Archive-Date: Sat, 01 Jun 2002 09:21:49 PST
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Date: Sat, 01 Jun 2002 12:16:39 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Woeful lover(s)
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Hi all -
someone mentioned a dance "Woeful lover(s)" for five couples to me. I've
never heard of it. Information, anybody?

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
Archive-Date: Sat, 01 Jun 2002 11:57:55 PST
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Date: Sat, 01 Jun 2002 21:00:53 +0200
From: Simone Verheyen <simoneverheyen-AT-
pi.be>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: RE: Woeful lover(s)
To: ECD-AT-
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Hello all,

since a couple of months I'm only a lurker, but now I want to give a
reaction.

Yes, Hanny, the dance "The Woeful Lover" really exists ! It's a Pat Shaw
dance, and you can find it in his collection "New Wine in Old Bottles".
This is a series of dances Pat made on old Dutch tunes. A couple of years
ago, Antony Heywood, Marjorie Fennessey and Nicolas Broadbridge made a very
interesting re-edition.  I can recommend it to you !  It contains a lot of
interesting dances.  There is also a beautiful CD, by the Assembly Players
(Nic Broadbridge et al.) which has a lot of the tunes of "New Wines in Old
Bottles" on it.

I can recommend both Book and CD to you !  Nicolas and Antony can tell you a
lot more on them.

Try, for example, these dances (we do them often in Holland and Belgium!) :
the Waters of Holland, Cecilia, the Carillon at Sneek, the Slof Galliard,
the Koepoort Galliard, Sweet Rosie Red, Sally from Poland, Little
Nightingale, Dear papa and dear mama, ...

The dance "The Woeful Lover" is not for a big crowd : it is difficult, and
will only be appreciated by real "connoisseurs" of the English dance.  But
it is a nice dance.

I hope I gave you enough information now.

Regards,

Simone Verheyen (from Belgium)


-----Oorspronkelijk bericht-----
Van: owner-ecd-AT-
PLAYFORD.SLAC.STANFORD.EDU
[mailto:owner-ecd-AT-
PLAYFORD.SLAC.STANFORD.EDU]Namens Hanny D. Budnick
Verzonden: zaterdag 1 juni 2002 18:17
Aan: Blind.Copy.Receiver-AT-
compuserve.com
Onderwerp: Woeful lover(s)


Hi all -
someone mentioned a dance "Woeful lover(s)" for five couples to me. I've
never heard of it. Information, anybody?

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny


================================================================================
Archive-Date: Sat, 01 Jun 2002 12:07:28 PST
Sender: owner-ecd-AT-
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Date: Sat, 01 Jun 2002 20:25:42 +0100
From: Ann Higley <ann-AT-
higley.freeserve.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Woeful lover(s)
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <000401c209a2$30300300$046b883e-AT-
annhigle>
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References: <200206011220_MC3-1-A8-5439-AT-
compuserve.com>

Hi  Hanny,
I think you are probably referring to The Woeful Lover in Pat Shaw's 'New
Wine in Old Bottles', which is for 5 couples. I've only called it once, but
personally, I like it very much.
Regards,
Ann Higley

> someone mentioned a dance "Woeful lover(s)" for five couples to me. I've
> never heard of it. Information, anybody?
  Hanny




================================================================================
Archive-Date: Sat, 01 Jun 2002 15:14:30 PST
Sender: owner-ecd-AT-
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Date: Sat, 01 Jun 2002 18:11:12 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Woeful lover(s)
To: Blind.Copy.Receiver-AT-
compuserve.com
Message-ID: <200206011814_MC3-1-AC-C2-AT-
compuserve.com>
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Thanks, Ann and Simone!
Actually, Pat himself gave me one of the manila folders with "New Wine in
Old Bottles" when he was visiting in 1974. It never occurred to me to look
there...
We've gone pretty far afield by now!
Dutch melodies + British choreographer = ECD
German melody + American choreographer = ECD
Italian melodies + Dutch choreographer = ECD

I'm sure we could continue that list of peculiarities...

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
Archive-Date: Sat, 01 Jun 2002 15:14:36 PST
Sender: owner-ecd-AT-
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Date: Sat, 01 Jun 2002 18:11:11 -0400
From: "Hanny D. Budnick" <74031.77-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Woeful lover(s)
To: Blind.Copy.Receiver-AT-
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Thanks Ann and Si
================================================================================
Archive-Date: Sun, 02 Jun 2002 07:11:08 PST
Sender: owner-ecd-AT-
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Date: Sun, 02 Jun 2002 10:08:06 -0400
From: Deb Karl <debkarl-AT-
wi.mit.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: More on the Nov.02 English/Scottish/Contra cruise
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <3CFA26C6.4C436B24-AT-
wi.mit.edu>
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References: <01KI4HU9HLE48YODL0-AT-
SSRL.SLAC.STANFORD.EDU>

Last weekend Alan posted a flyer about a dance cruise in November, &
asked if someone else could find out more information.  I emailed the
contact at AAA South, & got a little more information.  As Alan said,
I'm not making an endorsement.  This is all I know about it.  I asked
for more specifics about just what (size/composition) the dance surfaces
would be; didn't get an answer to that.  The line "Band performance
contingent upon group requirements being met" makes me nervous....

--Deb

****************************************
AAA AUTO SOUTH CLUB and Southern Jubilee band are planning a cruise on
the Carnival Ship Fantasy.
The ship leaves from Port Canaveral November 3, 2002 about 4:00pm.  It
stops at Freeport and Nassau in the Bahamas spends a "fun day at sea"
for a total of 4 nights getting back to Port Canaveral earlyThursday
morning.  We hope to be "Dancing  the Decks" 4-6 hours a day.  Charlie
Dyer will teach/call English and Contra dancing and Bill Stewart will
teach Scottish dancing.  An inside cabin is $366.35 per person and an
outside cabin with a picture window is $406.35 per person.  Deposit of
$200.00 per person is requested.  Send me legal names, birthdates,
credit cards and what type of cabin you would like.  Legal  proof of
citizenship(passport or birth certificate with the raised seal) is required.

For more information on "Southern Jubliee String Band" check out their
website www.folkfiddle.com.

Band performance contingent upon group requirements being met.

AAA Travel
3718 Beach Blvd.
Jacksonville Fl 32207
904 398-0564
================================================================================
Archive-Date: Wed, 05 Jun 2002 11:43:56 PST
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Date: Wed, 05 Jun 2002 14:43:14 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: morris in BBC news
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF8102B269.A1DC7F22-ON85256BCF.0066C5CE-AT-
biogen.com>
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http://news.bbc.co.uk/hi/english/uk/newsid_2026000/2026567.stm



================================================================================
Archive-Date: Wed, 05 Jun 2002 14:26:19 PST
Sender: owner-ecd-AT-
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Date: Wed, 05 Jun 2002 14:25:56 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Fwd:  Re: Dance cruises
To: =?UNKNOWN?Q?ECD=A0list?= <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Message-ID: <20020605212556.94300.qmail-AT-
web20009.mail.yahoo.com>
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This was posted today on the Contra_Dance-AT-
yahoogroups list:

To:  Contra_Dance-AT-
yahoogroups.com
From:  "gitfiddle2" <kbmusic-AT-
bellsouth.net>
Date:  Wed, 05 Jun 2002 18:33:45 -0000
Subject:  [Contra_Dance] Contra and EC dance cruise
Reply-to:  Contra_Dance-AT-
yahoogroups.com



We're very excited about this! And hope that you can come dance with 
us! If you would pass it along to your dance friends we would 
appreciate it.  Thanks very much!   
Katie  kbmusic-AT-
bellsouth.net  www.folkfiddle.com 
 
Southern Jubilee String Band    
www.folkfiddle.com (there are links on the web page.)
and AAA Travel – Jacksonville, FL
Invite you to .... Dance on the Decks!
On the Carnival cruise ship... "Fantasy"
November 3 – 7, 2002
Featuring
English, Contra, and Scottish Dancing 
Charlie Dyer from St. Augustine, FL, will be calling.
4 - day Bahamas cruise leaving from Port Canaveral and
visiting Freeport and Nassau with dances each day!
(Bring your instruments, too. There will be jam time!)
 
Inside cabins starting at $366.35 pp
Outside cabins starting at $406.35 pp
For more information and to book your dance cruise contact...
 Linda Stewart -AAA Travel Jacksonville FL.
904 398-0564    lstewart-AT-
aaasouth.com
Rate includes cruise, port charges, and government fees.
Katie Bailey - www.folkfiddle.com 



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Archive-Date: Wed, 05 Jun 2002 15:06:37 PST
Sender: owner-ecd-AT-
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Date: Wed, 05 Jun 2002 18:04:36 -0400
From: John Daly <jbdaly-AT-
compuserve.com>
Subject: MidSummer Night's Ball in Melbourne
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
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I realize this list reaches far beyond Florida, but I would like to 
extend an invitation to the list members to come and join us in 
Melbourne Village, Florida, for a MidSummer's Night Ball.

This all started when the between dance conversation turned to 
summer and specifically how slow things seemed to be during the 
hot Florida summer months.  Individual groups such as the 
Sharpes Assembly have done balls for their own members, but we 
think this may be the first Ball to which invitations have gone out 
beyond the local groups.  We've been sending flyers around with 
the band and other dancers and would like to be sure that no one 
is left out..  If you live in Florida or plan to be visiting, please join us.

More details are on the web at www.folkdance.org, and feel free to 
e-mail me at jbdaly-AT-
compuserve.com.  Here are the basics.

The Ball will be Saturday evening June 22nd.  For those who 
respond by June 15th, we'll have a home-made dinner starting at 
6:00 pm (and the plan is to make the dinner as elegant as can be 
given the rather plain nature of the hall).  The Ball itself will start at 
8:00 pm.  Music by Jubilee.

From 1:00 to 4:30 on Saturday afternoon we'll have workshops on 
various dances.  Casual dress, recorded music.  Various cuers.  
Hopefully a fun afternoon.

Sunday Morning at 9:00 for those who want to stay over we'll have 
a continental breakfast (coffee, English Muffins, whatever) maybe 
do a couple dances, and then say good bye.

I'm getting excited just writing about it.  The cooks are getting 
frazzled just thinking about it.  It will be a great time.

John Daly
================================================================================
Archive-Date: Thu, 06 Jun 2002 12:03:17 PST
Sender: owner-ecd-AT-
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Date: Thu, 06 Jun 2002 15:01:07 -0400
From: Susan <susan-AT-
generalist.org>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Two dance events, #1
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
CC: susan-AT-
generalist.org
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black.generalist.org>
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This and the following post are both somewhat off-topic for this list,
for which I beg Alan's indulgence.  I am teaching two dance workshops
which may be of interest to a few folks here, at least those in the
northeastern USA.

First, on June 15th, in Stratford, Connecticut, I will be conducting a
workshop on late 16th-century Italian dance and leading some evening
social dancing.  The dances to be taught are from a 1581 Italian
manual which I have been working with for the last year - Caroso's
Il Ballarino, for those of you that means something to (hi, Sion!)

No experience in Renaissance dance is needed, and the dancing is for
the most part non-strenuous.  Country dancers will recognize some of
the figures (and may really like one hey...)  There's some speculation
that these dances are in some way related to early English country
dance - I'm not sure ancestral would be the right term, but there
are definite similarities in the set dances.

Please note that the day is a workshop; the evening is a social dance,
but it is NOT like a typical country dance evening, in that only a few
people dance at once while others watch or socialize.  There will be
plenty to eat and drink, as well as live music.

This is being run by the local SCA.  If you don't know what the SCA
is, please email and ask.  The most relevant information is that at
least some attempt at a costume is required - but we can help with
that - and that because it's a nonprofit educational organization,
we're all volunteers and thus it is extremely cheap - $12.00 for the
entire day and evening.

I should perhaps note that for those who find themselves peturbed by
not knowing people's full names, you will be thoroughly traumatized by
the fact that no one uses their real name at an SCA event, and I will
in fact teach under an SCA alias.  And in men's clothing, to boot.
With no nametag.  Demanding real names would be extraordinarily rude.
If you are unable to deal politely with this sort of event, please
don't come.

The workshop is limited to 36 people, and we have about a dozen spots
available.  Please email me privately, and soon, if you're interested.

Susan


================================================================================
Archive-Date: Thu, 06 Jun 2002 12:17:02 PST
Sender: owner-ecd-AT-
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Date: Thu, 06 Jun 2002 15:14:57 -0400
From: Susan <susan-AT-
generalist.org>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Two dance events, #2
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
CC: susan-AT-
generalist.org
Message-ID: <E17G2in-0007bl-00-AT-
black.generalist.org>
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Now, the second event.

My June New York City workshop will occur on Sunday, June 16th (yes, I
have a busy weekend planned...) and will look at the original (1810's)
Regency quadrille.  This is a two-part workshop; the earlier part will
just be dance-walking through the figures.  The second part will
actually take a look at the early 19th-century steps and apply them to
the first figure and possibly the dance "La Boulangere" as well, time
permitting.  This latter part will be somewhat strenuous.  The cost is
$15.00 for three hours, music is recorded (unless there's a musician
around with a yen to come play quadrilles for three hours), and more
details can be found at:

http://www.elegantarts.org/nextclass.html

These workshops tend to be teeny-tiny, and there is certainly no limit
on numbers, but we do appreciate RSVP's; information is on that
webpage.  If you'd like to be on my mailing list for these workshops
(which range from 17th century to early 20th century), email me
directly.  I forget to post them here at least half the time.

Susan

================================================================================
Archive-Date: Thu, 06 Jun 2002 23:58:41 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 08:56:36 +0200
From: Martin <martin.sheffield-AT-
wanadoo.fr>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #1
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <5.1.0.14.0.20020607085117.00a059d0-AT-
pop.wanadoo.fr>
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Someone wrote:

>...  few people dance at once while others watch or socialize.
>(...) no one uses their real name at an SCA event (...) Demanding real 
>names would be extraordinarily rude.

What a strange way of socializing !

That's the way that non-dancers do things here in France. Always annoys me.

Anonymous,
in Grenoble, France.

================================================================================
Archive-Date: Fri, 07 Jun 2002 00:42:58 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 00:22:34 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: Re: Two dance events, #1
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
Message-ID: <01KIMP5N0SKU8ZATK2-AT-
SSRL.SLAC.STANFORD.EDU>
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Anonymous(-AT-
wanadoo.fr) quoted:

> >...  few people dance at once while others watch or socialize.
> >(...) no one uses their real name at an SCA event (...) Demanding real
> >names would be extraordinarily rude.

and wrote:

> What a strange way of socializing !

> That's the way that non-dancers do things here in France. Always annoys me.

So the non-dancers in France invent people who could have lived in the
historical period they're interested in, go by the names of those characters,
and try to act according to the manners of those characters  when participating
in events set in that historical period? (And some of them go by those names in
quotidian life as well?)

I can see where that would get up your nose.

But they're doing it to amuse and entertain themselves, not to annoy you.  Try
not to take it personally.

-- Alan

===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Fri, 07 Jun 2002 01:45:25 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 09:57:19 +0200
From: Martin <martin.sheffield-AT-
wanadoo.fr>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #1
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <5.1.0.14.0.20020607095347.00a027c0-AT-
pop.wanadoo.fr>
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OK, Alan, I've got the message.

Never really got into historical reconstruction etc, myself, so I didn't 
think of that side of things (I'm just a dancer).
Could be fun !

Martin (coming out of hiding again).

================================================================================
Archive-Date: Fri, 07 Jun 2002 05:46:30 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 22:46:04 +1000
From: AYLWEN GARDEN <garden-AT-
earthlydelights.com.au>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Winter Solstice Ball in Melbourne
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <875D811C-7A14-11D6-9366-000393B11100-AT-
earthlydelights.com.au>
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> For those in Melbourne, Victoria, Australia or travelling thereto:
>
> With the lively dance band Blackberry Jam.
> Australian, Scottish, Irish and English traditional dances will be 
> called.
> Saturday 22 June 2002, Preston Town Hall, cnr Gower & High Sts, 8pm - 
> 12.30am
> Sandwiches, tea & coffee provided. BYO drinks & glass.
> Please bring a plate to share for supper.
> Costume encouraged.
> $17 by Wed 12 June, $22 at the door.
> Enquiries: Robin - BH: 0413 209 334; AH: (03) 9723 2453
>

================================================================================
Archive-Date: Fri, 07 Jun 2002 08:28:26 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 08:28:06 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Adroit touch
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020607152806.58155.qmail-AT-
web13604.mail.yahoo.com>
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Alan,
Have you ever considered a career in the diplomatic service?  I think
the Middle East could benefit by your help right now.
B.

--- Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
wrote: 
> So the non-dancers in France invent people who could have lived in
> the
> historical period they're interested in, go by the names of those
> characters,
> and try to act according to the manners of those characters  when
> participating
> in events set in that historical period? (And some of them go by
> those names in
> quotidian life as well?)
> 
> I can see where that would get up your nose.
> 
> But they're doing it to amuse and entertain themselves, not to
> annoy you.  Try
> not to take it personally.
> 
> -- Alan


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

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================================================================================
Archive-Date: Fri, 07 Jun 2002 08:35:56 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 08:35:36 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: and the unadroit
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020607153536.20432.qmail-AT-
web13603.mail.yahoo.com>
MIME-Version: 1.0
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Oops.
The last was meant to be private of course.


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

__________________________________________________
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Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com
================================================================================
Archive-Date: Fri, 07 Jun 2002 10:46:28 PST
Sender: owner-ecd-AT-
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Date: Fri, 07 Jun 2002 13:42:31 -0400
From: Susan Murrow <75272.730-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: and the unadroit
To: "INTERNET:ECD-AT-
SSRL04.SLAC.STANFORD.EDU" <ECD-AT-
SSRL04.SLAC.STANFORD.EDU>
Message-ID: <200206071345_MC3-1-173-9012-AT-
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Hey, Barbara...

Shouldn't that be "maladroit" ???

I have never heard "unadroit" before... 
Is it one of those Ameriadapted words?

All good wishes from Susan
(not wanting to appear gauche...)
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Date: Fri, 07 Jun 2002 14:01:05 -0400
From: Deb Karl <debkarl-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: and the unadroit
To: ECD-AT-
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Susan Murrow wrote:
>
> I have never heard "unadroit" before...
> Is it one of those Ameriadapted words?

or maybe it's misspelled French dance directions, as in

un à droit
deux à droit
trois à droit
....

;-)
Deb
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Date: Fri, 07 Jun 2002 11:19:23 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: and the unadroit
To: ECD-AT-
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--- Deb Karl <debkarl-AT-
wi.mit.edu> wrote:
> Susan Murrow wrote:
> >
> > I have never heard "unadroit" before...
> > Is it one of those Ameriadapted words?
> 
> or maybe it's misspelled French dance directions, as in
> 
> un à droit

Actually it should have been un à droid.

I thought I was sending to the French Star Wars discussion list.
B.

=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

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Date: Fri, 07 Jun 2002 15:08:08 -0400
From: Dick Wexelblat <dick.wexelblat-AT-
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Subject: Re: and the unadroit
To: ECD-AT-
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CC: "INTERNET:ECD-AT-
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A Vivisimo search on unadroit got 18 hits.
Alta Vista got 3.
Google found 13.
...



================================================================================
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Subject: Re: and the unadroit
To: ECD-AT-
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CC: "INTERNET:ECD-AT-
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A Vivisimo search on unadroit got 18 hits.
Alta Vista got 3.
Google found 13.
...



================================================================================
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Date: Fri, 07 Jun 2002 18:12:21 -0400 (EDT)
From: Tideswell-AT-
aol.com
Reply-To: ECD-AT-
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Subject: Re: Two dance events, #2
To: ECD-AT-
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Susan-the-generalist (a welcome voice in this age of specialization) said

>  The second part will
>actually take a look at the early 19th-century steps and apply them to
>the first figure and possibly the dance "La Boulangere" as well, time
>permitting. 

"La Boulangere"?  Really?  Any idea how there came to be a dance with such a 
name?

I'm asking only, you understand, on a knead-to-know basis.

Nilos, boulangere grise
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From: Barbara Ruth <barbararuth-AT-
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Reply-To: ECD-AT-
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Subject: Re: Two dance events, #2
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--- Tideswell-AT-
aol.com wrote:
 
> "La Boulangere"?  Really?  Any idea how there came to be a dance
> with such a 
> name?
> 
> I'm asking only, you understand, on a knead-to-know basis.
> 
> Nilos, boulangere grise


Oh no. Nilos is on a roll.

Barbara


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

__________________________________________________
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Archive-Date: Fri, 07 Jun 2002 15:59:52 PST
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Date: Fri, 07 Jun 2002 15:56:26 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: Re: Two dance events, #2
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
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> --- Tideswell-AT-
aol.com wrote:
 
> > "La Boulangere"?  Really?  Any idea how there came to be a dance
> > with such a
> > name?
> >
> > I'm asking only, you understand, on a knead-to-know basis.
> >
> > Nilos, boulangere grise

> Oh no. Nilos is on a roll.

Ah, crumbs.

-- Alan

PS: Getting back to the Georgian period, at least, is there any truth to the
story that the "cake" referred to in Marie Antoinette's "Let them eat cake" was
actually the stuff caked on the walls of the oven?  And can anyone recommend a
good biography of Marie Antoinette?  Stefan Zweig is quite readable, but he's
obviously fallen in love with her, which makes his objectivity a bit suspect. 

(And did Marie's court, while playing at being shepherds and shepherdesses,
dance country dances?)

-- APW


===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
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Date: Fri, 07 Jun 2002 21:33:40 -0400 (EDT)
From: BHFrancis-AT-
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Reply-To: ECD-AT-
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Subject: Re: Boulangere, (was two dance events, #2)
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Dear Punsters --

Jane Austen rises once again.  The Boulangere is the only dance Miss Austen 
mentions by name in any of her novels.  It's in _Pride and Prejudice_ when 
Mrs. Bennet bustles in to tell her husband about the local dance and how the 
eldest daughter Jane has caught the eye of Mr. Bingley (you know, the single 
guy in possession of a fortune who therefore must want a wife).  In giving 
the rundown of the evening Mrs. Bennet lists the Boulangere.  Perhaps it was 
worth mentioning by name because it appears to have some kind of big circle 
formation and traveling couple figures, which would differ from the usual 
longways.  Perhaps Susan's workshop will provide more illumination.

