions of heys > (I've seen multiple instances of a caller reciting the moves of a > particular figure for naught . . . it's just a train of pretty meaningless > babble to those who have NOT done a particular figure). Others can not > picture themselves in the place of a person during a demo, especially > 'kinesthetic learners,' for which the GR&L analogy is also useful. Wouldn't this break down in a hey for 4 (or 8) where you pass someone by the same shoulder twice at the ends of the hey? Jonathan ================================================================================ Archive-Date: Fri, 21 Feb 2003 08:13:04 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 11:12:38 -0500 (EST) From: "Roger W. Broseus" Subject: Re: Teaching Heys: the GR&L Analogy To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <60509.148.184.176.32.1045843958.squirrel-AT-63.122.103.150> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT References: <200302211559.h1LFxOw02353-AT-staff2.cso.uiuc.edu> Sure . . . my point is to use hands *instead of* all the talk about which should to pass, etc.: it's easier for some to alternate use of hands rather than doing all the thinking about which shoulder to pass and when, etc. This gives them the path to take more easily and one doesn't even have to talk about looping . . . and, oh: I'm thinking about heys for-4 across the set as well as heys for three. (Maybe I'm beating a dead horse . . ..) -- Roger W. Broseus > Roger W. Broseus writes: >> >> To me, a hey is variation on a 'grand right and left' (GR&L) with no >> hands. If those who have not experienced a hey are taught on the first >> round to use hands as in a GR&L, they catch on pretty quickly to where >> they are supposed to go with a minumum of words. Moreover, for those >> who have square danced, the GR&L analogy has immediate meaning. This >> method is useful to the many who do NOT respond well to word >> descriptions of heys (I've seen multiple instances of a caller >> reciting the moves of a particular figure for naught . . . it's just a >> train of pretty meaningless babble to those who have NOT done a >> particular figure). Others can not picture themselves in the place of >> a person during a demo, especially 'kinesthetic learners,' for which >> the GR&L analogy is also useful. > > Wouldn't this break down in a hey for 4 (or 8) where you pass someone > by the same shoulder twice at the ends of the hey? > > Jonathan ================================================================================ Archive-Date: Fri, 21 Feb 2003 08:13:21 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 11:12:55 -0500 From: "Morgan, James J" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: RE: coming forward turning single To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: <244A4457EB02E942BCB26BB535AFF3C04C6F98-AT-iu-mssg-mbx03.exchange.iu.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT I thought I'd reply to Pat Corvini's inquiry, whether the first stepin the Apley House "come forward turning single" starts the turn. This is one of my favorite figures and dances. I personally don't begin the turn until after the first step, making the turn itself a faster, more dramatic turn. That also enables one to come forward a longer distance, and enables one to fall back further at the start of the figure. This of course assumes one has room to fall back a ways; you can adjust that to fit the room and the set. Without room you almost have to a short fall back and a turn single in place. Jim Morgan ================================================================================ Archive-Date: Fri, 21 Feb 2003 09:58:36 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 12:57:39 -0500 From: Campbell Kaynor Reply-To: ECD-AT-playford.slac.stanford.edu Subject: Re: Teaching Heys to Beginners To: ECD-AT-PLAYFORD.