Beverly Francis

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Date: Fri, 07 Jun 2002 22:06:35 -0400 (EDT)
From: Will Linden <wlinden-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
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On Fri, 7 Jun 2002, Alan Winston - SSRL Central Computing wrote:
> PS: Getting back to the Georgian period, at least, is there any truth to the
> story that the "cake" referred to in Marie Antoinette's "Let them eat cake" was
> actually the stuff caked on the walls of the oven?  And can anyone recommend a

 I wouldn't know, but I read in Ripley's Believe-it-or-not that she
actually said "brioches".

  Also, the line is from Rousseau's CONFESSIONS, where it is attributed
simply to "a great princess", in a passage probably written before the
young Archduchess even went to France. See Boller & George, THEY NEVER
SAID IT: A BOOK OF FAKE QUOTES, MISQUOTES, AND MISLEADING ATTRIBUTIONS.


   Perhaps I need to point out that Emerson did not say "Consistency is
the hobgoblin of little minds"; Holmes did not say "Boston is the hub of
the universe"; and the Bible does not say "Money is the root of all evil"?

Will Linden  wlinden-AT-
panix.com
http://www.ecben.net/
Magic Code: MAS/GD S++ W++ N+ PWM++ Ds/r+ A-> a++ C+ G- QO++ 666 Y

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Date: Fri, 07 Jun 2002 22:31:08 -0700
From: Jon Berger <jberger-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
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Will Linden wrote:
> 
> On Fri, 7 Jun 2002, Alan Winston - SSRL Central Computing wrote:
>   Also, the line is from Rousseau's CONFESSIONS, where it is attributed
> simply to "a great princess", in a passage probably written before the
> young Archduchess even went to France. See Boller & George, THEY NEVER
> SAID IT: A BOOK OF FAKE QUOTES, MISQUOTES, AND MISLEADING ATTRIBUTIONS.

Moreover, according to someone named John Wexler:

"French law obliged bakers to sell certain standard varieties of loaf at
fixed weights and prices.  (It still does, which explains why the most
expensive patisserie will sell you a baguette for the same price as a
supermarket.)  At the time when this quotation originated, the law also
obliged the baker to sell a fancier loaf for the price of the cheap one
when the cheap ones were all gone.  This was to forestall the obvious trick
of baking just a few standard loaves, so that one could make more profit by
using the rest of the flour for price-unregulated loaves.  So whoever it
was who said 'Qu'ils mangent de la brioche,' she (or he) was not being
wholly flippant.  The idea was that the bread shortage could be alleviated
if the law was enforced against profiteering bakers."

-- 
Jon Berger
Business: jon-AT-
perforce.com
Personal: jberger-AT-
sbcglobal.net
http://pages.sbcglobal.net/jberger
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Date: Sat, 08 Jun 2002 01:56:05 -0500
From: Paul Stamler <pstamler-AT-
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Subject: Re: Two dance events, #2
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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----- Original Message -----
From: <Tideswell-AT-
aol.com>

<<"La Boulangere"?  Really?  Any idea how there came to be a dance with such
a
name?>>

I have some ideas, but they're all pretty half-baked.

Peace,
Paul

================================================================================
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Date: Sat, 08 Jun 2002 08:56:02 -0700
From: Kalia Kliban <kalia-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
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Tideswell-AT-
aol.com wrote:
> "La Boulangere"?  Really?  Any idea how there came to be a dance with such a
> name?
> 
> I'm asking only, you understand, on a knead-to-know basis.
> 
> Nilos, boulangere grise

Don't you start, now.

-- 
Kalia Kliban
kalia-AT-
sbcglobal.net  <--- Note new email address!
================================================================================
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Sender: owner-ecd-AT-
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Date: Sat, 08 Jun 2002 17:07:42 +0100
From: Michael Barraclough <michael.barraclough-AT-
tgis.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <200206081607.RAA28288-AT-
galahad.tgis.co.uk>
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Does La Boulangere contain a dough-si-dough?

Michael Barraclough
http://www.mab.tgis.co.uk


On Saturday, June 08, 2002 at 08:56:02 AM, ECD-AT-
SSRL04.SLAC.STANFORD.EDU wrote:

> 
> 
> Tideswell-AT-
aol.com wrote:
> > "La Boulangere"?  Really?  Any idea how there came to be a dance with such a
> > name?
> > 
> > I'm asking only, you understand, on a knead-to-know basis.
> > 
> > Nilos, boulangere grise
> 
> Don't you start, now.
> 
> -- 
> Kalia Kliban
> kalia-AT-
sbcglobal.net  <--- Note new email address!
> 
> 


--

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Date: Sat, 08 Jun 2002 13:41:38 -0400 (EDT)
From: Tideswell-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
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In a message dated 6/8/02 7:00:26 AM, 
Various remarks were made...

Barbara:
>> Oh no. Nilos is on a roll.

Alan:
>Ah, crumbs.

Paul:
>I have some ideas, but they're all pretty half-baked.

How lovely to see your wit bursting into flour....but I guess it's the yeast 
you can do.

And thank you to the ever-informative Beverly Francis for providing some 
(gasp) actual information

Nilos
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Date: Sat, 08 Jun 2002 15:37:13 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: Blind.Copy.Receiver-AT-
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No dough si dough, just a bake-to-bake

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
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Date: Sun, 09 Jun 2002 18:46:27 -0400 (EDT)
From: JBGrun-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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In a message dated 6/7/02 7:00:14 PM, winston-AT-
SLAC.Stanford.EDU writes:

<< > Oh no. Nilos is on a roll.

Ah, crumbs.
 >>

You guys are giving me a Bon Pain in the.........

Judy G
================================================================================
Archive-Date: Mon, 10 Jun 2002 06:38:32 PST
Sender: owner-ecd-AT-
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Date: Mon, 10 Jun 2002 09:49:12 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: "Let them eat brioche at a steep discount!"--Marie Antoinette, social activist/powderpuff
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF1AD49489.BC2FF7BC-ON85256BD4.004BB4E1-AT-
risk.sungard.com>
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Alan (and others):
As it happens, there is a "bran-new" biography of MA by the very capable
Antonia Fraser. I have not read it in full--simply looked lustfully at it
in the bookstores--but it looks *very* promising indeed.

G

Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."





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Archive-Date: Mon, 10 Jun 2002 09:47:05 PST
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Date: Mon, 10 Jun 2002 09:46:45 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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--- Will Linden <wlinden-AT-
panix.com> wrote:
> See Boller & George, THEY
> NEVER
> SAID IT: A BOOK OF FAKE QUOTES, MISQUOTES, AND MISLEADING
> ATTRIBUTIONS.
> 
>    Perhaps I need to point out that Emerson did not say
> "Consistency is
> the hobgoblin of little minds"; Holmes did not say "Boston is the
> hub of
> the universe"; and the Bible does not say "Money is the root of all
> evil"?

And Bogey never said "Play it again, Sam," (at least not on-screen).

B.



> 
> Will Linden  wlinden-AT-
panix.com
> http://www.ecben.net/
> Magic Code: MAS/GD S++ W++ N+ PWM++ Ds/r+ A-> a++ C+ G- QO++ 666 Y
> 


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com
================================================================================
Archive-Date: Mon, 10 Jun 2002 10:01:53 PST
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Date: Mon, 10 Jun 2002 10:01:32 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Two dance events, #2
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020610170132.59935.qmail-AT-
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--- Tideswell-AT-
aol.com wrote:
> 
> In a message dated 6/8/02 7:00:26 AM, 
> Various remarks were made...
> 
> Barbara:
> >> Oh no. Nilos is on a roll.
> 
> Alan:
> >Ah, crumbs.
> 
> Paul:
> >I have some ideas, but they're all pretty half-baked.
>
Michael:
>> Does it contain a dough-si-dough?

 
> How lovely to see your wit bursting into flour....but I guess it's
> the yeast 
> you can do.
> Nilos



It's all those "croissant and casts" that give some of us our "full
figures of eight."

But of couse you can't dance it unless you're wearing the proper
choux.

Barbara


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
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================================================================================
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Date: Mon, 10 Jun 2002 13:07:02 -0400
From: "Dawn C. Culbertson" <dcculb-AT-
juno.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <20020610.142652.-184237.7.dcculb-AT-
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On Mon, 10 Jun 2002 09:46:45 -0700 (PDT) Barbara Ruth
<barbararuth-AT-
rocketmail.com> writes:
> 
> --- Will Linden <wlinden-AT-
panix.com> wrote:
> > See Boller & George, THEY
> > NEVER
> > SAID IT: A BOOK OF FAKE QUOTES, MISQUOTES, AND MISLEADING
> > ATTRIBUTIONS.
> > 
> >    Perhaps I need to point out that Emerson did not say
> > "Consistency is
> > the hobgoblin of little minds"; Holmes did not say "Boston is the
> > hub of
> > the universe"; and the Bible does not say "Money is the root of 
> all
> > evil"?
> 
> And Bogey never said "Play it again, Sam," (at least not on-screen).

Nor did Sherlock Holmes ever say, "Elementary, my dear Watson" in any of
the original stories written about him (although Basil Rathbone, who
played him in numerous movies, did).

Dawn Culbertson


________________________________________________________________
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Archive-Date: Mon, 10 Jun 2002 11:37:56 PST
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Date: Mon, 10 Jun 2002 14:37:25 -0400 (EDT)
From: Dfhart24-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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In a message dated 6/10/2002 12:48:35 PM Eastern Daylight Time, 
barbararuth-AT-
rocketmail.com writes:


> And Bogey never said "Play it again, Sam," (at least not on-screen).
> 
> 
Which makes me wonder if that renders my splendid Golden's pedigree invalid.  
Or ersatz.  Her sire is AKC-registered as:  "Harmonie Play it Again, Sam"

Stretching (really hard) for some ECD content. . . My canine delight came to 
me (really!!!) by way of dancing and playing early music, including ECD, 
(recorder/viol) with a friend whose all-things-lovely "O'Lugh's Zena Winds"  
(the wonder dog) accompanied us, admired us, all the while endearing herself 
to us, during our daily playing sessions.  And kindly consented, 
subsequently, to produce an offspring for me.

I now take said offspring, Callie (Gr=the most beautiful), to the pond and 
often play ECD music while she swims.  And swims and swims.  And swims some 
more. . .I guess our Callie is: Harmonie/Winds/Most Beautiful.   Most 
propitious for this player-of-winds.

And we do know of a Golden Retriever named Heart's Ease, which also happens 
to be the name I gave to one of the bands in which I play.

Anyone else incorporate ECD names/notions into other venues in your lives? 
Any other Canine/ECD connections?

Cheer,

Deborah



--Boundary_(ID_L4pEZcLRbtWRlPB653adVw)
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 6/10/2002 12:48:35 PM Eastern Daylight Time, barbararuth-AT-
rocketmail.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">And Bogey never said "Play it again, Sam," (at least not on-screen).<BR>
<BR>
</BLOCKQUOTE><BR>
Which makes me wonder if that renders my splendid Golden's pedigree invalid.&nbsp; Or ersatz.&nbsp; Her sire is AKC-registered as:&nbsp; "Harmonie Play it Again, Sam"<BR>
<BR>
Stretching (really hard) for some ECD content. . . My canine delight came to me (really!!!) by way of dancing and playing early music, including ECD, (recorder/viol) with a friend whose all-things-lovely "O'Lugh's Zena Winds"&nbsp; (the wonder dog) accompanied us, admired us, all the while endearing herself to us, during our daily playing sessions.&nbsp; And kindly consented, subsequently, to produce an offspring for me.<BR>
<BR>
I now take said offspring, Callie (Gr=the most beautiful), to the pond and often play ECD music while she swims.&nbsp; And swims and swims.&nbsp; And swims some more. . .I guess our Callie is: Harmonie/Winds/Most Beautiful.&nbsp;&nbsp; Most propitious for this player-of-winds.<BR>
<BR>
And we do know of a Golden Retriever named Heart's Ease, which also happens to be the name I gave to one of the bands in which I play.<BR>
<BR>
Anyone else incorporate ECD names/notions into other venues in your lives? Any other Canine/ECD connections?<BR>
<BR>
Cheer,<BR>
<BR>
Deborah<BR>
<BR>
<BR>
</FONT></HTML>

--Boundary_(ID_L4pEZcLRbtWRlPB653adVw)--
================================================================================
Archive-Date: Mon, 10 Jun 2002 12:52:35 PST
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Date: Mon, 10 Jun 2002 12:52:14 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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--- "Dawn C. Culbertson" <dcculb-AT-
juno.com> wrote:
> Nor did Sherlock Holmes ever say, "Elementary, my dear Watson" in
> any of the original stories written about him (although Basil
> Rathbone, who played him in numerous movies, did).

But, it was Connecticut's William Gillette (ecentric owner of
Gillette Castle along the lower reaches of the Connecticut River) who
is credited with defining the role of Sherlock Holmes on stage, long
before Basil Rathbone came along.

Andy in Portland

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Archive-Date: Mon, 10 Jun 2002 12:59:00 PST
Sender: owner-ecd-AT-
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Date: Mon, 10 Jun 2002 12:58:39 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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--- Andy Peterson <lyrlsbro-AT-
yahoo.com> wrote:
> --- "Dawn C. Culbertson" <dcculb-AT-
juno.com> wrote:
> > Nor did Sherlock Holmes ever say, "Elementary, my dear Watson" in
> > any of the original stories written about him (although Basil
> > Rathbone, who played him in numerous movies, did).
> 
> But, it was Connecticut's William Gillette (ecentric owner of
> Gillette Castle along the lower reaches of the Connecticut River)
> who
> is credited with defining the role of Sherlock Holmes on stage,
> long
> before Basil Rathbone came along.

Not to mention being known for his razor-sharp wit.
But, how cutting to poor Basil.

B.

=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

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Archive-Date: Mon, 10 Jun 2002 13:38:58 PST
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Date: Mon, 10 Jun 2002 13:38:35 -0700
From: Robin Cohen <rcohen-AT-
idiom.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <5.1.0.14.2.20020610130948.01e32e48-AT-
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At 01:07 PM 6/10/2002 -0400, you wrote:


>On Mon, 10 Jun 2002 09:46:45 -0700 (PDT) Barbara Ruth
><barbararuth-AT-
rocketmail.com> writes:
> >
> > --- Will Linden <wlinden-AT-
panix.com> wrote:
> > > See Boller & George, THEY
> > > NEVER
> > > SAID IT: A BOOK OF FAKE QUOTES, MISQUOTES, AND MISLEADING
> > > ATTRIBUTIONS.
> > >
> > >    Perhaps I need to point out that Emerson did not say
> > > "Consistency is
> > > the hobgoblin of little minds"; Holmes did not say "Boston is the
> > > hub of
> > > the universe"; and the Bible does not say "Money is the root of
> > all
> > > evil"?
> >
> > And Bogey never said "Play it again, Sam," (at least not on-screen).
>
>Nor did Sherlock Holmes ever say, "Elementary, my dear Watson" in any of
>the original stories written about him (although Basil Rathbone, who
>played him in numerous movies, did).
>
>Dawn Culbertson

...and the dormouse never said "Feed your head" in Alice's Adventures in 
Wonderland, though The Jefferson Airplane thought it did.

Robin Cohen
Menlo Park, CA
mostly a lurker

================================================================================
Archive-Date: Mon, 10 Jun 2002 19:47:17 PST
Sender: owner-ecd-AT-
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Date: Mon, 10 Jun 2002 22:44:39 -0400
From: SUSAN B BOOKER <susantiq-AT-
prodigy.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: RE: They never said it...
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <001001c210f1$efb25600$b902ffd1-AT-
oemcomputer>
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No Playford-named dog tales to relate, but some dancing friends have a cat
named "Rufty-Tufty".

Anyone have a kitty named "Poussette"?

Susan Booker in Lexington, KY,
whose furry feline friend is Shadow, as in
"I have a little Shadow who goes in and out with me,
And what can be the use of him, is more than I can see...." - RLS, _A
Child's Garden of Verses_


================================================================================
Archive-Date: Mon, 10 Jun 2002 19:53:36 PST
Sender: owner-ecd-AT-
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Date: Mon, 10 Jun 2002 19:50:57 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: RE: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
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Susan Booker wrote:

> No Playford-named dog tales to relate, but some dancing friends have a cat
> named "Rufty-Tufty".

My dancing friends with the Maine Coon they wanted to call Rufty-Tufty they 
ended up calling "BC" (for "Boy Cat", the temporary name given by the vet who
matched up the cat and the people).  "Rufty-Tufty" just doesn't holler as well
as "BC".

> Anyone have a kitty named "Poussette"?

> Susan Booker in Lexington, KY,
> whose furry feline friend is Shadow, as in
> "I have a little Shadow who goes in and out with me,
> And what can be the use of him, is more than I can see...." - RLS, _A
> Child's Garden of Verses_

Now "Shadow" would be on-topic if we were discussing contra dances.  (Do you
prefer "shadow" or "trail buddy"?)

-- Alan

===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Mon, 10 Jun 2002 21:08:21 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 00:05:43 -0400
From: SUSAN B BOOKER <susantiq-AT-
prodigy.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
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oemcomputer>
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...And then there were my great aunt Garland and my great uncle Capers.
Really. Opposite sides of the family, not siblings...

Susan Booker, in Lexington, KY



================================================================================
Archive-Date: Tue, 11 Jun 2002 07:18:24 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 10:18:02 -0400 (EDT)
From: David.Millstone-AT-
valley.net (David Millstone)
Subject: animalia
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
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--- Susan Booker asked:
Anyone have a kitty named "Poussette"?
--- end of quote ---

Sort of, when we're feeling whimsical. Pooh's larger brother is Robin, sometimes
referred to as Mad Robin. And then there's the stray cat who adoped us. He's
Maurice, promounced Morris, but that's no ECD content in the derivation of that
name so we won't go there.

David Millstone
================================================================================
Archive-Date: Tue, 11 Jun 2002 07:57:49 PST
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Date: Tue, 11 Jun 2002 10:59:02 -0400
From: "Emily L. Ferguson" <elf-AT-
cape.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
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[140.186.55.145]>
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References: <16262811-AT-
enfield.VALLEY.NET>

Earl and I had a tortie for a couple years which we named Aily.  She 
turned out to be a dud, as cats go.  Very self-centered and not 
trainable, even though we got her at the shelter out of the trunk of 
the car she arrived in.

Didn't particularly like to be in high places, either.
================================================================================
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Date: Tue, 11 Jun 2002 08:14:54 -0700
From: Jon Berger <jberger-AT-
sbcglobal.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: They never said it...
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
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SUSAN B BOOKER wrote:
> 
> No Playford-named dog tales to relate, but some dancing friends have a cat
> named "Rufty-Tufty".
> 
> Anyone have a kitty named "Poussette"?

No, but there was a big pile of what the poussette on the carpet this
morning.  I almost stepped in it.  Why we keep these nasty little
carnivores around the house, I'll never understand.

-- 
Jon Berger
http://pages.sbcglobal.net/jberger
================================================================================
Archive-Date: Tue, 11 Jun 2002 10:13:57 PST
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Date: Tue, 11 Jun 2002 13:09:27 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: Blind.Copy.Receiver-AT-
compuserve.com
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compuserve.com>
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Mike Stimson, longtime secretary of CDSS, had two cats, Foot Up and Gypsy.
All my dogs were, serially, named Joseph (Yupp, Zepp, Joss). Now there's
just the occasional housefly, always named Hubert.

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

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Archive-Date: Tue, 11 Jun 2002 11:18:45 PST
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Date: Tue, 11 Jun 2002 14:18:17 -0400 (EDT)
From: Dfhart24-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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In a message dated 6/11/2002 10:58:31 AM Eastern Daylight Time, elf-AT-
cape.com 
writes:


> Earl and I had a tortie for a couple years which we named Aily.  She 
> turned out to be a dud, as cats go.  Very self-centered and not 
> trainable, even though we got her at the shelter out of the trunk of 
> the car she arrived in.
> 
> Didn't particularly like to be in high places, either.
> 

So that's [thumbs] down with Aily. - d

--Boundary_(ID_fB2qyiNs+3IwNVUxlhuo4A)
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 6/11/2002 10:58:31 AM Eastern Daylight Time, elf-AT-
cape.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Earl and I had a tortie for a couple years which we named Aily.&nbsp; She <BR>
turned out to be a dud, as cats go.&nbsp; Very self-centered and not <BR>
trainable, even though we got her at the shelter out of the trunk of <BR>
the car she arrived in.<BR>
<BR>
Didn't particularly like to be in high places, either.<BR>
</BLOCKQUOTE><BR>
<BR>
So that's [thumbs] down with Aily. - d</FONT></HTML>

--Boundary_(ID_fB2qyiNs+3IwNVUxlhuo4A)--
================================================================================
Archive-Date: Tue, 11 Jun 2002 11:24:36 PST
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Date: Tue, 11 Jun 2002 14:32:19 -0400
From: PeterVermilya <peterv1-AT-
earthlink.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: RE: They never said it...
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <l03130308b92bf2a12f5a-AT-
[65.56.26.250]>
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>No Playford-named dog tales to relate, but some dancing friends have a cat
>named "Rufty-Tufty".
>
>Anyone have a kitty named "Poussette"?

No, but our Beetlecat (small sailboat) is named "Poussette"...
Peter & Peggy Vermilya


================================================================================
Archive-Date: Tue, 11 Jun 2002 12:19:03 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 12:03:22 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020611190322.6461.qmail-AT-
web20003.mail.yahoo.com>
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--- "Hanny D. Budnick" <74031.77-AT-
compuserve.com> wrote:
> Mike Stimson, longtime secretary of CDSS, had two cats, Foot Up and
> Gypsy. All my dogs were, serially, named Joseph (Yupp, Zepp, Joss).
> Now there's just the occasional housefly, always named Hubert.

I seem to remember someone years ago having cats named Oranges and
Lemons. Lyrl had a cat that was named Petronella. My ex-wife and I
had a cat we named Abbots Bromley, commonly known as Abbey. She was a
somewhat mysterious cat, so wore the name well.

Andy

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Archive-Date: Tue, 11 Jun 2002 12:46:08 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 15:45:43 -0400 (EDT)
From: SallenNic-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ECD Misquotes
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <c1.2207f2f5.2a37ad67-AT-
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Michael Caine denies ever having said "Not a lot o' people know that": 
neither does the Bible refer to "gilding the lily", as so many quote; nor was 
the Curate's egg "good in parts" - sigh:-)
    However, it is true to say that the programme for our Ball in Scotland on 
June 29th (still a few tickets left!) may now be found on my web site at
    <A HREF="http://">www.nicolasbroadbridge.com</A>

    And on the subject of names, I do not know of a cat by the name of 
'poussette', but Antony Heywood's dance 'An Enchanted Place' has a move 
called a 'Poohsette', deriving from the dance's inspiration in the works of 
A. A. Milne.
Nicolas B., Lanark, Scotland.   
================================================================================
Archive-Date: Tue, 11 Jun 2002 18:10:39 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 21:10:17 -0400 (EDT)
From: Will Linden <wlinden-AT-
panix.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ECD Misquotes
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <Pine.NEB.4.44.0206112109380.16394-100000-AT-
panix2.panix.com>
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On Tue, 11 Jun 2002 SallenNic-AT-
aol.com wrote:

> Michael Caine denies ever having said "Not a lot o' people know that":
> neither does the Bible refer to "gilding the lily", as so many quote; nor was
> the Curate's egg "good in parts" - sigh:-)

 And, in THE BLACK SHIELD OF FALWORTH, Tony Curtis did NOT say "Yonda is
da castle of my fadda."

Will Linden  wlinden-AT-
panix.com
http://www.ecben.net/
Magic Code: MAS/GD S++ W++ N+ PWM++ Ds/r+ A-> a++ C+ G- QO++ 666 Y

================================================================================
Archive-Date: Tue, 11 Jun 2002 18:11:31 PST
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Date: Tue, 11 Jun 2002 21:11:10 -0400 (EDT)
From: Will Linden <wlinden-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ECD Misquotes
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <Pine.NEB.4.44.0206112110270.16394-100000-AT-
panix2.panix.com>
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On Tue, 11 Jun 2002 SallenNic-AT-
aol.com wrote:

> neither does the Bible refer to "gilding the lily", as so many quote; nor was

 Neither does Shakespeare, as so many quote. (The passage from KING JOHN
is "...to gild refined gold, to paint the lily...")

Will Linden  wlinden-AT-
panix.com
http://www.ecben.net/
Magic Code: MAS/GD S++ W++ N+ PWM++ Ds/r+ A-> a++ C+ G- QO++ 666 Y

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Archive-Date: Tue, 11 Jun 2002 20:17:38 PST
Sender: owner-ecd-AT-
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Date: Tue, 11 Jun 2002 20:17:16 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: 2002 National Heritage Fellowship Recipients
To: =?UNKNOWN?Q?ECD=A0list?= <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Message-ID: <20020612031716.16088.qmail-AT-
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Not exactly ECD, but this was sent out to the Seattlecontra list last
week. Some members of this list will find it of interest.

National Endowment For The Arts Announces
2002 National Heritage Fellowship Recipients 

<http://www.nea.gov/endownews/news02/Heritage2002.html>

Andy in Portland

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com
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Archive-Date: Wed, 12 Jun 2002 06:34:48 PST
Sender: owner-ecd-AT-
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Date: Wed, 12 Jun 2002 09:30:28 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Longways for four couples
To: Blind.Copy.Receiver-AT-
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Hi all,
aside from Nonesuch and Dargason, which could be danced with more couples
comma IF the strains were played the appropriate number of more
repetitions, can you think of more Playford dances classified as longways
for four couples?

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

 
================================================================================
Archive-Date: Wed, 12 Jun 2002 06:39:22 PST
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Date: Wed, 12 Jun 2002 14:42:26 +0100
From: Hugh Stewart <hugh-AT-
ugs.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <3D074FC2.CCA9ED7A-AT-
ugs.com>
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"Hanny D. Budnick" wrote:

> Hi all,
> aside from Nonesuch and Dargason, which could be danced with more couples
> comma IF the strains were played the appropriate number of more
> repetitions, can you think of more Playford dances classified as longways
> for four couples?
>
>   _-AT-
_      {)/'
>  /\ /\_._,<_/
> '  \      /_\
>    />    /<  Hanny
>
>

Broom, Merry Merry Milkmaids, Phoenix spring to mind.

The Tom Cook version of Jamaica (cheating, I know),  Mr Heath's Dance, t
he London Gentlewoman  are 4 couple longways, though not Cecil Sharp

================================================================================
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Date: Wed, 12 Jun 2002 10:48:29 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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biogen.com>
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Hanny,
I'm not sure from your question what you seek - is it dances that are
published in Playford as longways for 4 couples that are easily adaptable
to as many as will?
Daphne or The Shepherdess
Another prospect might be
Blew Breeches,or I'le Love no more
which is billed as a longways but the instructions seem to imply 4 couple
longways.
I teach both of these as either 4 couple dances or as many as will,
depending on the number of dancers present who wish to dance. (It is also
fun to extend traditionally 3 couple dances such as Scotch Cap to
accomodate 4 or 5 couples).
Cammy

================================================================================
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Date: Wed, 12 Jun 2002 09:49:35 -0500 (CDT)
From: Jonathan Sivier <j-sivier-AT-
ux1.cso.uiuc.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
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staff2.cso.uiuc.edu>
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Hanny D. Budnick writes:
> 
> aside from Nonesuch and Dargason, which could be danced with more couples
> comma IF the strains were played the appropriate number of more
> repetitions, can you think of more Playford dances classified as longways
> for four couples?

   We've recently been doing a nice version of Lull Me Beyond Thee.

Jonathan

================================================================================
Archive-Date: Wed, 12 Jun 2002 08:12:58 PST
Sender: owner-ecd-AT-
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Date: Wed, 12 Jun 2002 16:12:33 +0100
From: Michael Barraclough <michael.barraclough-AT-
tgis.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <200206121512.QAA06826-AT-
galahad.tgis.co.uk>
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Here goes, Longways for 4 couples dances in 1st edn:

Spanish Gypsey
Lady Spellor
Chirping of the LArk
Nonsuch
Daphne
Merry Merry Milkmaids
The Spaniard
Lord of Carnarvons Jig
The Health
Prince Ruperts March
Ay Me or The Symphony
Milkmaids Bob
Cheerilly and Merrily
Lull Me Beyond Thee
Grays Inn Mask

Michael Barraclough
http://www.mab.tgis.co.uk




On Wednesday, June 12, 2002 at 09:30:28 AM, ECD-AT-
SSRL04.SLAC.STANFORD.EDU wrote:

> Hi all,
> aside from Nonesuch and Dargason, which could be danced with more couples
> comma IF the strains were played the appropriate number of more
> repetitions, can you think of more Playford dances classified as longways
> for four couples?
> 
>   _-AT-
_      {)/'
>  /\ /\_._,<_/
> '  \      /_\
>    />    /<  Hanny
> 
>  
> 
> 


--

================================================================================
Archive-Date: Wed, 12 Jun 2002 09:57:28 PST
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Date: Wed, 12 Jun 2002 12:53:41 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: Blind.Copy.Receiver-AT-
compuserve.com
Message-ID: <200206121256_MC3-1-215-9AE-AT-
compuserve.com>
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Hi Cammy,
I agree with you on 'extending' - IF you have the luxury of adaptable
musicians! 
I am looking at the mode of progression, if any, in dances specified for
four couples.
It is my contention that in THREE couple longways the dance really has a
smoother flow if the last active couple does NOT progress to the bottom, if
that progression happens at the end of the sequence. Are there any
exceptions?
================================================================================
Archive-Date: Wed, 12 Jun 2002 11:30:41 PST
Sender: owner-ecd-AT-
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Date: Wed, 12 Jun 2002 18:30:20 +0000
From: Paul Ross <childgrove-AT-
hotmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: 2002 National Heritage Fellowship Recipients
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
BCC: 
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hotmail.com>
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Thanks, Andy, it's thrilling to see Bob McQuillan's name on this year's list 
under contra dance musician/composer (Peterborough, N.H.), as well as Jean 
Ritchie's as Appalachian musician/songwriter (Port Washington, N.Y. & Viper, 
Ky.).

Will we ever see someone from the English Dance community honored this way? 
I truly think that someone like Fried Herman deserves similar recognition as 
a national treasure, but the definition of the traditional arts that the 
Endowment uses is a major and possibly insurmountable hurdle.

"The folk and traditional arts are those that are learned as part of the 
cultural life of a community whose members share a common ethnic heritage, 
language, religion, occupation, or geographic region. These traditions are 
shaped by the aesthetics and values of a shared culture and are passed from 
generation to generation, most often within family and community through 
observation, conversation, and practice."




>From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
>Reply-To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
>To: ECD list <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
>Subject: 2002 National Heritage Fellowship Recipients
>Date: Tue, 11 Jun 2002 20:17:16 -0700 (PDT)
>
>Not exactly ECD, but this was sent out to the Seattlecontra list last
>week. Some members of this list will find it of interest.
>
>National Endowment For The Arts Announces
>2002 National Heritage Fellowship Recipients
>
><http://www.nea.gov/endownews/news02/Heritage2002.html>
>
>Andy in Portland
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! - Official partner of 2002 FIFA World Cup
>http://fifaworldcup.yahoo.com


_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

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Archive-Date: Wed, 12 Jun 2002 12:27:32 PST
Sender: owner-ecd-AT-
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Date: Wed, 12 Jun 2002 15:20:19 -0400
From: catdancer-AT-
juno.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: animalia
To: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <20020612.152152.-168729.10.catdancer-AT-
juno.com>
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This message is in MIME format.  Since your mail reader does not understand
this format, some or all of this message may not be legible.

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> Anyone have a kitty named "Poussette"?

> Susan Booker in Lexington, KY,

Oh goodie, my favorite topic (next to ECD of course).
 
No 'Poussette' that I can recall, although I'll be sure to bestow that
name on some unsuspecting fur-face in the near future!  I do have a
'Peter' who insists he's named after Peter Barnes since he loves music
and used to play the piano while seated on the bench!  I've
kitty-patients named 'Pousaka', Bach, Mozart, and Handel.  And then, of
course, there was the cat named "Cow" - don't ask. 

Helen Tuzio
New York
"The cat was created when the lion sneezed."  Arab Myth

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<BODY bottomMargin=0 leftMargin=3 topMargin=0 rightMargin=3>
<DIV>&gt; Anyone have a kitty named "Poussette"?</DIV>
<DIV>&nbsp;</DIV>
<DIV>&gt; Susan Booker in Lexington, KY,<BR></DIV>
<DIV>Oh goodie, my favorite topic (next to ECD of course).</DIV>
<DIV>&nbsp;</DIV>
<DIV>No 'Poussette' that I can recall, although I'll be sure to bestow that name 
on some unsuspecting fur-face in the near future!&nbsp; I do have a 'Peter' who 
insists he's named after Peter Barnes since he loves music and used to&nbsp;play 
the piano while seated on the bench!&nbsp; I've&nbsp;kitty-patients named 
'Pousaka',&nbsp;Bach,&nbsp;Mozart, and Handel.&nbsp;&nbsp;And then, of course, 
there was&nbsp;the cat named "Cow" - don't ask.&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Helen Tuzio</DIV>
<DIV>New York</DIV>
<DIV>"The cat was created when the lion sneezed."&nbsp; Arab 
Myth</DIV></BODY></HTML>

--Boundary_(ID_z2KJeZGhSWfjuuDJ41FJQA)--
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Archive-Date: Wed, 12 Jun 2002 12:34:59 PST
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Date: Wed, 12 Jun 2002 15:36:11 -0400
From: "Emily L. Ferguson" <elf-AT-
cape.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <a05100302b92d525cf39d-AT-
[140.186.54.248]>
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References: <20020612.152152.-168729.10.catdancer-AT-
juno.com>

At 3:20 PM -0400 6/12/02, catdancer-AT-
juno.com wrote:
>Oh goodie, my favorite topic (next to ECD of course).
>
>No 'Poussette' that I can recall, although I'll be sure to bestow 
>that name on some unsuspecting fur-face in the near future!  I do 
>have a 'Peter' who insists he's named after Peter Barnes since he 
>loves music and used to play the piano while seated on the bench! 
>I've kitty-patients named 'Pousaka', Bach, Mozart, and Handel.  And 
>then, of course, there was the cat named "Cow" - don't ask.
>
>Helen Tuzio
>New York
>"The cat was created when the lion sneezed."  Arab Myth


Damn.  Some day I've just got to join a cat list!

Oh well, one last contribution - no ECD content, sorry.

My tomcat's name is Bastie, which is short for the name that Bach's 
family called him (Sebastian), and also a shortened version of the 
masculine form that Mozart used in a Singspiel "Bastien et Bastienne".

I won't get in to beetlecat boat names.  But the same rubric applies there.
-- 
Emily L. Ferguson
elf-AT-
cape.com  508-563-6822
New England landscapes, wooden boats and races, press photography
Beetle cats on the web at:
http://www.beetlecat.com/gft-pics/ef-notes.htm
http://www.beetlecat.org/results/99champs.html
http://www.beetlecat.org/store.html#yrbook

================================================================================
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Date: Wed, 12 Jun 2002 13:31:08 -0700
From: Chris Sackett & Brooke Friendly <friendsack-AT-
opendoor.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <3D07AF8D.4E8EB656-AT-
opendoor.com>
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compuserve.com>

"Spring Garden" from the third edition, 1665 is quite nice.

cs



"Hanny D. Budnick" wrote:

> Hi all,
> aside from Nonesuch and Dargason, which could be danced with more couples
> comma IF the strains were played the appropriate number of more
> repetitions, can you think of more Playford dances classified as longways
> for four couples?
>
>   _-AT-
_      {)/'
>  /\ /\_._,<_/
> '  \      /_\
>    />    /<  Hanny
>
>

================================================================================
Archive-Date: Wed, 12 Jun 2002 19:16:58 PST
Sender: owner-ecd-AT-
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Date: Wed, 12 Jun 2002 19:17:05 -0700
From: Kalia Kliban <kalia-AT-
sbcglobal.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <3D0800A1.4F246128-AT-
sbcglobal.net>
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References: <20020612.152152.-168729.10.catdancer-AT-
juno.com>

> And then, of
> course, there was the cat named "Cow" - don't ask.
> 
> Helen Tuzio

Wierd.  My dad had a cat named Cow.  Great big orange fuzzy
guy (the cat, not my dad).

-- 
Kalia Kliban
kalia-AT-
sbcglobal.net  <--- Note new email address!
================================================================================
Archive-Date: Wed, 12 Jun 2002 19:17:01 PST
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Date: Wed, 12 Jun 2002 19:17:05 -0700
From: Kalia Kliban <kalia-AT-
sbcglobal.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <3D0800A1.4F246128-AT-
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> And then, of
> course, there was the cat named "Cow" - don't ask.
> 
> Helen Tuzio

Wierd.  My dad had a cat named Cow.  Great big orange fuzzy
guy (the cat, not my dad).

-- 
Kalia Kliban
kalia-AT-
sbcglobal.net  <--- Note new email address!
================================================================================
Archive-Date: Thu, 13 Jun 2002 04:32:20 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 07:23:30 -0400
From: Alisa Dodson <alisa-AT-
capercat.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <v03020905b92e302d05f2-AT-
[65.238.9.135]>
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Catdancer Helen said,

>Oh goodie, my favorite topic (next to ECD of course).

Yeah, mine, too.  Funny how these silly animals bring us out of lurking...
my cats have non-dancer names, but my business name is Capercat Antiques,
thus combining those topics!   At least one of my cats does excellent
capers, too (hmm, maybe this belongs on the morris list).

Alisa


================================================================================
Archive-Date: Thu, 13 Jun 2002 04:45:01 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 07:44:25 -0400 (EDT)
From: Dfhart24-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia/cats to buns
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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aol.com>
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In a message dated 6/13/2002 7:33:21 AM Eastern Daylight Time, 
alisa-AT-
capercat.com writes:


> !   At least one of my cats does excellent
> capers, too (hmm, maybe this belongs on the morris list).
> 

It just occurred to me that the joyful crazy leaps that [my] bunnies do are 
not "binkies" as rabbit-lovers have dubbed them, but rather "capers".  I'll 
have to let them know.  I should have known that any mammal that will 
peacefully, nay!, delightedly lie at my feet while I practice country dance 
tunes on soprano recorder must be 
ECD-attuned.

Cheer,
Deborah

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 6/13/2002 7:33:21 AM Eastern Daylight Time, alisa-AT-
capercat.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">!&nbsp;&nbsp; At least one of my cats does excellent<BR>
capers, too (hmm, maybe this belongs on the morris list).<BR>
</BLOCKQUOTE><BR>
<BR>
It just occurred to me that the joyful crazy leaps that [my] bunnies do are not "binkies" as rabbit-lovers have dubbed them, but rather "capers".&nbsp; I'll have to let them know.&nbsp; I should have known that any mammal that will peacefully, nay!, delightedly lie at my feet while I practice country dance tunes on soprano recorder must be <BR>
ECD-attuned.<BR>
<BR>
Cheer,<BR>
Deborah</FONT></HTML>

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Archive-Date: Thu, 13 Jun 2002 05:02:10 PST
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Date: Thu, 13 Jun 2002 08:01:44 -0400 (EDT)
From: Dfhart24-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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Slips my mind as to what is the "maggot" of Mr. Isaac's Maggot.  Someone 
recently asked me.

Thanks,
Deborah

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Slips my mind as to what is the "maggot" of Mr. Isaac's Maggot.&nbsp; Someone recently asked me.<BR>
<BR>
Thanks,<BR>
Deborah</FONT></HTML>

--Boundary_(ID_XOoYLwi/9R7dN3eD5Dl9uA)--
================================================================================
Archive-Date: Thu, 13 Jun 2002 05:08:16 PST
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Date: Thu, 13 Jun 2002 05:04:47 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
Message-ID: <01KIVC6KV1M08Y6XEY-AT-
SSRL.SLAC.STANFORD.EDU>
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Deborah wrote:

> Slips my mind as to what is the "maggot" of Mr. Isaac's Maggot.  Someone
> recently asked me.

A whim, fancy, or notion.  (So "Jack's Maggot", "Drapers' Maggot", etc.)
It's possible to imagine an entomological etymology involving worms in the
brain giving you weird ideas.

-- Alan

>Content-type: text/html; charset=US-ASCII

Do please try, everyone,  to suppress the HTML portion of ECD posts.  -- APW


===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
Archive-Date: Thu, 13 Jun 2002 05:26:51 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 08:26:23 -0400 (EDT)
From: Dfhart24-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <8.27afce1a.2a39e96f-AT-
aol.com>
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--Boundary_(ID_WxcZzzYJPhoayowGIfi38A)
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In a message dated 6/13/2002 8:09:01 AM Eastern Daylight Time, 
winston-AT-
SLAC.Stanford.EDU writes:


> A whim, fancy, or notion.  (So "Jack's Maggot", "Drapers' Maggot", etc.)
> It's possible to imagine an entomological etymology involving worms in the
> brain giving you weird ideas

Actually, eliminating words and notions. . . Or at least, radically 
rearranging things.  Hope they are merely miss-placed.  Must be all these 
cyber-worms leaping off the 
page. . .composting material in the brain. . .

Ugh! --- Getting too visceral here.  Breakfast, anyone?

Cheer,
Deborah

--Boundary_(ID_WxcZzzYJPhoayowGIfi38A)
Content-type: text/html; charset=US-ASCII
Content-transfer-encoding: 7BIT

<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 6/13/2002 8:09:01 AM Eastern Daylight Time, winston-AT-
SLAC.Stanford.EDU writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">A whim, fancy, or notion.&nbsp; (So "Jack's Maggot", "Drapers' Maggot", etc.)<BR>
It's possible to imagine an entomological etymology involving worms in the<BR>
brain giving you weird ideas</BLOCKQUOTE><BR>
<BR>
Actually, eliminating words and notions. . . Or at least, radically rearranging things.&nbsp; Hope they are merely miss-placed.&nbsp; Must be all these cyber-worms leaping off the <BR>
page. . .composting material in the brain. . .<BR>
<BR>
Ugh! --- Getting too visceral here.&nbsp; Breakfast, anyone?<BR>
<BR>
Cheer,<BR>
Deborah</FONT></HTML>

--Boundary_(ID_WxcZzzYJPhoayowGIfi38A)--
================================================================================
Archive-Date: Thu, 13 Jun 2002 06:14:44 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 09:11:02 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: mr.isaac's maggot
To: Blind.Copy.Receiver-AT-
compuserve.com
Message-ID: <200206130914_MC3-1-23A-A349-AT-
compuserve.com>
MIME-Version: 1.0
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Maggot is the term given to melodies that imbed themselves in our ears and
minds, coursing there forever - like earworms. Other languages use the same
image...

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
Archive-Date: Thu, 13 Jun 2002 06:52:05 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 09:51:39 -0400
From: Joyce Crouch <joycecrouch-AT-
pobox.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <B92E1BAB.243B%joycecrouch-AT-
pobox.com>
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> Maggot is the term given to melodies that imbed themselves in our ears and
> minds, coursing there forever

uh oh!!! Danger Ahead!

I sure hope this is not going to trigger another go-round of everyone
sharing their worst-cases of these tunes.

Thank you in advance for not sharing, everyone.  :)

Joyce 

=================================================================
Joyce B Crouch                Telephone: 413-549-4123
95 Pulpit Hill Road                 Fax: 413-549-7096
Amherst MA 01002                  email: joycecrouch-AT-
pobox.com


================================================================================
Archive-Date: Thu, 13 Jun 2002 08:08:45 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 11:07:25 -0400
From: Terry Gaffney <gaff-AT-
research.neu.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <a04320401b92e652fc232-AT-
[129.10.172.103]>
MIME-Version: 1.0
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References: <200206120932_MC3-1-210-B00E-AT-
compuserve.com> <3D07AF8D.4E8EB656-AT-
opendoor.com>

>"Spring Garden" from the third edition, 1665 is quite nice.
>
>cs
>
One of my favorite under-done dances.  A new four couple dance, Beach 
Spring, by Leslie Lassetter  is also quite nice.
================================================================================
Archive-Date: Thu, 13 Jun 2002 08:12:33 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 08:12:11 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: The sound of two threads colliding
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020613151211.54049.qmail-AT-
web13608.mail.yahoo.com>
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--- Alisa Dodson <alisa-AT-
capercat.com> wrote:
 
> Funny how these silly animals bring us out of lurking...


--- Dfhart24-AT-
aol.com wrote:
> Slips my mind as to what is the "maggot" of Mr. Isaac's Maggot. 
> Someone recently asked me.