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT Assuming you are speaking of linear heys: 1) I usually teach the linear hey for 3 by first having one person dance a figure 8 around the other 2 (and repeat if necessary for each of the others). Once they have the figure eight in mind as a pattern on the floor more than a sequence of neighbors, it is pretty easy to get them all to dance their figure eights at the same time with minor adjustments to avoid collisions. 2) If the dancers have done some contra or square before and are familiar with the "Ladies Chain" figure, I have found a quick way to teach the linear hey for 4 as follows: 1) Have the ladies do a ladies chain (to make sure they under stand the path) 2) Have them do the same thing with no hands 3) Have the Gents try the Ladies Chain with no hands 4) Have the Ladies start and the Gents start slightly later as the opposite ladies approach them It is helpful to point out that the amount of music that one needs to use while rounding the corner at the end of the line is the same as passing 2 people so that people don't whip around and jump the gun going back. Cammy ================================================================================ Archive-Date: Fri, 21 Feb 2003 11:14:39 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 14:14:10 -0500 (EST) From: "Priscilla M. Burrage" Reply-To: ECD-AT-playford.slac.stanford.edu Subject: RE: coming forward turning single To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Content-Transfer-Encoding: 7BIT References: <244A4457EB02E942BCB26BB535AFF3C04C6F98-AT-iu-mssg-mbx03.exchange.iu.edu> On Fri, 21 Feb 2003, Morgan, James J wrote: > I thought I'd reply to Pat Corvini's inquiry, whether the first step in > the Apley House "come forward turning single" starts the turn. This is > one of my favorite figures and dances. I personally don't begin the > turn until after the first step, making the turn itself a faster, more > dramatic turn. When I first read this discription, I thought, "You still have knees." For those of us whose knees seem to have a horizontal rotation component that hurts, start turning on that first step and don't try to make any of the pats of the turn too dramatic. Your knees will tell you if you have. ~~~~~~~~~~~~~~~~~ Priscilla Burrage Vermont US (pburrage-AT-zoo.uvm.edu) ================================================================================ Archive-Date: Fri, 21 Feb 2003 12:01:04 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Fri, 21 Feb 2003 12:00:35 -0800 (PST) From: Alan Winston - SSRL Central Computing Subject: [fw from Sol Weber] Heys To: ecd-AT-PLAYFORD.SLAC.STANFORD.EDU Reply-To: ECD-AT-playford.slac.stanford.edu Message-ID: <01KSP6BCX9RMEOI2EI-AT-SSRL.SLAC.STANFORD.EDU> MIME-Version: 1.0 Content-Type: message/rfc822 Date: Fri, 21 Feb 2003 11:36:58 -0800 (PST) From: sol weber Subject: heys, GR&Ls To: system-AT-PLAYFORD.SLAC.STANFORD.EDU X-VMS-To: MX%"system-AT-PLAYFORD.SLAC.STANFORD.EDU" X-VMS-Cc: MIME-version: 1.0 Content-type: TEXT/PLAIN Content-transfer-encoding: 7BIT From: sol weber To: system-AT-PLAYFORD.SLAC.STANFORD.EDU Re helping beginners with those figures, in circular heys without hands, I often suggest to them that they say to themselves softly, "right, left, right, left" -- after all these years *I* sometimes do it too, especially when encountering uncertain dancers. Other clues for the novice might be, "Keep turning to the right (or left)", or suggest that hands *be* used at first to acclimate the beginner. (When reversing directions, of course it becomes "left, right..." For straight heys, do emphasize the need for a generous loop at the ends, perhaps giving a little demo of good vs bad. Anxious beginners always rush back and crash into someone. The demo could also deal with the tendency of beginners to turn the wrong way at the ends. Sol "Roundman" Weber --- "So many rounds, so little time" 25-14 37 St, Astoria NY 11103, 718-278-4389 (after 11am) SINGERS & musicians, contact me for info on books, albums, & misc. fun items. solweber-AT-juno.com; http://roundz.tripod.com -------------------------------------------------------------------------------- Return-Path: Received: from smtp1.slac.stanford.edu by ssrl04.slac.stanford.edu (MX V4.2 AXP) with SMTP; Fri, 21 Feb 2003 11:37:17 PST Received: from CONVERSION-DAEMON.smtp1.slac.stanford.edu by smtp1.slac.stanford.edu (PMDF V6.1-1 #37665) id <0HAO00J01BTFEA-AT-smtp1.slac.stanford.edu> for system-AT-SSRL04.SLAC.STANFORD.EDU; Fri, 21 Feb 2003 11:36:51 -0800 (PST) Received: from m07.lax.untd.com (m07.lax.untd.com [64.136.30.70]) by smtp1.slac.stanford.edu (PMDF V6.1-1 #37665) with SMTP id <0HAO00CNLBTFZ3-AT-smtp1.slac.stanford.edu> for system-AT-SSRL04.SLAC.STANFORD.EDU; Fri, 21 Feb 2003 11:36:51 -0800 (PST) Received: from cookie.juno.com by cookie.juno.com for <"HkUFbn0ji/QuhAWkT5t1zsIpiNN+8KzzUmVy4hdZNPveBxp/7S6ugg=="> Received: (from solweber-AT-juno.com) by m07.lax.untd.com (jqueuemail) id HRKL8SVX; Fri, 21 Feb 2003 11:36:11 -0800 (PST) Date: Fri, 21 Feb 2003 14:16:20 -0500 Subject: heys, GR&Ls Message-ID: <20030221.143020.-389173.8.solweber-AT-juno.com> MIME-Version: 1.0 X-Mailer: Juno 5.0.33 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7BIT =============================================================================== Alan Winston --- WINSTON-AT-SSRL.SLAC.STANFORD.EDU Disclaimer: I speak only for myself, not SLAC or SSRL Phone: 650/926-3056 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA 94025 =============================================================================== ================================================================================ Archive-Date: Sat, 22 Feb 2003 06:24:39 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sat, 22 Feb 2003 09:25:26 -0500 From: Don Bell Reply-To: ECD-AT-playford.slac.stanford.edu Subject: RE: Teaching Heys to Beginners To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <000101c2da7e$3e79cf60$6401a8c0-AT-nycap.rr.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT Hi Ben, Sorry to hear about your shoulder. May you recover quickly and rejoin the dance! Don Sounds fascinat9ing Don. Unfortunately I dislocated my left shoulder in a bad ski fall last Monday and for a while am not traveling or dancing much. Afraid of dancing with beginners-arm pull not welcome. Sorry. Ben Stein > __________________________________________________ Do you Yahoo!? Yahoo! Tax Center - forms, calculators, tips, more http://taxes.yahoo.com/ ================================================================================ Archive-Date: Sat, 22 Feb 2003 06:35:08 PST Sender: owner-ecd-AT-playford.slac.stanford.edu Date: Sat, 22 Feb 2003 09:35:59 -0500 From: Don Bell Reply-To: ECD-AT-playford.slac.stanford.edu Subject: RE: Teaching Heys to Beginners To: ECD-AT-SSRL04.SLAC.STANFORD.EDU Message-ID: <000201c2da7f$b78d7cc0$6401a8c0-AT-nycap.rr.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7BIT Cammy, Many thanks for your very helpful comments! I'll incorporate them into my teaching. Don -----Original Message----- From: owner-ecd-AT-ssrl04.SLAC.STANFORD.EDU [mailto:owner-ecd-AT-ssrl04.SLAC.STANFORD.EDU] On Behalf Of Campbell Kaynor Sent: Friday, February 21, 2003 12:58 PM To: ECD-AT-ssrl04.SLAC.STANFORD.EDU Subject: Re: Teaching Heys to Beginners Assuming you are speaking of linear heys: 1) I usually teach the linear hey for 3 by first having one person dance a figure 8 around the other 2 (and repeat if necessary for each of the others). Once they have the figure eight in mind as a pattern on the floor more than a sequence of neighbors, it is pretty easy to get them all to dance their figure eights at the same time with minor adjustments to avoid collisions. 2) If the dancers have done some contra or square before and are familiar with the "Ladies Chain" figure, I have found a quick way to teach the linear hey for 4 as follows: 1) Have the ladies do a ladies chain (to make sure they under stand the path) 2) Have them do the same thing with no hands 3) Have the Gents try the Ladies Chain with no hands 4) Have the Ladies start and the Gents start