Not everyone's idea of a house-pet to be sure, but still, another
instance of ECD-related animalia.

B.


=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

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Archive-Date: Thu, 13 Jun 2002 09:36:02 PST
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Date: Thu, 13 Jun 2002 12:35:18 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OFB382D9B2.9D306D45-ON85256BD7.005B19E8-AT-
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A little worm in the brain - an idea

================================================================================
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Date: Thu, 13 Jun 2002 12:42:31 -0400 (EDT)
From: Tideswell-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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Joyce opined 

>> Maggot is the term given to melodies that imbed themselves in our ears
>and
>> minds, coursing there forever
>
>uh oh!!! Danger Ahead!
>
>I sure hope this is not going to trigger another go-round of everyone
>sharing their worst-cases of these tunes.
>
>Thank you in advance for not sharing, everyone.  :)
>
>Joyce 

Oh, I don't know, Joyce.  There must be some way to satisfy the curious such 
as myself, without subjecting you to a flood of I-am-never-forget-the-day...

Nilos
(Long Odds)
================================================================================
Archive-Date: Thu, 13 Jun 2002 09:47:34 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 17:41:00 +0100
From: francis2 <francis2-AT-
breathemail.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <000201c212fa$b4bcef00$4c4a3c3e-AT-
oemcomputer>
MIME-Version: 1.0
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References: <200206120932_MC3-1-210-B00E-AT-
compuserve.com>

Try Merry Merry Milkmaids for 6 couples.
 Francis2
----- Original Message ----- 
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
To: <Blind.Copy.Receiver-AT-
compuserve.com>
Sent: Wednesday, June 12, 2002 2:30 PM
Subject: Longways for four couples


> Hi all,
> aside from Nonesuch and Dargason, which could be danced with more couples
> comma IF the strains were played the appropriate number of more
> repetitions, can you think of more Playford dances classified as longways
> for four couples?
> 
>   _-AT-
_      {)/'
>  /\ /\_._,<_/
> '  \      /_\
>    />    /<  Hanny
> 
> 

================================================================================
Archive-Date: Thu, 13 Jun 2002 10:05:51 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 09:16:19 -0700
From: Robert Reed <robert-AT-
slipknot.rain.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: mr.isaac's maggot
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <200206131616.g5DGGJT16699-AT-
slipknot.rain.com>
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In message <01KIVC6KV1M08Y6XEY-AT-
SSRL.SLAC.STANFORD.EDU>, Alan Winston - SSRL Cen
tral Computing wrote:
|Deborah wrote:
|
|> Slips my mind as to what is the "maggot" of Mr. Isaac's Maggot.  Someone
|> recently asked me.
|
|A whim, fancy, or notion.  (So "Jack's Maggot", "Drapers' Maggot", etc.)
|It's possible to imagine an entomological etymology involving worms in the
|brain giving you weird ideas.
|
|-- Alan

Ah, Alan, I bet you were just waiting for that question so that you could
put those two words together. ;-)
________________________________________________________________________________
Robert Reed             Home Animation Limited               West Linn OR 97068
robert-AT-
slipknot.rain.com

Twelve Delta airlines employees were indicted for packing cocaine in
suitcases loaded aboard delta flights.  Delta authorities supposedly
got suspicious when certain suitcases were handled with care and
always reached their destinations.
--Dennis Miller
________________________________________________________________________________

================================================================================
Archive-Date: Thu, 13 Jun 2002 14:17:21 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 13 Jun 2002 13:40:15 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020613204015.21793.qmail-AT-
web20002.mail.yahoo.com>
MIME-Version: 1.0
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-- Kalia Kliban <kalia-AT-
sbcglobal.net> wrote:
> > And then, of
> > course, there was the cat named "Cow" - don't ask.
> > 
> > Helen Tuzio
> 
> Wierd.  My dad had a cat named Cow.  Great big orange fuzzy
> guy (the cat, not my dad).

Lyrl had a cat named Buttercup, that our dad always said looked like
a Holstein. (Black and white like the Gateway mascot, for you
non-farmers.)

Andy

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================================================================================
Archive-Date: Thu, 13 Jun 2002 20:55:13 PST
Sender: owner-ecd-AT-
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Date: Thu, 13 Jun 2002 22:53:20 -0500
From: Charlene Charette <charlene-AT-
flash.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <3D0968B0.31881C3D-AT-
flash.net>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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References: <200206120932_MC3-1-210-B00E-AT-
compuserve.com> <000201c212fa$b4bcef00$4c4a3c3e-AT-
oemcomputer>

francis2 wrote:
 
> Try Merry Merry Milkmaids for 6 couples.

We did this one tonight.  Did you mean to say 4 couples or do you dance
a 6 couple version?

--Charlene

-- 
The word "bipartisan" usually means some larger-than-usual deception is
being carried out.  -- George Carlin
================================================================================
Archive-Date: Fri, 14 Jun 2002 06:24:25 PST
Sender: owner-ecd-AT-
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Date: Fri, 14 Jun 2002 09:21:44 -0400
From: DavBarnert-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <4B4A0F52.41AB9BD4.0ACF18CD-AT-
aol.com>
MIME-Version: 1.0
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Kalia Kliban wrote:

 >Wierd.  My dad had a cat named Cow.  Great big orange fuzzy
 >guy (the cat, not my dad).

One can't help but wonder: Kalia, is your father (or any other
relative) the B. Kliban who published all those wonderful cat
cartoons a generation ago?

"Love to eat them mousies...."

David Barnert
Albany NY
================================================================================
Archive-Date: Fri, 14 Jun 2002 10:30:24 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Fri, 14 Jun 2002 17:40:02 +0100
From: francis2 <francis2-AT-
breathemail.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <000201c213c9$dcabdc40$b4043c3e-AT-
oemcomputer>
MIME-Version: 1.0
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References: <200206120932_MC3-1-210-B00E-AT-
compuserve.com> <000201c212fa$b4bcef00$4c4a3c3e-AT-
oemcomputer> <3D0968B0.31881C3D-AT-
flash.net>

Hi Charlene. No. we dance it with 6 couples! The standard music length only
allows for one whole hey, not 1 each for men and ladies.  So we dance the
heys simultaneosly, the end people have to do a big turn single at the end
to fill in while the others are finishing the hey. but otherwise it all fits
nicely, the other movements are for two couples each anyway. Tyr it regards
francis.
----- Original Message -----
From: "Charlene Charette" <charlene-AT-
flash.net>
To: <ECD-AT-
SSRL04.SLAC.STANFORD.EDU>
Sent: Friday, June 14, 2002 4:53 AM
Subject: Re: Longways for four couples


> francis2 wrote:
>
> > Try Merry Merry Milkmaids for 6 couples.
>
> We did this one tonight.  Did you mean to say 4 couples or do you dance
> a 6 couple version?
>
> --Charlene
>
> --
> The word "bipartisan" usually means some larger-than-usual deception is
> being carried out.  -- George Carlin

================================================================================
Archive-Date: Fri, 14 Jun 2002 12:11:35 PST
Sender: owner-ecd-AT-
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Date: Fri, 14 Jun 2002 12:11:07 -0700 (PDT)
From: Lyrl Catherine Ahern <lyrl-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: animalia
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020614191107.38638.qmail-AT-
web13807.mail.yahoo.com>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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> Lyrl had a cat named Buttercup, that our dad always said
> looked like a Holstein....

Actually, she was Andrew's cat and the term Holstein
originated with me, as in, "There's a stray at the daycare
center. Does anybody want a Holsein cat?"

L.

PS -- but it doesn't matter on the list....

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Archive-Date: Sat, 15 Jun 2002 00:00:09 PST
Sender: owner-ecd-AT-
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Date: Fri, 14 Jun 2002 21:34:10 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Longways for four couples - nonPlayford
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF8DBA7759.E69C816D-ON85256BD7.0060C679-AT-
biogen.com>
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I don't know if the list is a good place to introduce this to a wider
community, but I'll give it a shot - I'm sure some of you will have fun
with it:.
Cammy

From the '70s, a dance that I keep modifying because I don't really like
B5, and a little on the complicated side, terrific tune
Dance: London Broil (name given by the dancers who couldn't remember the
name accurately when they asked to do it again a week later)
Tune: London Pride (Longborough tune - ECD pace=faster than for morris -
the tune in ABC format is at the bottom)
4 couple longways

Dance:
A1+2  Up a Double and back twice
B1 1st and 3rd couples cast down one place (others move up), 2-hand turn
half to the other side; 2nd and 4th couples half figure 8 down through
B2 2nd and 4th couples cast down one place (others move up), 2-hand turn
half to the other side; 1st and 3rd couples half figure 8 down through

A3+4 Siding (I teach Rshldr to Rshldr then turn away from pt back to place
followed by left)
B3 1st corners (M1+W2 and M3+W4) pass left shoulders to cross, turn left to
face up and down the lines, pass left shoulder along the line, face across
and 2 changes of the circular hey starting by passing left shoulder then
right
B4 2nd corners (other people, same diagonal)pass left shoulders to cross,
turn left to face up and down the lines, pass left shoulder along the line,
face across and set and turn single to partner

A5+6 Arming
B5 2s and 3s half poussette (go extra far on the return so that the 2s are
in gents line and 3s are on the ladies side) all 2 hand turn partner and
end facing in in square formation
B6 All in a double, 1s and 4s circle 3/4 while 2s and 3s back out and face
up, Gent #1 break with Lady 4  to open the circle to a line between 2s and
3s (G1 join hand with L2 while L4 joins with G3, all 8 in line honor to the
Presence


Tune:
X:62
T:London Pride
T:Morris tune from Longborough Tradition
C:(62)
M:4/4
L:1/4
Q:2/4=100
K:Dm
A> =B c A | G/F/ E/D/ C C | D A A/G/ F/E/ | D2 D2 ::  A> =B c A | d/c/
=B/A/ G G |
A A/=B/ c A | d2 A2 | A> =B c A | G/F/ E/D/ C C | D A A/G/ F/E/ | D2 D2 :|


================================================================================
Archive-Date: Sat, 15 Jun 2002 11:14:48 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Sat, 15 Jun 2002 11:14:44 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Fwd: [Seattlecontra] The night before Fiddle Tunes Festival
To: =?UNKNOWN?Q?ECD=A0list?= <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Message-ID: <20020615181444.66343.qmail-AT-
web20007.mail.yahoo.com>
MIME-Version: 1.0
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I don't know if any musicians on this list are planning to go to
Fiddle Tunes, but Phil Katz sent this to the Seattlecontra list and
people might be interested in knowing about it.

Andy in Portland

> Please pass this on, to any out-of-town musicians
> you know, arriving for Fiddle Tunes Festival; we hope
> they (and you too) can join us the night before.
>
> SEATTLE AREA PRE-FIDDLE-TUNES DANCE - Please join us Saturday June
> 29 if you are arriving for Fiddle Tunes Festival 6/30-7/7 at Port
> Townsend, WA.  Contra Dance with Laura Me' Smith calling. Hot
fiddle 
> and box tunes from Small Pleasures - Vivian Williams, Phil Williams

> and Phil Katz, with special guest musicians including (if airline 
> connections succeed) Western Mass. fiddler David Kaynor who will be
> faculty at Fiddle Tunes.  All in a classic old dance hall, 
> the Aqua Barn. Out Maple Valley Hwy (rte 169) exactly 3 miles 
> east of I405 (Exit 4) at 152nd. Specific directions: 206 722 8228
or 
> http://seattledance.org/contra/aquabarn.directions.html. 
> 7:30 newcomers' session, 8-11 pm dance, $7 at the door. 
> Please wear no scented products. If you think you'll need
> help finding a Saturday night stayover, pls contact 206 722 8228
> or philkatz-AT-
speakeasy.net w/ as much lead time as possible

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================================================================================
Archive-Date: Sun, 16 Jun 2002 18:43:32 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Sun, 16 Jun 2002 21:42:43 -0400
From: "Linda M. Nelson" <lindan-AT-
capecod.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Cape Cod, MA, USA - English dances June + July
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <a0510030ab932ed8221bd-AT-
[165.247.10.134]>
MIME-Version: 1.0
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References: <20020430.130415.-805357.2.gmurrow-AT-
juno.com>

If you happen to be nearby, or vacationing on lovely Cape Cod, 
Massachusetts, our special English Country Dances might provide a 
pleasant addition to your summer plans.  We expect to have lively 
good fun, with excellent music and a pleasant mix of old and new 
dances.

This Friday:

Cape Cod English Country Dance
Friday, June 21
8 - 11 pm at the East Sandwich Grange,
                   85 Old County Road, E Sandwich

Musicians: Jan Elliott [recorder and concertina],
                   J.M. "Shag" Graetz [piano],
                   Edie Leicester [flute]

Dance Leaders: Priscilla Adams and Linda Nelson
Admission: $6

As always, all are welcome and all dances will be taught.
More info and driving directions: reply email,
                   or 508-428-4231 or 508-540-1151


We will also have a dance on Friday, July 19, with music by Jan 
Elliott and Friends.

Watch for dances on 3rd Fridays starting this autumn.

Happy dancing! - Linda
================================================================================
Archive-Date: Sun, 16 Jun 2002 19:13:55 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Sun, 16 Jun 2002 22:22:09 -0400
From: PeterVermilya <peterv1-AT-
earthlink.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Cape Cod, MA, USA - English dances June + July
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <l03130300b932f748801c-AT-
[65.58.224.27]>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT
References: <20020430.130415.-805357.2.gmurrow-AT-
juno.com>

Dunno why I'm relaying this on to you, but it does bring back a trip to the
mid-cape and a night over with that elderly couple whose name escapes me
now. Bird people. Different place, only Priscilla is the constant.
(just my way of saying you are constanly on my mind, I guess)

LU48,
PTV
(TH)
[now listening to the Gary Roodman dances tunes cd]

>If you happen to be nearby, or vacationing on lovely Cape Cod,
>Massachusetts, our special English Country Dances might provide a
>pleasant addition to your summer plans.  We expect to have lively
>good fun, with excellent music and a pleasant mix of old and new
>dances.
>
>This Friday:
>
>Cape Cod English Country Dance
>Friday, June 21
>8 - 11 pm at the East Sandwich Grange,
>                   85 Old County Road, E Sandwich
>
>Musicians: Jan Elliott [recorder and concertina],
>                   J.M. "Shag" Graetz [piano],
>                   Edie Leicester [flute]
>
>Dance Leaders: Priscilla Adams and Linda Nelson
>Admission: $6
>
>As always, all are welcome and all dances will be taught.
>More info and driving directions: reply email,
>                   or 508-428-4231 or 508-540-1151
>
>
>We will also have a dance on Friday, July 19, with music by Jan
>Elliott and Friends.
>
>Watch for dances on 3rd Fridays starting this autumn.
>
>Happy dancing! - Linda



================================================================================
Archive-Date: Wed, 19 Jun 2002 07:27:35 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 19 Jun 2002 10:25:44 -0400
From: Terry Gaffney <gaff-AT-
research.neu.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: End of season party and Colin Hume next Fall
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <a04320400b9363e32efa3-AT-
[129.10.176.162]>
MIME-Version: 1.0
Content-Type: text/plain; format=flowed; charset=us-ascii
Content-Transfer-Encoding: 7BIT

Dear Friends,
  I'm happy to announce that Colin Hume will be featured in two events 
in Boston next Fall. On September 18, Colin will be teaching the 
Wednesday night class at the Park Avenue Church in Arlington. His 
program will be "One Man's History of English Country Dance", dances 
chosen to illustrate the development of English Country dance.  Then 
on Friday, September 20 at the Concord Scout House Colin will present 
a program of his dances, backed by Peter Barnes, Mary Lea, and Chis 
Rua.

For those of you who have some vacation time left, you can dance in 
Boston Wednesday and Friday with Colin that week, then spend Saturday 
and Sunday dancing in Amherst with Philippe Callens--a nice way to 
spend the last weekend of the Summer and the first weekend of the 
Fall.

If you're within driving distance of Boston, you're invited to our 
end of the year party tonight at the Park Avenue Church in Arlington. 
(For driving directions see our web site http://www.cds-boston.org ) 
Good music, good leading, good dancing and good friends.

Best,
  Terry
================================================================================
Archive-Date: Thu, 20 Jun 2002 07:11:22 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 20 Jun 2002 10:27:32 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Cool new ECD recording, shamelessly promoted
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OFC83A166E.6B7E4062-ON85256BDE.004F3707-AT-
risk.sungard.com>
MIME-Version: 1.0
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 7BIT

...posted on behalf of Philippe Callens...
"Red Star Line Launching Party

music by Hold The Mustard
dancing led by Philippe Callens

Red Star Line-From Belgium to America is a brand new CD with fifteen
English country dances written and interpreted by Philippe Callens. It
includes favourites such as "The Astonished Acrhaeologist" and "An Early
Frost", plus some of Philippe's other original dances and interpretations.
The music is played by two excellent bands: A Joyful Noise (Daniel
Beerbohm, Barbara Greenberg, Kathy Talvitie) and Hold The Mustard (Daniel,
Barbara, Kathy, and Paul Prestopino).

The band members and Philippe invite you all to come and dance at the Red
Star Line Launching Party, a great chance to learn a number of the dances
on the CD played by the musicians who appear on the CD.  Some dances from
the true and trite category will complement the programme. The party will
be held in Titusville, New Jersey, a location close to Princeton and
Philadelphia, but easy to reach from New York City and Baltimore.

Where? Titusville Firehouse (air conditioned!)
When? Friday 26 July 2002, 8-11 pm
Admission? $ 8.00

This dance is sponsored by the Princeton Country Dancers and the
Lambertville Country Dancers. For further information, please contact
Barbara Greenberg, e-mail <peartree-AT-
earthlink.net> or phone 609-882-5775.
The Red Star Line CD can be ordered from her, too.

Do you have to miss this party? Too bad, but here are some other chances
for you to meet these artists:

* Hold The Mustard will be at CDSS Dance Week, Buffalo Gap, West Virginia,
July 6-13. Check out http://www.cdss.org for availability.
* A Joyful Noise and Philippe Callens will be at CDSS English Week,
Pinewoods, August 10-17 and Philippe will also teach at CDSS
English-American Week, Pinewoods, August 3-10.
* During the Across the Atlantic Dance Weekend 2002, to be held in Western
Massachusetts, September 21-22, Philippe will also present a selection of
his own dances and interpretations. Contact Joyce Crouch for more
information, <joycecrouch-AT-
pobox.com>

Red Star Line-From Belgium to America contains the music for these fifteen
dances:
Arlington Assembly - The Astonished Archaeologist - The Two Pauls -
Patrick's Waltz - Excuse Me - Enfield Common - Gentleman's Delight - Return
to Newcastle - A Trip to Amsterdam - The Delight of Kentish Countryside -
Hortonia - La Gavre - Volpony - Gold for the Mahieus - An Early Frost."
Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




**********************************************************************
This email and any files transmitted with it are confidential and
intended solely for the use of the individual or entity to whom they
are addressed. If you have received this email in error please notify
the system manager.

This footnote also confirms that this email message has been swept by
MIMEsweeper for the presence of computer viruses.


**********************************************************************

================================================================================
Archive-Date: Thu, 20 Jun 2002 08:08:31 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 20 Jun 2002 10:59:04 -0400
From: Deb Karl <debkarl-AT-
wi.mit.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Cool new ECD recording, shamelessly promoted
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <3D11EDB8.4F597AAA-AT-
wi.mit.edu>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT
References: <OFC83A166E.6B7E4062-ON85256BDE.004F3707-AT-
risk.sungard.com>

"Red Star Line" is a _wonderful_ CD--I've been listening to it
(repeatedly) for the past week & with great delight, whenever I'm in my
car.  A great addition to one's collection of ECD music!

(now, if I can just get the directions for the dances on the CD so I can
learn 'em.....)

--Deb
================================================================================
Archive-Date: Thu, 20 Jun 2002 10:08:07 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 20 Jun 2002 13:24:18 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Where to get the CDs and dances
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF91A944B6.2A581000-ON85256BDE.005F6BBF-AT-
risk.sungard.com>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT

CDSS distributes *Red Star Line*, as well as the dance books, *Continental
Capers* and *Belgian Boutades* [new; CDSS may not have its copies yet].
Yes, there *are* other shops & sources for these, including the artists
themselves--but CDSS I happen to know about.

Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




**********************************************************************
This email and any files transmitted with it are confidential and
intended solely for the use of the individual or entity to whom they
are addressed. If you have received this email in error please notify
the system manager.

This footnote also confirms that this email message has been swept by
MIMEsweeper for the presence of computer viruses.


**********************************************************************

================================================================================
Archive-Date: Thu, 20 Jun 2002 23:49:57 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Fri, 21 Jun 2002 01:49:48 -0500
From: Paul Stamler <pstamler-AT-
pobox.com>
Subject: Article in Sing Out!
To: Paul Stamler <pstamler-AT-
pobox.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Message-ID: <000d01c218ef$ddfd2380$44284b0c-AT-
paulstam>
MIME-Version: 1.0
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 7BIT

Hi folks:

I hope you'll pardon me for tooting a small horn about this, but in the
current issue of Sing Out! (the one with Bruce Cockburn on the cover),
they've published an article/interview I did with Sheila Kay Adams, a member
of the great family of traditional singers from Sodom Laurel, North Carolina
that includes Berzilla, Cas and Doug Wallin, Dillard Chandler, and many
other singers going back to the early 1800s; the article is as much about
that astonishing family (which gave a multitude of songs to Cecil Sharp,
among other folklorists) and their history as it is about Sheila herself.
(If her name rings a bell, she was the musical advisor to the film
"Songcatcher", and most of the songs in that film were performed in her
family's versions.) There are also transcriptions of two songs: Doug
Wallin's version of "Young Emily" (aka "Edwin in the Lowlands Low") and
Sheila's own singing of "Camp A Little While in the Wilderness", and an
almost-complete family discography. (Almost, because Musical Traditions, in
England, reissued two albums of field recordings after the magazine went to
press).

I let folks know, not because I wrote the article (well, maybe a little --
I've been reading Sing Out! since I was nine years old, and it's nice to
finally write something for them) but because these are amazing people with
a rich history and tradition. Characters, too. And damned fine singers.

Peace,
Paul

PS The magazine is available across the USA at Barnes & Noble & most Borders
stores; in St. Louis, look at Music Folk and, maybe, World News in Clayton.
Please, look at the independent outlets first.

================================================================================
Archive-Date: Fri, 21 Jun 2002 07:05:50 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Fri, 21 Jun 2002 10:06:56 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Where to get *Red Star Line* and the Callens dances
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OFEF625127.6B097B90-ON85256BDF.004BAAF1-AT-
risk.sungard.com>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT

Dear friends:
Thanks to those of you who have written to me expressing interest in the
purchase of *Red Star Line* and Philippe Callens dances. Unfortunately, I
am not the US distributor for these materials. Please communicate directly
with the Country Dance and Song Society to obtain the CD and books.

Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."





**********************************************************************
This email and any files transmitted with it are confidential and
intended solely for the use of the individual or entity to whom they
are addressed. If you have received this email in error please notify
the system manager.

This footnote also confirms that this email message has been swept by
MIMEsweeper for the presence of computer viruses.


**********************************************************************

================================================================================
Archive-Date: Fri, 21 Jun 2002 07:14:11 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Fri, 21 Jun 2002 10:10:10 -0400
From: Deb Karl <debkarl-AT-
wi.mit.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Where to get *Red Star Line* and the Callens dances
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <3D1333C2.4AB3CD29-AT-
wi.mit.edu>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT
References: <OFEF625127.6B097B90-ON85256BDF.004BAAF1-AT-
risk.sungard.com>

for those in the Boston area, the Folk Arts Center also has the CD in stock.
I don't know about the books; I'll check with Marcie.

But don't call FAC today--Marcie & the FAC record shop are down at
Pinewoods for the next week.

--Deb
================================================================================
Archive-Date: Fri, 21 Jun 2002 07:47:57 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Fri, 21 Jun 2002 10:47:09 -0400 (EDT)
From: "Susan R. Lorand" <srl-AT-
phoenix.Princeton.EDU>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Where to get *Red Star Line* and the Callens dances
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <Pine.GSO.4.44.0206211044030.396-100000-AT-
tucson.Princeton.EDU>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Content-Transfer-Encoding: 7BIT

I've been enjoying the new CD, too.  In addition to CDSS, as Graham said
in his first message, you can get the CD from Barbara Greenberg:

> For further information, please contact Barbara Greenberg, e-mail
> <peartree-AT-
earthlink.net> or phone 609-882-5775. The Red Star Line CD can
> be ordered from her, too.

Susie Lorand
Princeton, NJ, USA

================================================================================
Archive-Date: Mon, 24 Jun 2002 11:43:29 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Mon, 24 Jun 2002 15:42:13 -0300
From: John Wood <johnwood-AT-
accesscable.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Deciphering 1712 Dance Notation
To: "ECD-AT-
SSRL04.SLAC.STANFORD.EDU" <ECD-AT-
SSRL04.SLAC.STANFORD.EDU>
CC: John Wood <johnwood-AT-
accesscable.net>
Message-ID: <3D176805.70DA7C0C-AT-
accesscable.net>
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="Boundary_(ID_yGnuRkjAr8/JpQ3ONsxEhw)"

This is a multi-part message in MIME format.

--Boundary_(ID_yGnuRkjAr8/JpQ3ONsxEhw)
Content-type: text/plain; charset=us-ascii
Content-transfer-encoding: 7BIT

Fellow Dancers:

I am sure there is somebody cleverer than me who
could decipher -- into modern "language" -- the following
page:

Your help would be appreciated.

Maybe there is a decode that can got from the Web?

regards, John

--Boundary_(ID_yGnuRkjAr8/JpQ3ONsxEhw)
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UmsVhexW77nFL+4zgeer6EHzOdC4Bg+uLo0sMeFnVMfukZGd/WoUsXnSu1IwsVkl
4kEzOkSythWlP61tLmv5V2TucLNAZSICG8tN1KKRkMe1GGOX21xjDtRm9TutMrM7
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a13uFS66unnp6NEBmeDQ/LqpvRp47ik12VyF5YPHjey+HhuxzTPWudlpS8UbT7rw
Ri/761KsVurpecpZz0QEAAA7

--Boundary_(ID_yGnuRkjAr8/JpQ3ONsxEhw)--
================================================================================
Archive-Date: Mon, 24 Jun 2002 12:08:31 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Mon, 24 Jun 2002 15:24:45 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Deciphering 1712 Dance Notation
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OFA0E6EC8F.F7D1E516-ON85256BE2.00694241-AT-
risk.sungard.com>
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This is Beauchamp-Feuillet notation. According to the dance manuals scanned
by the Library of Congress, "The Royall Ann" is a dance by Mr. Isaac (of
"Mr. Isaac's Maggot") of 1712; it does not look to me at first glance as
though this dance or tune corresponds exactly to that dance or tune.
You should be aware that this is not an English Country Dance per se--i.e.,
a set or progressive dance for 2 or more couples--it is a "fancy" or
French-style performance piece for two dancers.

But essentially, the man and woman lead out to the sides, turn and come
back, lead down a little, separate, rejoin (not taking hands), lead down
for another measure, turn away from each other (man r.s., wo. l.s.) in 3
measures (fancy footing here), again turn away from each other (man l.s.,
wo. r.s.) to end facing down.

And then something else happens--whatever is on the next plate.

The great authority on this subject is Wendy Hilton, where you will find
explanations for all of the symbols (which indicate stepwork, direction,
and measures).



Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."





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Archive-Date: Mon, 24 Jun 2002 19:56:42 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Mon, 24 Jun 2002 22:56:17 -0400
From: Dorothy Olsson <dolsson-AT-
nyc.rr.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: summer dancing!
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <4.3.2.7.0.20020624225448.00c07a70-AT-
pop-server.nyc.rr.com>
MIME-Version: 1.0
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--Boundary_(ID_IjZYr+uwLyg8uH/tMHFd+g)
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Hello, everyone:

Just a quick reminder--
There is still room in the Historical Dance Program at the Amherst Early 
Music Festival: July 28-August 4 and August 4-11, 2002, at the University 
of Connecticut at Storrs!

18th century Italian contraddanze; Renaissance dances by Caroso & Negri; 
Baroque dances; fully staged theater project; character dances; English 
country dance, more….

Check out our webpage:
http://www.amherstearlymusic.org/aemf2002-dance.htm, or

http://www.amherstearlymusic.org/
and follow the links to the Historical Dance Program

Hope to see you there!

All the best,
Dorothy Olsson

--Boundary_(ID_IjZYr+uwLyg8uH/tMHFd+g)
Content-type: text/html; charset=iso-8859-1
Content-transfer-encoding: 8BIT

<html>
<font face="Arial, Helvetica">Hello, everyone: <br>
<br>
Just a quick reminder--<br>
There is still room in the Historical Dance Program at the Amherst Early
Music Festival: July 28-August 4 and August 4-11, 2002, at the University
of Connecticut at Storrs!<br>
<br>
18th century Italian contraddanze; Renaissance dances by Caroso &amp;
Negri; Baroque dances; fully staged theater project; character dances;
English country dance, more….<br>
<br>
Check out our webpage:<br>
</font><font face="Arial, Helvetica" color="#0000FF"><u><a href="http://www.amherstearlymusic.org/aemf2002-dance.htm" eudora="autourl">http://www.amherstearlymusic.org/aemf2002-dance.</a><a href="http://www.amherstearlymusic.org/aemf2002-dance.htm" eudora="autourl">htm</a></u></font><font face="Arial, Helvetica">,
or<br>
<br>
</font><font face="Arial, Helvetica" color="#0000FF"><u><a href="http://www.amherstearlymusic.org/" eudora="autourl">http://www.amherstearlymusic.org/</a><br>
</u></font><font face="Arial, Helvetica">and follow the links to the
Historical Dance Program<br>
<br>
Hope to see you there!<br>
<br>
All the best,<br>
Dorothy Olsson<br>
</font></html>

--Boundary_(ID_IjZYr+uwLyg8uH/tMHFd+g)--
================================================================================
Archive-Date: Tue, 25 Jun 2002 14:21:29 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Tue, 25 Jun 2002 17:21:12 -0400 (EDT)
From: JBGrun-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Dancing on a Maine Island
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
CC: lucyjy-AT-
valley.net
Message-ID: <1a7.4325c0d.2a4a38c8-AT-
aol.com>
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I'm posting the following at the request of Lucy Young:

<<The dance takes place on Saturday, AUGUST 17TH,  AT THE ISLESBORO SCHOOL, 
on Islesboro island in Penobscot Bay, Maine.  It starts -AT-
 8 O'CLOCK, & is 
preceded by a lobster & clam bake, only by paying $20 in advance to: 
Lucy J. Young, P.O.Box 175, Thetford Hill, VT. 05074.   

(Islesboro is reached by ferry from Lincolnville Beach, 5 miles north of 
Camden.  A
private ferry returns to the mainland at midnight, at cost.)

THIS YEAR WE HAVE:  Michael Cicone calling, with Chris Rua, Earl Gaddis & 
Roberta Sutter making music.

EVERYBODY, AT ALL LEVELS OF EXPERIENCE, IS WARMLY WELCOMED.>>

I have no additional information, so please don't e-mail me with questions. 

Judy (the messenger) Grunberg
================================================================================
Archive-Date: Tue, 25 Jun 2002 15:18:51 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Tue, 25 Jun 2002 18:18:45 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: English 4th Fridays all summer = 6/28, 7/26, 8/23
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF3AB396F8.B0E8A5D8-ON85256BE3.007A1E17-AT-
biogen.com>
MIME-Version: 1.0
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To those who are looking for English in the Boston area this summer, my
"double dance" (English from 7-9 and contras from 9-11) series continues on
4th Fridays unabated - indeed with renewed vigor! Next one is this friday -
6/28
If you wish to hear more about it or to be added to my private reminder
Email list, reply to me (not ECD).
Cheers, Cammy

PS. Featured dances this Friday include Nonesuch, London Broil, and the
Valiant Captain done both as a longways for as many as will and as adapted
for a 3 couple set by Lila Feingold

================================================================================
Archive-Date: Tue, 25 Jun 2002 17:31:36 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Return-Path: <srkennedy-AT-
msn.com>
Date: Tue, 25 Jun 2002 20:36:51 -0400
From: Ridge Kennedy <srkennedy-AT-
msn.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Basic ECD Repertoire
To: ECD Mailing List <ecd-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Message-ID: <NDBBLDFCILFGBPBKIAPCCEFCCPAA.srkennedy-AT-
msn.com>
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Dear ECD List,

Although it might be thought an imposition, I'd appreciate any assistance
you can offer. I'm attending a dance week program for English dance
leadership, and I'm grappling with the rudiments of repertoire.

As a person who calls Traditional American Dances, I feel that I can benefit
from learning to teach and lead a modest repertoire of English Country
Dances. I believe it will improve my calling skills.  I also recall pleasant
conversations with Mary Kay, talking about the possibilities of introducing
seniors to dancing via ECD, and I am always looking to expand the number of
dances I can include for dance parties. And as a graduate of Campers’ Week
at Pinewoods I have always enjoyed a mix of ECD and American dances, and I’d
like to develop a degree of competence.

I’ve consulted with the ECD expert in the family, my son Ben, and we
brainstormed the following lists.  I’d appreciate it if any of the ECD List
members would like to comment and augment the selections. Point out any that
are misplaced (Ben was working from Barnes and memory re: the dance figures
and formations) and suggest additions.

Easy or Fairly Easy
Duple Longways

Apley House
Childgrove
Dr. Vincent’s Delight
Early One Morning (S. Higgs)
Haste to the Wedding
Hunt the Squirrel
Indian Queen
Irish Lamentation
Jack’s Maggot
Jamaica
Jenny Plucked pears
Juice of Barley
King of Poland
Knives and forks
Lilli Burlero
Nonesuch
Nottingham Swing
Take a Dance
The Geude Man of Ballangigh
The Young Widow
Trip to Paris
Zephyrs and Flora


Other Formations

Bare Necessities
Come Lets Be Merry
Cumberland Eight
Heidenrosline
La Russe
Margate Hoy
The Physical Snob
Sellinger’s Round
St. Margaret’s Hill
Shrewsbury Lasses

ECD Favorites
Longways

Barbarini’s Tambourine
Dublin Bay
Easter Thursday
Hambledon’s Round O
Mad Robin
Mr. Isaac’s Maggot
Orleans Baffled
Round About Our Coal Fire
Up with Ailey
Well Hall

Other formations
Wood duck

Thank you,

Ridge



Ridge Kennedy
Washington, NJ  [No Exit]
When you stumble, make it part of the dance.
---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.371 / Virus Database: 206 - Release Date: 6/13/2002

================================================================================
Archive-Date: Tue, 25 Jun 2002 21:49:00 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Tue, 25 Jun 2002 23:47:36 -0500
From: Charlene Charette <charlene-AT-
flash.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <3D194768.A23FACA7-AT-
flash.net>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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References: <NDBBLDFCILFGBPBKIAPCCEFCCPAA.srkennedy-AT-
msn.com>

> Easy or Fairly Easy
> Duple Longways

> Jenny Plucked pears

This is usually a round for three couples.  Of course, there may be a
duple-minor longways version with which I'm not familiar.

--Charlene

-- 
There is no inverse relationship between freedom and security.  Less of
one does not lead to more of the other.  People with no rights are not
safe from terrorist attack.  --Molly Ivins
================================================================================
Archive-Date: Wed, 26 Jun 2002 00:39:22 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 26 Jun 2002 00:48:22 -0700
From: Paul / Victoria Bestock <bestockp-AT-
oz.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <5.1.0.14.1.20020625183705.00a07800-AT-
mail.oz.net>
MIME-Version: 1.0
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Hi Ridge,

Some of the dances you list as "easy duple minors." are not.

Dr. Vincent's Delight is a three couple set dance which is a mixer.  It is 
fairly easy (though some people get confused between the two fall-backs-- 
is this the one after which you left hand turn, or the one after which you 
circle?) up to the ending. In the last few beats,  the top two men and 
bottom two women change places backing up. Sounds easy, but  it can 
disorient even experienced dancers.

THe Young Widow is a triple minor.

Jenny Pluck Pears is a three couple set

Early one Morning is a square, Nonesuch a Four Couple Set  and neither is 
"easy"

You might consider adding these to your list of easy longways dances

Knole Park,
Mulberry Garden,
Ore Boggy (same dance as Take a Dance, but different tune),
Corelli's Maggot
THe First of April

I like your choices of "favorites!"  They're mine too.

Victoria Bestock

================================================================================
Archive-Date: Wed, 26 Jun 2002 05:14:03 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 26 Jun 2002 05:13:55 -0700 (PDT)
From: Benjamin Stein <ecdscd-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020626121355.80526.qmail-AT-
web20705.mail.yahoo.com>
MIME-Version: 1.0
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--- Ridge Kennedy <srkennedy-AT-
msn.com> wrote:
> Dear ECD List,
> 
> Although it might be thought an imposition, I'd
> appreciate any assistance
> you can offer. I'm attending a dance week program for
> English dance
> leadership, and I'm grappling with the rudiments of
> repertoire.
> 
> As a person who calls Traditional American Dances, I feel
> that I can benefit
> from learning to teach and lead a modest repertoire of
> English Country
> Dances. I believe it will improve my calling skills.  I
> also recall pleasant
> conversations with Mary Kay, talking about the
> possibilities of introducing
> seniors to dancing via ECD, and I am always looking to
> expand the number of
> dances I can include for dance parties. And as a graduate
> of Campers? Week
> at Pinewoods I have always enjoyed a mix of ECD and
> American dances, and I?d
> like to develop a degree of competence.
> 
> I?ve consulted with the ECD expert in the family, my son
> Ben, and we
> brainstormed the following lists.  I?d appreciate it if
> any of the ECD List
> members would like to comment and augment the selections.
> Point out any that
> are misplaced (Ben was working from Barnes and memory re:
> the dance figures
> and formations) and suggest additions.
> 
> Easy or Fairly Easy
> Duple Longways
> 
> Apley House
> Childgrove
> Dr. Vincent?s Delight
> Early One Morning (S. Higgs)
> Haste to the Wedding
> Hunt the Squirrel
> Indian Queen
> Irish Lamentation
> Jack?s Maggot
> Jamaica
> Jenny Plucked pears
> Juice of Barley
> King of Poland
> Knives and forks
> Lilli Burlero
> Nonesuch
> Nottingham Swing
> Take a Dance
> The Geude Man of Ballangigh
> The Young Widow
> Trip to Paris
> Zephyrs and Flora
ADD: Holborn March

> 
> 
> Other Formations
> 
> Bare Necessities
> Come Lets Be Merry
> Cumberland Eight
> Heidenrosline
> La Russe
> Margate Hoy
> The Physical Snob
> Sellinger?s Round
> St. Margaret?s Hill
> Shrewsbury Lasses
> 
> ECD Favorites
> Longways
> 
> Barbarini?s Tambourine
> Dublin Bay
> Easter Thursday
> Hambledon?s Round O
> Mad Robin
> Mr. Isaac?s Maggot
> Orleans Baffled
> Round About Our Coal Fire
> Up with Ailey
> Well Hall
> 
> Other formations
> Wood duck
> 
> Thank you,
> 
> Ridge
> 
> 
> 
> Ridge Kennedy
> Washington, NJ  [No Exit]
> When you stumble, make it part of the dance.
> ---
> Outgoing mail is certified Virus Free.
> Checked by AVG anti-virus system
> (http://www.grisoft.com).
> Version: 6.0.371 / Virus Database: 206 - Release Date:
> 6/13/2002
> 


__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com
================================================================================
Archive-Date: Wed, 26 Jun 2002 05:34:07 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 26 Jun 2002 08:31:23 -0400 (EDT)
From: "Susan R. Lorand" <srl-AT-
phoenix.Princeton.EDU>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <Pine.GSO.4.44.0206260825440.23363-100000-AT-
phoenix.Princeton.EDU>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Content-Transfer-Encoding: 7BIT

On Wed, 26 Jun 2002, Paul / Victoria Bestock wrote:

> Early one Morning is a square,

i remember scott higgs's dance by that title as a longways that isn't too
difficult.  the same tune *is* often used for a 5-couple square whose name
i forget but which i'm sure someone will supply (winter something?).

i think we've done "early one morning" at the swarthmore english-scottish
ball.  come to think of it, past ball programs would be an excellent
source of ideas for english dances that the organizers considered
accessible to scottish dancers for whom english is a second "language".

i would add to the list of set dances:

the black nag
scotch cap
rufty tufty

st. margaret's hill is not the easiest of 3-couple set dances, lovely
though it is.

susie lorand
princeton, nj, usa



================================================================================
Archive-Date: Wed, 26 Jun 2002 06:55:27 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 26 Jun 2002 10:11:41 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF4631BA0A.8692C4A2-ON85256BE4.004D4ED6-AT-
risk.sungard.com>
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This past season, I was one of the teachers for a series targeted at new
dancers--a great laboratory for measuring the accessibility of dances.
Here's what I taught them:

One night:

Heartsease, Mary & Dorothy, Hole in the Wall, Queen's Birthday, Ore Boggy,
The Ragg, Geud Man, Rakes of Rochester, Dover Pier, Duke of Kent's Waltz.

Another night:

Rufty Tufty, Christchurch Bells, Zephyrs & Flora, The Ragg, Indian Queen,
Geud Man, Kill Him With Kindness, Knives & Forks.

Concerning your list:

Easy or Fairly Easy
Duple Longways


JUST TO BE PERFECTLY SELF-PROMOTING..you could add my Angels Unawares (CDSS
News)--it's easy and teaches well for new beginners
Apley House
Childgrove
Dr. Vincent's Delight [CONCUR WITH EARLIER OPINIONS--NOT EASY]
Early One Morning (S. Higgs)
Haste to the Wedding
Hunt the Squirrel [I ASSUME YOU MEAN GEUD MAN OF BALLANGIGH]
Indian Queen
Irish Lamentation [I'D DROP THIS]
Jack's Maggot [BE PREPARED TO TEACH HEYS]
Jamaica
Jenny Pluck Pears
Juice of Barley
King of Poland [I'd DROP THIS...Fast; potentially confusing even to
medium-good dancers]
Knives and forks
Lilli Burlero
Nonesuch [DROP. NOT EASY]
Nottingham Swing
Take a Dance
The Geude Man of Ballangigh
The Young Widow [TM, as noted]
Trip to Paris
Zephyrs and Flora
CONSIDER ADDING COMICAL FELLOW

Other Formations

Bare Necessities
Come Lets Be Merry [DROP. NOT EASY]
Cumberland Eight
Heidenroslein
La Russe
Margate Hoy
The Physical Snob
Sellinger's Round
St. Margaret's Hill
Shrewsbury Lasses

ECD Favorites
Longways

Barbarini's Tambourine
Dublin Bay
Easter Thursday
Hambledon's Round O
Mad Robin
Mr. Isaac's Maggot
Orleans Baffled
Round About Our Coal Fire
Up with Ailey
Well Hall

Other formations
Wood duck

Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




**********************************************************************
This email and any files transmitted with it are confidential and
intended solely for the use of the individual or entity to whom they
are addressed. If you have received this email in error please notify
the system manager.

This footnote also confirms that this email message has been swept by
MIMEsweeper for the presence of computer viruses.


**********************************************************************

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Archive-Date: Wed, 26 Jun 2002 10:30:39 PST
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Date: Wed, 26 Jun 2002 13:09:17 -0400
From: "Dawn C. Culbertson" <dcculb-AT-
juno.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
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Of the duple longways, King of Poland, while a wonderful dance (in my
humble opinion) is definitely not easy, either for its figures or its
fast pace, which allows no time to correct mistakes. Also, I don't
consider St. Margaret's Hill (one of the 3-couple dances) easy either.
And of the favourites Easter Thursday, although its moves are certainly
not difficult, the fact that it's in triple meter can prove troublesome
for beginners as well.

Dawn Culbertson

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Archive-Date: Wed, 26 Jun 2002 11:09:42 PST
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Date: Wed, 26 Jun 2002 14:09:24 -0400
From: Terence Gaffney <gaff-AT-
neu.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
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This is a fun topic.

 I'd add 
"The Chestnut" 

to the list of three couple dances. A simple dance with a lot of power.
After they learn "The Black Nag",they'll know how to do a hey for three.
(I've taught "The Black Nag" in my living room to people who'd never done
English before with success. Having the hey at the end seems to give
beginners some momentum.)

"The Waters of Holland" is a good beginner's dance because its a USA dance
with the same figure; if you make a mistake on the figure it adds to the
fun, because of the funny pairing that results.

"The Bonnie Cuckoo" is an elegant dance that's easier to do than it looks on
paper.

For longways I'd add "Yellow Stockings" doing the two hand turn in crossed
hand position using a buzz step. There is a circular hey, but its relatively
slow.

"The Willow Tree" and "The Virginia Reel" are both dances beginners like.

I'd second Graham's suggestion of "The Ragg" and "Angel's Unaware".
 You can find the music for "The Ragg", "Yellow Stockings" and "Hole in the
Wall" on the "Simple Treasures" Bare Necessities recording. This CD also has
other suggestions for simple dances on it.

Best,
 Terry

================================================================================
Archive-Date: Wed, 26 Jun 2002 11:18:58 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 19:18:47 +0100
From: Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
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Easy to dance, or easy to teach? Or, is it the same thing?
Alan Corkett (I just watch, remember!)
-----Original Message-----
From: Terence Gaffney <gaff-AT-
neu.edu>
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU <ECD-AT-
SSRL04.SLAC.STANFORD.EDU>
Date: 26 June 2002 19:10
Subject: Re: Basic ECD Repertoire


This is a fun topic.

I'd add
"The Chestnut"

to the list of three couple dances. A simple dance with a lot of power.
After they learn "The Black Nag",they'll know how to do a hey for three.
(I've taught "The Black Nag" in my living room to people who'd never done
English before with success. Having the hey at the end seems to give
beginners some momentum.)

"The Waters of Holland" is a good beginner's dance because its a USA dance
with the same figure; if you make a mistake on the figure it adds to the
fun, because of the funny pairing that results.

"The Bonnie Cuckoo" is an elegant dance that's easier to do than it looks on
paper.

For longways I'd add "Yellow Stockings" doing the two hand turn in crossed
hand position using a buzz step. There is a circular hey, but its relatively
slow.

"The Willow Tree" and "The Virginia Reel" are both dances beginners like.

I'd second Graham's suggestion of "The Ragg" and "Angel's Unaware".
You can find the music for "The Ragg", "Yellow Stockings" and "Hole in the
Wall" on the "Simple Treasures" Bare Necessities recording. This CD also has
other suggestions for simple dances on it.

Best,
Terry



================================================================================
Archive-Date: Wed, 26 Jun 2002 12:58:15 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 15:58:03 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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Dear Ridge,
I commend your approach to honing calling skills. One thing I have always
found to be an excellent way to improve one's teaching is to offer
"Beginner" or "newcomer" workshops. Originally I thought I wasn't good
enough to call for experienced dancers so I led some of these workshops. I
was wrong - it takes much more skill to teach newcomers, but it is also an
excellent way to learn. I use English on a regular basis at venues where
everyone assumes I am doing contras because so many of the ECD are fun and
easy (e.g., at weddings), there are dances for any number of people (e.g.,
only 4 people want to dance - you can adapt contras and/or teach some great
2 couple english), and as you mentioned, there are many elderly who simply
feel they cannot or do not want to do dances with vigorous balancing and
swinging yet would eagerly join onto an English set.

As others have pointed out, your list contains some that are misplaced (for
example they are not easy or the set is not usually done as a longways for
some in your list). Besides those corrections, I have personal favorites
that you may wish to try.  For easy longways, I would particularly
recommend adding Alcurch, Fair Quaker, Halfe Hannikan, Hole in the Wall,
and Mulberry Garden. For easy other formations, I would add Fine Companion,
Heart's-ease, Rufty Tufty, Upon a Summer's Day, and still easy but with a
little more teaching are Chelmsford Assembly, Hunsdon House (elegant and
those from square dancing background will recognize the grand squares), and
Prince William.

This might be helpful. It is a list of dances I used recently, coded by
color for degree of difficulty (teaching or dancing or both) and the first
columns indicate number of couples if not "for as many as will."  Such a
list makes it easy to select the next dance at a glance.
Cammy


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--Boundary_(ID_qrINjrEAbvGfiDKkakcWSw)--
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Date: Wed, 26 Jun 2002 16:45:14 -0400
From: Terence Gaffney <gaff-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
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> Wall" on the "Simple Treasures" Bare Necessities recording. This CD also has
> other suggestions for simple dances on it.
> 
> Best,
> Terry


Sorry--that should have been "Simple Pleasures"--the companion is "Modern
Treasures"

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Date: Wed, 26 Jun 2002 17:04:03 -0400 (EDT)
From: "Susan R. Lorand" <srl-AT-
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Subject: Re: Basic ECD Repertoire
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More ideas for not-too-difficult duple longways dances:

The Female Saylor ?
Jack's Health ?

- Susie Lorand

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Date: Wed, 26 Jun 2002 16:20:44 -0500 (CDT)
From: Jonathan Sivier <j-sivier-AT-
ux1.cso.uiuc.edu>
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Subject: Re: Basic ECD Repertoire
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Susan R. Lorand writes:
> 
> More ideas for not-too-difficult duple longways dances:
> 
> The Female Saylor ?
> Jack's Health ?

   A couple more off the top of my head.

The Queen's Jig
Money in Both Pockets

   Also Cumberland Reel is a good whole set longways dance to use with
novice dancers.

Jonathan

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Archive-Date: Wed, 26 Jun 2002 14:39:53 PST
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Date: Wed, 26 Jun 2002 13:18:08 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: "Easy" dances
To: ecd-AT-
PLAYFORD.SLAC.STANFORD.EDU
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ECDers --

This isn't a direct response to any post in the current discussion on basic
ECD repertoire, but that discussion has brought up a few thoughts for me.

"Easy" dances.
--------------

Easy for whom? (And, conversely, hard for whom?) If your intended audience is
Scottish dancers, they're not likely to have a big problem with circular heys
or heys for three.  If they're drunken behavioral ecologists, they're likely to
have a problem with duple minor progression (not to mention remaining
vertical.)  If they're contra dancers, they'll be on top of duple minor
progression (but may need to be reminded not to cross over at the ends of the
sets). 

I genuinely don't think that the presence or absence of a particular figure
necessarily makes a dance hard or easy.  (With moderate exceptions: the True
Lover's Knot from Wilson isn't an easy figure.)  It's the context of the figure
within the dance and the dance within the evening that makes it hard or easy.

Greenwich Park (longways duple, 1s lead up eight steps, come back, split around
2s (who move up) to 2nd place; 2s the same, 1s cross and go below 2s, swing  up
the middle to place, all back to back, patty-cake, 1s cast and 2s lead up) is
a quick teach and an easy dance for experienced dancers, and tends to fall
apart for new or infrequent dancers, because on the second and subsequent
rounds they don't automatically note who their other couples are before leaving
them, and then they don't know where to go back to.  Dances where you interact
with the other couple before leaving them (Northdown Waltz, Bonnets So Blue,
Rakes of Rochester) don't fall apart as easily.

The Pilgrim (longways duple: first corners turn right hand 1x; all four circle
half, second corners the same; all four circle half, etc) is almost a
no-walk-through dance for even moderately-experienced dancers; it's prone to
fall apart with new people because they get confused between turning corner all
the way around and turning the circle all the way around, and once you've
turned your corner half way it's hard to repair because the set is upside down.

Those are examples of dances with simple figures that are hard for people who
haven't learned how to deal with them.

You can introduce figures in dances and use them again later, making the
perceived difficulty of the later dance considerably less.

If you do Black Nag early, you've then got the USA figures and the hey for
three; you can do Ashford Anniversary and only have to teach the chorus, and
the hey in Jack's Maggot keeps anybody's head from exploding.  (You're not
gambling too much on the hey in Black Nag because if it falls apart, people
just have to get back home and the dance is over - they don't have to be n a
particular position doing another thing shortly.)  Black Nag is easy/bouncy
enough for ceilidh dancers (who scoff at complexity).

You might need to spend as much as a couple of minutes on walking
through rights and lefts in some dance early in the evening ("Midnight Ramble",
say, or "Rakes of Rochester") and then you can build on that for Drapers
Gardens (two changes) and Mister Isaacs' Maggot (two and a bit for the ones,
three and a bit for the twos).

So Jack's Maggot is an easy dance, suitable for beginners, if you've already
introduced the hey and duple minor progression, and otherwise it's a hard
dance.

Brand new people may find it easier to deal with dances that are very
symmetrical - eg, the 2s and 1s do the same things - so that there's less
memory trauma in switching from 2 to 1.  Watch out for MEANWHILE figures; 
they're likely to make it harder to switch.

(Incidentally, I think the reason people say "Nonesuch" is hard because it has
a high piece count and there are no glossary figures in it.  Even the USA parts
are non-standard.  This actually makes it stand out more in difficulty to 
broadly-experienced ECDers than it does to, say, those RenFaire dancers - not
all of them - who are accustomed to memorizing entire Playford dances for
performance and don't break them down into figure-sized chunks.)



Suggested dances for early in the evening with a lot of newcomers
------------------------------------------------------------------
(longways duple minor for as many as will unles otherwise noted)


Midnight Ramble
My Lord Byron's Maggot 
Dressed Ship
Rakes of Rochester 
In the Fields of Frost and Snow
Dover Pier
Black Nag (not as the first dance, but early on)  3 cpl longways mixer
Drapers Gardens
Ashford Anniversary     3 cpl longways mixer
Duke of Kent's Waltz
Indian Queen (after rights and lefts have been introduced)
Helena (after rights and lefts have been introduced)  4 cpl longways
Gathering Peascods - circle for as many as will
Auretti's Dutch Skipper
The Accomplished Maid 

-- Alan

===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
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Archive-Date: Wed, 26 Jun 2002 15:02:17 PST
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Date: Wed, 26 Jun 2002 14:40:55 -0700 (PDT)
From: Alan Winston - SSRL Central Computing <winston-AT-
SLAC.Stanford.EDU>
Subject: Never had _that_ happen before
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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ECDers --

So I was calling "Heidenroslein" last Saturday.  

The dance is a waltz mixer for four couples in square formation, and begins
with partners turning right hands, then neighbors (corners, in square dance
terminology) turning left to put the men in the middle for a right hand star.

This is actually a  turn of about 1 and 1/4.  If you make the turn, let go, and
stop, the women are not at home in the center of a side of the set; they're
nearly on one of the corners of the square.  

That's what happened in the first walkthrough.  The women let the men go and
stayed on the corners (and then the men couldn't figure out where to come out
of their stars).  I wondered what I had said to make them do that.

During the first walkthrough enough people arrived that another could form,
although I didn't realize that the people who some of the experienced dancers
greeted warmly were college friends of their son who had never, in fact, danced
English or contra before.

I did another walkthrough, making sure to describe the turn that puts the men
in the middle in different language.  In both sets, the women stayed out on the
corners after the turn.  I really never saw that before.  (Wary, this time, I
explained the need for the women to get themselves home, and they started to do
that.)

(After that dance I got a show of hands on experience levels and was able to
calibrate the rest of the evening much better; the college gang seemed to dig
it, got visibly better through the evening, stayed to the end, and made a point
of thanking me afterward.  They all got through "Mrs. Savage's Whim" quite
nicely, too.)

I think what happened was that they were just doing what I told them, and not
fudging to get back to place.  The fudge isn't written in the dance
instructions - we just assume it will happen because we have experience with
other dances (like Mister Isaac's Maggot, for example) in which the turn isn't
once around but still has to finish with one person at home.)  But if anybody
else has any other ideas I'd be interested to hear them.

-- Alan


===============================================================================
 Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
 Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  650/926-3056
 Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA   94025
===============================================================================

================================================================================
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Date: Wed, 26 Jun 2002 18:47:55 -0400
From: "Emily L. Ferguson" <elf-AT-
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playford.slac.stanford.edu
Subject: ladies on corner and easy dances
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Jeez.  I end up on the corner every time, and have to adjust for the 
man.  It's really only that we know that the square is going to 
reassemble after the men's star that makes that not be a problem. 
This is what makes a dance like that not easy.  (along with the waltz 
time, and a few other things, like knowing right from left and so on.)

As for easy ECD, I believe the easiest dances are the sicil circles, 
where the couples never have to learn to do anything except their 
parts.  And then, those dances that have punctuation, like Haste to 
the wedding, which has the claps, are on the top of the heap for 
easiness.  Finally, any sicil circles that have 2nd and 3rd grade 
square dance figures are going to be accessible to yet an even larger 
number of possible dancers.

Basically, if the dance has siding it's automatically not easy even 
if you offer the siding as side-by-side, if it's in 3 beats to the 
bar it's not going to be easy and for many it's where the perennial 
intermediates arrive and never move on, if you end a figure crossed 
over and have to find your way back later in the dance, it's just not 
going to be easy, if there's a dance around, forget easy.  Nowadays, 
with most dancing being jiggling in place without reference to 
another person half the time, just grabbing another person in 
"ballroom" or "promenade" position is outside the realm of easy or 
even collective memory.

Now, if we want to classify easy (personally I have two levels of 
easy - 1 and 2) you can sort out the truly easy dances from those 
which most brand-new and even slightly inebriated people can get the 
hang of with a little care on your part in presentation.

So I'd class Black Nag as a 2 or 3 level dance on a scale of 6.  And 
Geud Man as at least a 2 (I've seen experienced folk dancers not be 
able to figure out the double cast.) 
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From: SallenNic-AT-
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playford.slac.stanford.edu
Subject: Re: Basic ECDrepertoire
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In a message dated 26/6/02 3:00:31 pm, system-AT-
PLAYFORD.SLAC.STANFORD.EDU 
writes:

>Early one Morning is a square, Nonesuch a Four Couple Set  and neither
>is 
>"easy"

Scot Higgs' dance Early one Morning IS a duple minor! We recorded it on 
'Playford from the New World' - oh, and it is a fairly easy one.
    There is also a dance of the same name (using the same tune) by the 
Dutchman Cor Hogendijk, which is popular in the Netherlands, 
The tune is also used fairly widely in the USA for Wendy Crouch's dance 
'Winter Solstice', despite the fact that there is a proper tune (jig) for the 
dance (again recorded by us!).
Nicolas B., Lanark, Scotland.   
http://www.nicolasbroadbridge.com
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Date: Wed, 26 Jun 2002 20:26:06 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Easy" dances
To: ECD-AT-
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I agree with most of what Alan said but I would add that what makes a dance
easy versus hard is not only the audience and the context (both in the
dance and in the evening), but most importantly how it is taught. Another
way to put it is that I define a "challenging" dance as one that is poorly
taught or poorly written and probably least important is its complexity.
As you point out, dances such as Nonesuch are not so difficult but they
have a lot to remember. Part of teaching it well is to emphasize little
cues that the dancers can use to help remember the figures.
With crowds of newcomers, after teaching Upon a Summer's Day and Millison's
Jig or the Black Nag I often follow with Nonesuch or Newcastle and
emphasize that they have the same pattern of the 3 basic figures but the
chorus parts have been hugely developed. Alternatively, if I have run them
through a few duple dances, I might describe Nonesuch as a mixed dance in
which the old standard figures have been blended with a progressive
choreography such that they flank the "meat of the dance" as intro and
finale. The first time through the tune is the intro and everything after
the progressive figure is a finale (that includes siding and arming). In
such cases I enhance this perception by doing the dance for as many as
will, and doing the progressive part for as long as one does for a
contradance.

At any rate, I believe that there are few dances that inexperienced
individuals cannot encompass and part of how I get them through it is to
try to give them a sense of the structure, how to connect the parts with
the melody, how (although we often teach it in little chunks) one figure is
meant to elide with the next in seamless flow that takes them from point A
to point B.... Now that they have grasped that they are going from A to B,
it is easier for them to remember how to get there. Now that they have been
alerted to the fact that Newcastle has siding as its second figure, they
are anticipating it and can quickly get back on track if there were
difficulties in the previous figure.

In addition, I feel it is important that dancers of all abilities be
exposed to the variety that exists in the repertoire. It took me many years
to become infatuated with the Playford era because I thought they were all
boring. I found out later that the contradance callers back then only ever
taught the simplest of the dances under the mistaken impression that the
average dancer could not handle the more intricate examples. Now I can
hardly believe that such exquisitely beautiful simple dances seemed boring
until I remember that they were not presented in the context of the full
range of dances from that period.

Lastly to add to Alan's comment about how difficulty is in the eyes of the
beholder, I have written some contras with unusual choreography that are
easy for newcomers because they come without preconceptions but difficult
for the more experienced dancers because they are so accustomed to
choreographical idioms  that they find it very difficult to adjust. One
such figure is very simply a cross as in the beginning of Bucksaw on the
left diagonal after which one separates from the person at one's side
rather than wheeling as a pair to face back across. The newcomers do this
with grace and ease and the experienced dancers are fighting with it
throughout the dance.
CK


================================================================================
Archive-Date: Wed, 26 Jun 2002 17:39:46 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 17:39:09 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Never had _that_ happen before
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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web20006.mail.yahoo.com>
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--- Alan Winston wrote:
> (After that dance I got a show of hands on experience levels and
> was able to calibrate the rest of the evening much better; the
> college gang seemed to dig it, got visibly better through the
> evening, stayed to the end, and made a point of thanking me
> afterward. 

Some time ago I observed that beginners can be more up to a challenge
than we sometimes give them credit for. Laura Me Smith called a
Contra here one time and I remember her beginner's workshop being
especially good. (Never have quite figured out what she did right
that others seem to miss.) Most of the beginner's, who often leave
during the break, stayed for the entire evening and when she did
challenging dances, they met the challenge. Maybe this group of yours
was challenged early, got through it, and then, when you adjusted the
program, things seemed easier as the evening progressed so they
stayed; the real test will be if they come back.

I think deciding what is "easy" or "hard" is very subjective. I've
done dances that I found very easy to learn and others just couldn't
get them. I've also been on the other end of that, finding myself
totally baffled by something that others were finding easy. Sometimes
it can be one move that just doesn't flow and it completely throws me
as I'm continually out of place.

Andy

__________________________________________________
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Archive-Date: Wed, 26 Jun 2002 18:13:48 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 18:13:40 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627011340.76424.qmail-AT-
web20005.mail.yahoo.com>
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--- Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com> wrote:
> ...I have personal favorites
> that you may wish to try.  For easy longways, I would particularly
> recommend adding ...Hole in the Wall...

The only thing that makes Hole in the Wall difficult is that it is
relatively slow and people find it hard to dance slowly. They can't
slow themselves down to the tempo of the music and always get to the
next part early. One solution is for the band to _not_ play the music
as a funeral dirge. If they put some life into the music, it's easier
to dance.

My timing is usually very precise and if I'm off balance trying to
dance as slowly as the music, the band is playing it too slow. That
goes for waltzes and other things, as well as Hole in the Wall. Too
fast is also not good.

Andy

__________________________________________________
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Archive-Date: Wed, 26 Jun 2002 18:16:46 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 18:16:37 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627011637.83183.qmail-AT-
web20006.mail.yahoo.com>
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--- Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk> wrote: 
> "The Willow Tree" and "The Virginia Reel" are both dances beginners
> like.

Anything similar to Virginia Reel is easy because many people learned
it in elementary school.

Andy

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Archive-Date: Wed, 26 Jun 2002 18:20:18 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 21:20:09 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF18106C1E.0DA3AF03-ON85256BE5.0006F0A4-AT-
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Yeah - what he said.

Sometimes I do Hole in the Wall AND Trip to Paris (even though much of the
dance is the same) to stress how important the music is in how a dance
feels and the style we employ as dancers.



                                                                                                                                        
                      Andy Peterson                                                                                                     
                      <lyrlsbro-AT-
yahoo.com>             To:       ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU                                         
                      Sent by:                         cc:                                                                              
                      owner-ecd-AT-
PLAYFORD.SLAC.S        Subject:  Re: Basic ECD Repertoire                                               
                      TANFORD.EDU                                                                                                       
                                                                                                                                        
                                                                                                                                        
                      26-Jun-2002 09:13 PM                                                                                              
                      Please respond to ECD                                                                                             
                                                                                                                                        
                                                                                                                                        




--- Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com> wrote:
> ...I have personal favorites
> that you may wish to try.  For easy longways, I would particularly
> recommend adding ...Hole in the Wall...

The only thing that makes Hole in the Wall difficult is that it is
relatively slow and people find it hard to dance slowly. They can't
slow themselves down to the tempo of the music and always get to the
next part early. One solution is for the band to _not_ play the music
as a funeral dirge. If they put some life into the music, it's easier
to dance.

My timing is usually very precise and if I'm off balance trying to
dance as slowly as the music, the band is playing it too slow. That
goes for waltzes and other things, as well as Hole in the Wall. Too
fast is also not good.

Andy

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com




================================================================================
Archive-Date: Wed, 26 Jun 2002 18:28:17 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Wed, 26 Jun 2002 18:28:06 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627012806.84591.qmail-AT-
web20006.mail.yahoo.com>
MIME-Version: 1.0
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--- Graham.Christian-AT-
risk.sungard.com wrote:
> Hunt the Squirrel [I ASSUME YOU MEAN GEUD MAN OF BALLANGIGH]

The tune is the one used for Geud Man..., but there is an Early
American dance by that name. Can't remember it now; it's been too
long since I've danced it. 

Andy

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Archive-Date: Wed, 26 Jun 2002 18:44:05 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 21:43:58 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF82656324.F0DC78BE-ON85256BE5.00097A04-AT-
biogen.com>
MIME-Version: 1.0
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Also a Headington Morris dance we used to do.


                                                                                                                                        
                      Andy Peterson                                                                                                     
                      <lyrlsbro-AT-
yahoo.com>             To:       ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU                                         
                      Sent by:                         cc:                                                                              
                      owner-ecd-AT-
PLAYFORD.SLAC.S        Subject:  Re: Basic ECD Repertoire                                               
                      TANFORD.EDU                                                                                                       
                                                                                                                                        
                                                                                                                                        
                      26-Jun-2002 09:28 PM                                                                                              
                      Please respond to ECD                                                                                             
                                                                                                                                        
                                                                                                                                        




--- Graham.Christian-AT-
risk.sungard.com wrote:
> Hunt the Squirrel [I ASSUME YOU MEAN GEUD MAN OF BALLANGIGH]

The tune is the one used for Geud Man..., but there is an Early
American dance by that name. Can't remember it now; it's been too
long since I've danced it.

Andy

__________________________________________________
Do You Yahoo!?
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================================================================================
Archive-Date: Wed, 26 Jun 2002 18:47:26 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 18:47:17 -0700 (PDT)
From: Benjamin Stein <ecdscd-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627014717.47672.qmail-AT-
web20709.mail.yahoo.com>
MIME-Version: 1.0
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--- Andy Peterson <lyrlsbro-AT-
yahoo.com> wrote:
> --- Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com> wrote:
> > ...I have personal favorites
> > that you may wish to try.  For easy longways, I would
> particularly
> > recommend adding ...Hole in the Wall...
> 
> The only thing that makes Hole in the Wall difficult is
> that it is
> relatively slow and people find it hard to dance slowly.
> They can't
> slow themselves down to the tempo of the music and always
> get to the
> next part early. One solution is for the band to _not_
> play the music
> as a funeral dirge. If they put some life into the music,
> it's easier
> to dance.
> 
> My timing is usually very precise and if I'm off balance
> trying to
> dance as slowly as the music, the band is playing it too
> slow. That
> goes for waltzes and other things, as well as Hole in the
> Wall. Too
> fast is also not good.
> 
> Andy
I like Hole in the Wall but find that it is difficult for
new dancers because it both finishes and starts with a
fiogure that starts with a cast and I find that this
confuses most new dancers to no end.

Ben stein
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! - Official partner of 2002 FIFA World Cup
> http://fifaworldcup.yahoo.com


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Archive-Date: Wed, 26 Jun 2002 19:40:59 PST
Sender: owner-ecd-AT-
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Return-Path: <srkennedy-AT-
msn.com>
Date: Wed, 26 Jun 2002 22:46:16 -0400
From: Ridge Kennedy <srkennedy-AT-
msn.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: RE: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <NDBBLDFCILFGBPBKIAPCCEFMCPAA.srkennedy-AT-
msn.com>
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Dear All,

First -- thank you all so much. I remain amazed at the positive energy that
emanates from this electronic community.

I've revised my list, which follows.

I added an "easy-to-intermediate" group.  I suspect several of the "basic
group" ought to be moved there.

There is another group of dances following the ones that seemed to be
consensus choices, that are looking for a "second" for inclusion.

In defining "basic" I'm also thinking of a "basic" caller's repertoire --
not only for new dancers.  With that in mind, I'd appreciate additional
nominations for the ECD "favorites" category -- the dances that your dancers
would come rushing from wherever to dance if they caught the strains of the
tune in the air. (I added Levi Jackson Rag, for example).


Easy or Fairly Easy
Duple Longways

Alcurch
Apley House
Angels Unawares
Chestnut, The
Childgrove
Corelli's Maggot
Dover Pier
Drapers Gardens
Dressed Ship, The
Early One Morning (S. Higgs)
Fair Quaker of Deal
First of April, The
Geude Man of Ballangigh, The
	(same as Hunt The Squirrel)
Halfe Hannikan
Haste to the Wedding
Holborn March
Hole in the Wall (tempo sensitive -- not too slow)
Indian Queen, The
Jack’s Health
Jamaica
Juice of Barley
Knives and Forks
Knole Park
Lilli Burlero
Nottingham Swing
Mulberry Garden
Queen's Jig, The
Rakes of Rochester
Ragg, The (Simple Pleasures)
Scotch Cap
Take a Dance / Ore Boggy
Trip to Paris
Zephyrs and Flora


Other Formations

Cumberland Eight
Heidenrosline
Helena (after rt. & l.) 4 cpl longways
La Russe
Fine Companion
Heart's-ease (2 cpl)
Rufty Tufty (2 cpl)

Triplet
Black Nag, The (mixer)
Chelmsford Assembly
Margate Hoy, The
Physical Snob, The
Sellinger’s Round
Shrewsbury Lasses
Upon a Summer's Day

Triplet, Circle
Bare Necessities
Jenny Plucked Pears

Circle
Gathering Peascods
Sellinger’s Round


Easy-to-intermediate
Longways, Duple

Female Saylor, The (Sayler?)
Jack’s Maggot
Young Widow, The (triple minor)

Triplet
Come Lets Be Merry
Dr. Vincent’s Delight
Prince William
St. Margaret’s Hill

Other
Hunsdon House (quadrille)

Nominees for basic newcomer repertoire.  any "seconds" for them?

Accomplished Maid, The
Ashford Anniversary (3 cpl lngwy mixer)
Auretti's Dutch Skipper
Bonnie Cuckoo, The
Christchurch Bells
Comical Fellow
Cumberland Reel (whole set)
Duke of Kent's Waltz
Duke of Kent's Waltz
Heartsease
In the Fields of Frost and Snow
Kill Him With Kindness,
Mary & Dorothy
Midnight Ramble
Money in Both Pockets
My Lord Byron's Maggot
Queen's Birthday
Virginia Reel, The (whole set)
Waters of Holland, The
Willow Tree, The
Winter Solstice
Yellow Stockings

ECD Favorites
Longways

Barbarini’s Tambourine
Dublin Bay
Easter Thursday
Hambledon’s Round O
Mad Robin
Mr. Isaac’s Maggot
Orleans Baffled
Round About Our Coal Fire
Up with Ailey
Well Hall

Other formations
Levi Jackson Rag
Nonesuch (4 cpl sets)
Wood Duck (circle)
---
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================================================================================
Archive-Date: Wed, 26 Jun 2002 21:37:31 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 23:55:19 -0400
From: franch-AT-
juno.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <20020627.003108.-118681.5.franch-AT-
juno.com>
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Ridge,

Does this mean you'll be a Buffalo Gap in a couple of weeks?  If so,
Eileen and I look forward to seeing you there.  (We'll both be at Dance
Week.  I applied for the Bruce Hamilton Workshop, but didn't get in--gues
I don't do enough calling.)

Mike

On Tue, 25 Jun 2002 20:36:51 -0400 Ridge Kennedy <srkennedy-AT-
msn.com>
writes:
I'm attending a dance week program for English dance  leadership, 
================================================================================
Archive-Date: Wed, 26 Jun 2002 21:52:25 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 00:45:57 -0400
From: franch-AT-
juno.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Apologies
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <20020627.004915.-465969.0.franch-AT-
juno.com>
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Apologies to the list.  I was trying to be careful and respond only to
Ridge Kennedy, and I carelessly sent my response to everybody.

The question now, I suppose, since this comes up with some frequency, is
it better to clog up the list again by apologizing, or to let the
original clog up stand alone and unapologized for.

The question, I think, is for Alan.  Prithee, friends, let's not start a
new discussion on apologies.

Mike Franch
Baltimore, Md.
================================================================================
Archive-Date: Wed, 26 Jun 2002 21:56:51 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 27 Jun 2002 05:56:38 +0100
From: Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Never had _that_ happen before
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <000e01c21d97$06909100$1d2a86d9-AT-
default>
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I think it is Cyril Jones (85 years and going strong!) who says- 
"A dance is only as difficult as the caller makes it!"
Alan Corkett.
-----Original Message-----
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Date: 27 June 2002 01:40
Subject: Re: Never had _that_ happen before


--- Alan Winston wrote:
> (After that dance I got a show of hands on experience levels and
> was able to calibrate the rest of the evening much better; the
> college gang seemed to dig it, got visibly better through the
> evening, stayed to the end, and made a point of thanking me
> afterward. 

Some time ago I observed that beginners can be more up to a challenge
than we sometimes give them credit for. Laura Me Smith called a
Contra here one time and I remember her beginner's workshop being
especially good. (Never have quite figured out what she did right
that others seem to miss.) Most of the beginner's, who often leave
during the break, stayed for the entire evening and when she did
challenging dances, they met the challenge. Maybe this group of yours
was challenged early, got through it, and then, when you adjusted the
program, things seemed easier as the evening progressed so they
stayed; the real test will be if they come back.

I think deciding what is "easy" or "hard" is very subjective. I've
done dances that I found very easy to learn and others just couldn't
get them. I've also been on the other end of that, finding myself
totally baffled by something that others were finding easy. Sometimes
it can be one move that just doesn't flow and it completely throws me
as I'm continually out of place.

Andy

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com


================================================================================
Archive-Date: Wed, 26 Jun 2002 22:04:09 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 27 Jun 2002 06:03:58 +0100
From: Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <001901c21d98$0c1c2200$1d2a86d9-AT-
default>
MIME-Version: 1.0
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If Virginia Reel is easy because it was learnt at school, then that's where
to teach Nonesuch!
Alan Corkett
-----Original Message-----
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
Date: 27 June 2002 02:17
Subject: Re: Basic ECD Repertoire


--- Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk> wrote:
> "The Willow Tree" and "The Virginia Reel" are both dances beginners
> like.

Anything similar to Virginia Reel is easy because many people learned
it in elementary school.

Andy

__________________________________________________
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================================================================================
Archive-Date: Wed, 26 Jun 2002 23:13:39 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 06:12:31 +0000 (GMT)
From: dcculb-AT-
juno.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re:RE: Basic ECD Repertoire List
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: 
Message-ID: <20020626.231329.23711.404147-AT-
webmail3.wlv.untd.com>
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Just for the record, Scotch Cap is a 3-couple dance, not duple minor. And, as far as I know, Black Nag is not a mixer--at least, I've never seen it done that way.

Dawn Culbertson




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Archive-Date: Wed, 26 Jun 2002 23:24:12 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 01:24:01 -0500
From: Paul Stamler <pstamler-AT-
pobox.com>
Subject: Re: Re:RE: Basic ECD Repertoire List
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
Message-ID: <001a01c21da3$3b31f640$714f4b0c-AT-
paulstam>
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webmail3.wlv.untd.com>

----- Original Message -----
From: <dcculb-AT-
juno.com>

<<Just for the record, Scotch Cap is a 3-couple dance, not duple minor. And,
as far as I know, Black Nag is not a mixer--at least, I've never seen it
done that way.>>

It's pretty scary to contemplate as a mixer: "Take 1 jigger of bourbon; add
one horse; shake."

Peace,
Paul

================================================================================
Archive-Date: Thu, 27 Jun 2002 05:14:01 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 05:13:54 -0700 (PDT)
From: Benjamin Stein <ecdscd-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627121354.24377.qmail-AT-
web20702.mail.yahoo.com>
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--- Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk> wrote:
> 
> If Virginia Reel is easy because it was learnt at school,
> then that's where
> to teach Nonesuch!
> Alan Corkett
> -----Original Message-----
> From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
> To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
> <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
> Date: 27 June 2002 02:17
> Subject: Re: Basic ECD Repertoire
> 
> 
> --- Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk> wrote:
> > "The Willow Tree" and "The Virginia Reel" are both
> dances beginners
> > like.
> 
> Anything similar to Virginia Reel is easy because many
> people learned
> it in elementary school.
> 
> Andy

And that may very well be why many people never do any form
of "folk dancing" again. Because they were turned off by a
physical education teacher who didn't give a damn about
music or dance. I have met all too many americans who will
not think of square dancing as adults because the school
experience spoiled dancing for them "forever" and just as
many scots who won't do scottish country dancing as adults,
for the same reason. Rather give me a leader who cares-not
one who does it ony because it is a required part of the
curiculum.
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! - Official partner of 2002 FIFA World Cup
> http://fifaworldcup.yahoo.com
> 
> 


__________________________________________________
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Yahoo! - Official partner of 2002 FIFA World Cup
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================================================================================
Archive-Date: Thu, 27 Jun 2002 05:55:18 PST
Sender: owner-ecd-AT-
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Date: Wed, 26 Jun 2002 20:59:17 -0400
From: Allison M Thompson <allisonthompson-AT-
juno.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Easy" dances
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
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I echo Alan's comments, below, and add that for very inexperienced
dancers I often substitute figures:  for example, rights and lefts are
usually a nightmare for a large crowd of total beginners and can be
(sometimes, depending on the dance) better dealt with by a poussette all
'round. Or star R and L back again.

And never have more than one "challenge" dance per evening.  And,
unfortunately, your "medium" dance may be other people's challenge dance.
KISS.

Also, for rank beginners, it's good to have dances that end with a figure
like "turn partner" that involve the minimum of external
orientation--these give people a chance to pull themselves together
before moving on.

And, daggone it, if people are really obtuse or drunk, whole set figures
for 3 or 4 couples, like the already discussed Margate Hoy or others of
that ilk, are fail safe, compared those that require a duple minor
progression. 

Allison




On Wed, 26 Jun 2002 13:18:08 -0700 (PDT) Alan Winston - SSRL Central
Computing <winston-AT-
SLAC.Stanford.EDU> writes:
> ECDers --
> 
> This isn't a direct response to any post in the current discussion 
> on basic
> ECD repertoire, but that discussion has brought up a few thoughts 
> for me.
> 
> "Easy" dances.
> --------------
> 
> Easy for whom? (And, conversely, hard for whom?) If your intended 
> audience is
> Scottish dancers, they're not likely to have a big problem with 
> circular heys
> or heys for three.  If they're drunken behavioral ecologists, 
> they're likely to
> have a problem with duple minor progression (not to mention 
> remaining
> vertical.)  If they're contra dancers, they'll be on top of duple 
> minor
> progression (but may need to be reminded not to cross over at the 
> ends of the
> sets). 
> 
> I genuinely don't think that the presence or absence of a particular 
> figure
> necessarily makes a dance hard or easy.  (With moderate exceptions: 
> the True
> Lover's Knot from Wilson isn't an easy figure.)  It's the context of 
> the figure
> within the dance and the dance within the evening that makes it hard 
> or easy.
> 
> Greenwich Park (longways duple, 1s lead up eight steps, come back, 
> split around
> 2s (who move up) to 2nd place; 2s the same, 1s cross and go below 
> 2s, swing  up
> the middle to place, all back to back, patty-cake, 1s cast and 2s 
> lead up) is
> a quick teach and an easy dance for experienced dancers, and tends 
> to fall
> apart for new or infrequent dancers, because on the second and 
> subsequent
> rounds they don't automatically note who their other couples are 
> before leaving
> them, and then they don't know where to go back to.  Dances where 
> you interact
> with the other couple before leaving them (Northdown Waltz, Bonnets 
> So Blue,
> Rakes of Rochester) don't fall apart as easily.
> 
> The Pilgrim (longways duple: first corners turn right hand 1x; all 
> four circle
> half, second corners the same; all four circle half, etc) is almost 
> a
> no-walk-through dance for even moderately-experienced dancers; it's 
> prone to
> fall apart with new people because they get confused between turning 
> corner all
> the way around and turning the circle all the way around, and once 
> you've
> turned your corner half way it's hard to repair because the set is 
> upside down.
> 
> Those are examples of dances with simple figures that are hard for 
> people who
> haven't learned how to deal with them.
> 
> You can introduce figures in dances and use them again later, making 
> the
> perceived difficulty of the later dance considerably less.
> 
> If you do Black Nag early, you've then got the USA figures and the 
> hey for
> three; you can do Ashford Anniversary and only have to teach the 
> chorus, and
> the hey in Jack's Maggot keeps anybody's head from exploding.  
> (You're not
> gambling too much on the hey in Black Nag because if it falls apart, 
> people
> just have to get back home and the dance is over - they don't have 
> to be n a
> particular position doing another thing shortly.)  Black Nag is 
> easy/bouncy
> enough for ceilidh dancers (who scoff at complexity).
> 
> You might need to spend as much as a couple of minutes on walking
> through rights and lefts in some dance early in the evening 
> ("Midnight Ramble",
> say, or "Rakes of Rochester") and then you can build on that for 
> Drapers
> Gardens (two changes) and Mister Isaacs' Maggot (two and a bit for 
> the ones,
> three and a bit for the twos).
> 
> So Jack's Maggot is an easy dance, suitable for beginners, if you've 
> already
> introduced the hey and duple minor progression, and otherwise it's a 
> hard
> dance.
> 
> Brand new people may find it easier to deal with dances that are 
> very
> symmetrical - eg, the 2s and 1s do the same things - so that there's 
> less
> memory trauma in switching from 2 to 1.  Watch out for MEANWHILE 
> figures; 
> they're likely to make it harder to switch.
> 
> (Incidentally, I think the reason people say "Nonesuch" is hard 
> because it has
> a high piece count and there are no glossary figures in it.  Even 
> the USA parts
> are non-standard.  This actually makes it stand out more in 
> difficulty to 
> broadly-experienced ECDers than it does to, say, those RenFaire 
> dancers - not
> all of them - who are accustomed to memorizing entire Playford 
> dances for
> performance and don't break them down into figure-sized chunks.)
> 
> 
> 
> Suggested dances for early in the evening with a lot of newcomers
> ------------------------------------------------------------------
> (longways duple minor for as many as will unles otherwise noted)
> 
> 
> Midnight Ramble
> My Lord Byron's Maggot 
> Dressed Ship
> Rakes of Rochester 
> In the Fields of Frost and Snow
> Dover Pier
> Black Nag (not as the first dance, but early on)  3 cpl longways 
> mixer
> Drapers Gardens
> Ashford Anniversary     3 cpl longways mixer
> Duke of Kent's Waltz
> Indian Queen (after rights and lefts have been introduced)
> Helena (after rights and lefts have been introduced)  4 cpl longways
> Gathering Peascods - circle for as many as will
> Auretti's Dutch Skipper
> The Accomplished Maid 
> 
> -- Alan
> 
>
=========================================================================
======
>  Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
>  Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  
> 650/926-3056
>  Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park 
> CA   94025
>
=========================================================================
======
> 

================================================================================
Archive-Date: Thu, 27 Jun 2002 05:55:21 PST
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Date: Wed, 26 Jun 2002 20:59:17 -0400
From: Allison M Thompson <allisonthompson-AT-
juno.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Easy" dances
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: ecd-AT-
SSRL04.SLAC.STANFORD.EDU
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I echo Alan's comments, below, and add that for very inexperienced
dancers I often substitute figures:  for example, rights and lefts are
usually a nightmare for a large crowd of total beginners and can be
(sometimes, depending on the dance) better dealt with by a poussette all
'round. Or star R and L back again.

And never have more than one "challenge" dance per evening.  And,
unfortunately, your "medium" dance may be other people's challenge dance.
KISS.

Also, for rank beginners, it's good to have dances that end with a figure
like "turn partner" that involve the minimum of external
orientation--these give people a chance to pull themselves together
before moving on.

And, daggone it, if people are really obtuse or drunk, whole set figures
for 3 or 4 couples, like the already discussed Margate Hoy or others of
that ilk, are fail safe, compared those that require a duple minor
progression. 

Allison




On Wed, 26 Jun 2002 13:18:08 -0700 (PDT) Alan Winston - SSRL Central
Computing <winston-AT-
SLAC.Stanford.EDU> writes:
> ECDers --
> 
> This isn't a direct response to any post in the current discussion 
> on basic
> ECD repertoire, but that discussion has brought up a few thoughts 
> for me.
> 
> "Easy" dances.
> --------------
> 
> Easy for whom? (And, conversely, hard for whom?) If your intended 
> audience is
> Scottish dancers, they're not likely to have a big problem with 
> circular heys
> or heys for three.  If they're drunken behavioral ecologists, 
> they're likely to
> have a problem with duple minor progression (not to mention 
> remaining
> vertical.)  If they're contra dancers, they'll be on top of duple 
> minor
> progression (but may need to be reminded not to cross over at the 
> ends of the
> sets). 
> 
> I genuinely don't think that the presence or absence of a particular 
> figure
> necessarily makes a dance hard or easy.  (With moderate exceptions: 
> the True
> Lover's Knot from Wilson isn't an easy figure.)  It's the context of 
> the figure
> within the dance and the dance within the evening that makes it hard 
> or easy.
> 
> Greenwich Park (longways duple, 1s lead up eight steps, come back, 
> split around
> 2s (who move up) to 2nd place; 2s the same, 1s cross and go below 
> 2s, swing  up
> the middle to place, all back to back, patty-cake, 1s cast and 2s 
> lead up) is
> a quick teach and an easy dance for experienced dancers, and tends 
> to fall
> apart for new or infrequent dancers, because on the second and 
> subsequent
> rounds they don't automatically note who their other couples are 
> before leaving
> them, and then they don't know where to go back to.  Dances where 
> you interact
> with the other couple before leaving them (Northdown Waltz, Bonnets 
> So Blue,
> Rakes of Rochester) don't fall apart as easily.
> 
> The Pilgrim (longways duple: first corners turn right hand 1x; all 
> four circle
> half, second corners the same; all four circle half, etc) is almost 
> a
> no-walk-through dance for even moderately-experienced dancers; it's 
> prone to
> fall apart with new people because they get confused between turning 
> corner all
> the way around and turning the circle all the way around, and once 
> you've
> turned your corner half way it's hard to repair because the set is 
> upside down.
> 
> Those are examples of dances with simple figures that are hard for 
> people who
> haven't learned how to deal with them.
> 
> You can introduce figures in dances and use them again later, making 
> the
> perceived difficulty of the later dance considerably less.
> 
> If you do Black Nag early, you've then got the USA figures and the 
> hey for
> three; you can do Ashford Anniversary and only have to teach the 
> chorus, and
> the hey in Jack's Maggot keeps anybody's head from exploding.  
> (You're not
> gambling too much on the hey in Black Nag because if it falls apart, 
> people
> just have to get back home and the dance is over - they don't have 
> to be n a
> particular position doing another thing shortly.)  Black Nag is 
> easy/bouncy
> enough for ceilidh dancers (who scoff at complexity).
> 
> You might need to spend as much as a couple of minutes on walking
> through rights and lefts in some dance early in the evening 
> ("Midnight Ramble",
> say, or "Rakes of Rochester") and then you can build on that for 
> Drapers
> Gardens (two changes) and Mister Isaacs' Maggot (two and a bit for 
> the ones,
> three and a bit for the twos).
> 
> So Jack's Maggot is an easy dance, suitable for beginners, if you've 
> already
> introduced the hey and duple minor progression, and otherwise it's a 
> hard
> dance.
> 
> Brand new people may find it easier to deal with dances that are 
> very
> symmetrical - eg, the 2s and 1s do the same things - so that there's 
> less
> memory trauma in switching from 2 to 1.  Watch out for MEANWHILE 
> figures; 
> they're likely to make it harder to switch.
> 
> (Incidentally, I think the reason people say "Nonesuch" is hard 
> because it has
> a high piece count and there are no glossary figures in it.  Even 
> the USA parts
> are non-standard.  This actually makes it stand out more in 
> difficulty to 
> broadly-experienced ECDers than it does to, say, those RenFaire 
> dancers - not
> all of them - who are accustomed to memorizing entire Playford 
> dances for
> performance and don't break them down into figure-sized chunks.)
> 
> 
> 
> Suggested dances for early in the evening with a lot of newcomers
> ------------------------------------------------------------------
> (longways duple minor for as many as will unles otherwise noted)
> 
> 
> Midnight Ramble
> My Lord Byron's Maggot 
> Dressed Ship
> Rakes of Rochester 
> In the Fields of Frost and Snow
> Dover Pier
> Black Nag (not as the first dance, but early on)  3 cpl longways 
> mixer
> Drapers Gardens
> Ashford Anniversary     3 cpl longways mixer
> Duke of Kent's Waltz
> Indian Queen (after rights and lefts have been introduced)
> Helena (after rights and lefts have been introduced)  4 cpl longways
> Gathering Peascods - circle for as many as will
> Auretti's Dutch Skipper
> The Accomplished Maid 
> 
> -- Alan
> 
>
=========================================================================
======
>  Alan Winston --- WINSTON-AT-
SSRL.SLAC.STANFORD.EDU
>  Disclaimer: I speak only for myself, not SLAC or SSRL   Phone:  
> 650/926-3056
>  Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park 
> CA   94025
>
=========================================================================
======
> 

================================================================================
Archive-Date: Thu, 27 Jun 2002 06:31:09 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 09:30:39 -0400 (EDT)
From: TOMAAA-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _that_ happen before
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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What if the left hand corner turn were taught as once around rather than 1 
1/4?  The woman would then remain in her place instead of having to adjust.  
The men would, after leaving their corner, form the right hands across.  I've 
heard this taught as "not hanging on until the bitter end" (not specifically 
in "Heidenroslein" but in other dances where a hand turn segues into another 
hand turn).  
================================================================================
Archive-Date: Thu, 27 Jun 2002 06:34:15 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 09:50:31 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: ...forwarded from Simone: plus a note from me.
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OFD01B3D7A.888ABDED-ON85256BE5.004BC89B-AT-
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You should be aware that the tune for "Hole in the Wall" is in fact
designated a *hornpipe*--not remotely dirgelike, or even adagio.
This note is from Simone Verheyen, who's having a little trouble getting
through to the list:

'Sorry, Nicolas, now you make a mistake !
"Early One Morning", with 2 A's and 2 B's, is a dance by the Dutchman Ernst
van Brakel !
Cor Hogendijk wrote lots of dances, but not this one.
And the dance is very popular in the Netherlands and in Belgium, indeed.
You can find it in the booklet "Dutch Crossing" (and on the CD of the same
name), and in the booklet "Triple Dutch", all produced by the NVS in
Holland.


Regards,

Simone'
Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




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Archive-Date: Thu, 27 Jun 2002 06:46:32 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 09:46:17 -0400 (EDT)
From: JBGrun-AT-
aol.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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In a message dated 6/26/02 9:14:35 PM, lyrlsbro-AT-
yahoo.com writes:

<< The only thing that makes Hole in the Wall difficult is that it is
relatively slow and people find it hard to dance slowly. They can't
slow themselves down to the tempo of the music and always get to the
next part early. One solution is for the band to _not_ play the music
as a funeral dirge. If they put some life into the music, it's easier
to dance. >>

I've never understood WHY the tune is taken at such a protracted pace when 
the original Purcell tune (I can't at the moment remember from which theater 
piece) is performed at a much livelier tempo.

Judy Grunberg, who agrees that dancing slowly is a real challenge but when 
you & your partner are in sync it is truly satisfying....
================================================================================
Archive-Date: Thu, 27 Jun 2002 06:56:26 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 09:56:18 -0400 (EDT)
From: Eric Arnold <eba-AT-
umich.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Re:RE: Basic ECD Repertoire List
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
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On Thu, 27 Jun 2002, Paul Stamler wrote:

[snip]

> It's pretty scary to contemplate as a mixer: "Take 1 jigger of bourbon; add
> one horse; shake."

Is that "Scotch Nag" or "Black Cap"?  (;-)

(you might want to change your whiskey to whisky for the first one)

Eric

================================================================================
Archive-Date: Thu, 27 Jun 2002 08:23:58 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 08:26:44 -0700
From: Mary Luckhardt <mary-AT-
luckhardt.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Hole in the wall
To: ECD List <ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU>
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Interesting... we did Hole in the Wall last night (relatively fast 
tempo), and I was dancing with a new dancer who must have heard that 
"nautical" quality.  To fit the music she had naturally adopted a rolling 
saunter.  I have used the same walk when doing Portsmouth, especially 
when played very slowly, because the name suggests the sea to me, and one 
must do _something_ to take up the time between steps.  I wouldn't think 
of it for Hole in the Wall, maybe because I associate the tune with high 
romance now.

Mary Luckhardt

On 6/27/02 6:50 AM Graham.Christian-AT-
risk.sungard.com said:

>You should be aware that the tune for "Hole in the Wall" is in fact
>designated a *hornpipe*--not remotely dirgelike, or even adagio.
================================================================================
Archive-Date: Thu, 27 Jun 2002 08:46:23 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 11:44:04 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _tha
To: Blind.Copy.Receiver-AT-
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Heidenroeslein revisited:
let me remind you that the whole thing is a GERMAN folk song (albeit
romantic) about implied rape, choreographed - as it happens - by an
Englishman. In my opinion, that does NOT make it an English dance. There
are better squares or 'rounds for eight' than that one.

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
Archive-Date: Thu, 27 Jun 2002 09:25:21 PST
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Date: Thu, 27 Jun 2002 11:25:09 -0500
From: Paul Stamler <pstamler-AT-
pobox.com>
Subject: Re: "Heidenroslein," Was: Never had _tha
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
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----- Original Message -----
From: Hanny D. Budnick <74031.77-AT-
compuserve.com>

<<Heidenroeslein revisited:
let me remind you that the whole thing is a GERMAN folk song (albeit
romantic) about implied rape, choreographed - as it happens - by an
Englishman. In my opinion, that does NOT make it an English dance. There
are better squares or 'rounds for eight' than that one.>>

Let's be more specific, the *dance* Heidenroeslein is done to a *tune* which
was *originally* used as a setting for a poem that some have interpreted as
referring to implied rape, while others have interpreted it otherwise. I
don't think tunes retain the meaning of former words, but others may differ
in opinion.

If you want implied rape, or at least date-rape, go read the words to "I
Care Not For These Ladies". But we still do that one.

Peace,
Paul


================================================================================
Archive-Date: Thu, 27 Jun 2002 09:43:23 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 12:41:31 -0400 (EDT)
From: "Susan R. Lorand" <srl-AT-
phoenix.Princeton.EDU>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _tha
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <Pine.GSO.4.44.0206271211170.14596-100000-AT-
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On Thu, 27 Jun 2002, Hanny D. Budnick wrote:

> Heidenroeslein revisited:
> let me remind you that the whole thing is a GERMAN folk song (albeit
> romantic) about implied rape, choreographed - as it happens - by an
> Englishman. In my opinion, that does NOT make it an English dance.

by that logic, a great many of the dances discussed on this list (e.g.
gary roodman's dances to tunes by bach, mozart, vivaldi, handel... or
fried herman's dances to dutch and irish tunes) could not be called
"english dances" either.  and how about pat shaw's dances (K&E, levi
jackson rag, etc.) that use "american" figures?

(not to mention the english morris dances done to tunes that crossed the
atlantic eastward in the 19th century.  but that's a topic for another
list...)

i find "english country dance" a convenient general term that can embrace
a multitude of international influences. i'm interested in the origins of
the tunes and dances, but i don't feel any need to classify them all by
pedigree or exclude any from our discussion on the basis of their origin.

susie lorand
princeton, nj, usa
(an american "english" dancer of hungarian, czech, austrian, scottish,
english, and dutch or northern german ancestry)

================================================================================
Archive-Date: Thu, 27 Jun 2002 09:47:15 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 10:47:06 -0600
From: Emma Rushton <rushton-AT-
biology.utah.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _tha
To: ECD-AT-
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paulstam>

The ballad "Broom the Bonny Bonny Broom" also has a somewhat 
ambiguous, possible rape in it.  Somebody on this list once sent me 
the whole text, which was very interesting. He comes back when she's 
pregnant, and marries her - apparently with her joyful consent (if I 
remember rightly).  I don't know the words to Heidenroslein, so can't 
be put off the tune, and might not be put off by it even if I did 
know the words.  Don't forget that some tunes have more than one set 
of words - "the animals went in two by two, hurrah" and "Johnny I 
hardly knew you" comes to mind.  You can't blame the tune for the 
words.  Or the dance for that matter.

Emma
-- 
-
Emma Rushton,
Department of Biology,
University of Utah,
257 South, 1400 East
Salt Lake City, UT 84112-0840

(801) 585-1926 (office)
(801) 585-9425 (lab)
(801) 581-4668 (fax)

rushton-AT-
biology.utah.edu
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Date: Thu, 27 Jun 2002 13:30:54 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _that_ happen before
To: ECD-AT-
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Dancers often have a hard time with fractions (not to mention whole
numbers). Although 1 and 1/4 might be technically accurate, I have always
found that the majority of dancers will catch on quicker if I emphasize
something else for them to recognize - the place they want to end in, the
change in the tune where they are supposed to stop moving, etc... If you
have to say something about it, in my experience most dancers are faster at
picking up "once round and a little more" than "once and a quarter."
Cammy


                                                                                                                                   
                      TOMAAA-AT-
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                      TANFORD.EDU                      Subject:  Re: "Heidenroslein," Was: Never had _that_ happen before          
                                                                                                                                   
                                                                                                                                   
                      27-Jun-2002 09:30 AM                                                                                         
                      Please respond to ECD                                                                                        
                                                                                                                                   
                                                                                                                                   




What if the left hand corner turn were taught as once around rather than 1
1/4?  The woman would then remain in her place instead of having to adjust.

The men would, after leaving their corner, form the right hands across.
I've
heard this taught as "not hanging on until the bitter end" (not
specifically
in "Heidenroslein" but in other dances where a hand turn segues into
another
hand turn).




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Date: Thu, 27 Jun 2002 13:43:15 -0400
From: Martha C Davey <marthacd-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: impressive discussions but...
To: ECD-AT-
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Folks on the list:
        I am delighted to see some wonderfully interesting and thoughtful
discussions on programs for newer dancers and I am following it with rapt
attention.  I have one simple request-
        Pleeeeeeeeeease!  Don't leave in the ENTIRE text of everything
previously discussed when answering, just enough of a snip to remind us
WHAT you are answering so that your answer is in context. As I scroll
through a long series of previously read stuff in digest form I get
glassy eyed and often miss the reply itself or even up to three more
responses down the line.  I'm sure others have the same problem.
Thanks for your consideration.

Alan- Here's a problem for YOU- Is there any way the digest can date all
of the incoming mail with GMT so that it can stay in sequence?

M
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Subject: ...? [Skip, if Lit. Crit. makes your eyes glaze over]
To: ECD-AT-
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As a sometime scholar of poetry--Campion's period in particular--I must at
least question, if not challenge, the meanings imparted to his text and to
Heidenroslein--I am guessing here that we mean the text by (or fluffed up
by, in the Burns manner) Goethe, set by Brahms, Schubert, and many another.
Here is Campion:

"I care not for these ladies
That must be woo'd and pray'd
Give me sweet Amaryllis
The wanton country maid,
Nature Art disdaineth,
Her beauty is her own:



      Chorus:
      And when we court and kiss
      She cries 'Forsooth, let go!'
      But when we come where comfort is
      She never will say no.


      If I love Amaryllis
      She brings me fruit and flowers
      But if we love these ladies
      We must bring golden showers
      Give them gold that sell love
      Give me the nut-brown lass


      Chorus


      These ladies must have pillows
      And beds by strangers wrought
      Give me a bow'r of willows
      Of moss and leaves unbought,
      And fresh Amaryllis
      On milk and honey fed,


      Chorus"
I do not read date rape in this. The speaker guesses--perhaps on the basis
of experience, perhaps in hope--that his "Amaryllis," while rejecting his
advances at first, will accept them "when we come where comfort is."
Meaning either that she prefers private play to more public "courting"; or
when the lovers play as she likes to play (her "comfort zone," as it were).
The former is strongly suggested by the last stanza, where we move toward a
physical "bower." Then too, there is a kind of tradition in the poetry of
the period of the lover who objects to wooing, apparently out of virtue,
but in reality out of *discretion* ("No, no!...not where everyone can
hear/see us!") but is happy to beck and coo in private.

Male wish-fulfillment? Perhaps--but perhaps only in part. True to human
nature? That too--I've known some very like this Amaryllis.

Moreover, the *topos* of the poem is not seduction or whether women will
respond to wooing or not--in *this* poem, both types of woman do. The topos
is simplicity rather than sophistication. In Campion's time, this was
already a cliche, and a little self-deluding--just as it is now. We profess
to admire the deep simplicity of the Shakers or Buddhist nuns--but couldn't
*really* imagine giving up our strawberry guava shampoo.

Campion was a fine and thoughtful poet--an early innovator in metrical
(rather than rhythmical) verse; author of some very sensitive and some very
entertaining poems *written from a woman's point of view*; author of a
sweet poem in which the speaker dares not even *wake* his sleeping lover
for fear of her anger. Not a famous jerk. Ben Jonson: quite possibly a jerk
(he did strike a man dead once), in life if not in his verses. Suckling:
certainly a jerk, in life and letters. Not, I think, Campion.

Heidenroslein is a harder case--if I indeed have the correct text. It is
true that plucking a flower is a common image for taking a girl's virginity
(hence "deflower"). But this poem is not very specific. It does not depict
a man and a woman, and then use this image; it depicts, strictly speaking,
a man and verdure. Does it speak symbolically? of course. But it could also
depict a fumbled pass: a stolen kiss that results in a sharp slap or a
well-placed kick.

Here is Heidenroslein:
                                                            
 Sah ein Knab' ein Röslein    Passing lad a rose blossom    
 stehn,                       spied,                        
                                                            
 Röslein auf der Heiden,      Blossom on the heath growing, 
                                                            
                                                            
 War so jung und morgenschön, 'Twas so fair and of youthful 
                              pride,                        
                                                            
 Lief er schnell, es nah zu   Raced he fast to be near its  
 sehn,                        side,                         
                                                            
 Sah's mit vielen Freuden.    Saw it with joy o'erflowing.  
                                                            
 Röslein, Röslein, Röslein    Blossom, blossom, blossom     
 rot,                         red,                          
                                                            
 Röslein auf der Heiden.      Blossom on the heath growing. 
                                                            
                                                            
                                                            
                                                            
 Knabe sprach: Ich breche     Said the lad: I shall pick    
 dich,                        thee,                         
                                                            
 Röslein auf der Heiden!      Blossom on the heath growing! 
                                                            
                                                            
 Röslein sprach: Ich steche   Blossom spoke: Then I'll      
 dich,                        prick thee,                   
                                                            
 Daß du ewig denkst an mich,  That thou shalt ever think of 
                              me,                           
                                                            
 Und ich will's nicht leiden. And I'll not be allowing.     
                                                            
                                                            
 Röslein, Röslein, Röslein    Blossom, blossom, blossom     
 rot,                         red,                          
                                                            
 Röslein auf der Heiden.      Blossom on the heath growing. 
                                                            
                                                            
                                                            
                                                            
 Und der wilde Knabe brach    And the lusty lad did pick    
                                                            
 's Röslein auf der Heiden;   The blossom on the heath      
                              growing;                      
                                                            
 Röslein wehrte sich und      Blossom, in defense, did      
 stach,                       prick,                        
                                                            
 Half ihm doch kein Weh und   'Twas, alas, but a harmless   
 Ach,                         nick,                         
                                                            
 Mußt es eben leiden.         Had to be allowing.           
                                                            
 Röslein, Röslein, Röslein    Blossom, blossom, blossom     
 rot,                         red,                          
                                                            
 Röslein auf der Heiden.      Blossom on the heath growing. 
                                                            
                                                            
                                                            
                                                            



Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




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Archive-Date: Thu, 27 Jun 2002 10:57:18 PST
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Date: Thu, 27 Jun 2002 13:57:17 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Hole Tempi
To: ECD-AT-
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There is lots of room for interpretation in the pace with which the Purcell
piece is performed. Even when the composers have been pretty explicit, the
performers are expected to use their own artistic sense which is what sets
their interpretation apart from all the other performances of the same
work. Not only that, the tune was borrowed (presumably because it the
choreographer liked it) for English Country dancing. I do not see why one
should have to play the country dance music at identical pace as the
original Purcell work. A similar analogy is my dance to the London Pride
tune - it is absolutely NOT meant to be played at Morris tempo, but at a
pace that is easy and flowing for ECD.  Similarly, I employ many
scandinavian walking tunes as marches for contra but the pace must be
picked up a little or they just don't work (as we have traditionally done
with all those hornpipes like Fishers, Lamplighters, etc...).

Although there are many admonishions not to play Hole in the Wall too
slowly, I would also caution against playing it too fast. Personally I like
to dance it in such a way that I feel years of minuet history flowing
through me blended with the even flow of the triple meter EC dances. I feel
that one of the radical things that set EC apart from the earlier forms was
the smoothing out of the triple meter dancing.

I'll have to sort out the actual metronome setting that I prefer, but by
virtual dancing it in my head here at work, Hole in the Wall takes 31
seconds for once through the tune while Mr. Isaac'a Maggot takes 32-33
seconds and has four more bars of music.

Note: Bear in mind that the difference of just one second in the length of
a tune makes a HUGE difference in how it feels to dance. I typically play
contra tunes at 32.5 seconds for once through. Anything greater than 33
seconds feels like the dancers are plodding through and if it is anything
less than 32 it feels like you're trotting through the dance.
CK




                                                                                                                                   
                      JBGrun-AT-
aol.com                                                                                               
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                      owner-ecd-AT-
PLAYFORD.SLAC.S        cc:                                                                         
                      TANFORD.EDU                      Subject:  Re: Basic ECD Repertoire                                          
                                                                                                                                   
                                                                                                                                   
                      27-Jun-2002 09:46 AM                                                                                         
                      Please respond to ECD                                                                                        
                                                                                                                                   
                                                                                                                                   





In a message dated 6/26/02 9:14:35 PM, lyrlsbro-AT-
yahoo.com writes:

<< The only thing that makes Hole in the Wall difficult is that it is
relatively slow and people find it hard to dance slowly. They can't
slow themselves down to the tempo of the music and always get to the
next part early. One solution is for the band to _not_ play the music
as a funeral dirge. If they put some life into the music, it's easier
to dance. >>

I've never understood WHY the tune is taken at such a protracted pace when
the original Purcell tune (I can't at the moment remember from which
theater
piece) is performed at a much livelier tempo.

Judy Grunberg, who agrees that dancing slowly is a real challenge but when
you & your partner are in sync it is truly satisfying....




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From: Campbell Kaynor <Campbell_Kaynor-AT-
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playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _tha
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I do consider Levi Jackson an American genre and teach it during the New
England Contradance portion of the evening. Although composed by an English
man, he did a marvelous job of capturing American style and energy in this
dance. Similarly I (an american) have written many dances in which I try to
capture the Playford style and do them in the ECD portion of the evening.



                                                                                                                                   
                      "Susan R. Lorand"                                                                                            
                      <srl-AT-
phoenix.Princeton.ED        To:       ECD-AT-
SSRL04.SLAC.STANFORD.EDU                                      
                      U>                               cc:                                                                         
                      Sent by:                         Subject:  Re: "Heidenroslein," Was: Never had _tha                          
                      owner-ecd-AT-
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                      TANFORD.EDU                                                                                                  
                                                                                                                                   
                                                                                                                                   
                      27-Jun-2002 12:41 PM                                                                                         
                      Please respond to ECD                                                                                        
                                                                                                                                   
                                                                                                                                   




On Thu, 27 Jun 2002, Hanny D. Budnick wrote:

> Heidenroeslein revisited:
> let me remind you that the whole thing is a GERMAN folk song (albeit
> romantic) about implied rape, choreographed - as it happens - by an
> Englishman. In my opinion, that does NOT make it an English dance.

by that logic, a great many of the dances discussed on this list (e.g.
gary roodman's dances to tunes by bach, mozart, vivaldi, handel... or
fried herman's dances to dutch and irish tunes) could not be called
"english dances" either.  and how about pat shaw's dances (K&E, levi
jackson rag, etc.) that use "american" figures?

(not to mention the english morris dances done to tunes that crossed the
atlantic eastward in the 19th century.  but that's a topic for another
list...)

i find "english country dance" a convenient general term that can embrace
a multitude of international influences. i'm interested in the origins of
the tunes and dances, but i don't feel any need to classify them all by
pedigree or exclude any from our discussion on the basis of their origin.

susie lorand
princeton, nj, usa
(an american "english" dancer of hungarian, czech, austrian, scottish,
english, and dutch or northern german ancestry)





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Subject: Re: Hole Tempi
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Yes, except that Hole in the Wall is not a minuet. The original tune is
marked Hornpipe. Even if you aver that the dance is only derived from the
Hornpipe and that one therefore need not be locked into a Hornpipe tempo,
it's not a minuet.
Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




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Date: Thu, 27 Jun 2002 11:11:03 -0700
From: Jon Berger <jberger-AT-
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Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
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JBGrun-AT-
aol.com wrote:

> I've never understood WHY the tune is taken at such a protracted pace when
> the original Purcell tune (I can't at the moment remember from which theater
> piece) is performed at a much livelier tempo.

Probably because it's a gorgeous tune and fiddle players tend to want to
schmalizify it.  I'm guilty of this myself (although I can't recall a
caller ever telling me to speed it up).  For what it's worth, Marshall
Barron's arrangement is marked as 84 to the half note, which is a fair bit
brisker than I usually hear it played.

-- 
Jon Berger
http://pages.sbcglobal.net/jberger
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Subject: Re: Hole Tempi
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I did not say it is a minuet. What I said is that I feel the history of
popular dances from the 50 years prior (when the minuet was very much in
fashion) as I dance this dance. I feel that it was danced by people who had
done the minuet.
Cammy

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Subject: Re: Basic ECD Repertoire
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I agree wholeheartedly with both sentiments:
1) Why not capture the fascination of newcomers and children with dances as
wonderful as Nonesuch? In order not to completely discourage people by
giving them too much, I often will have them do a part of the dance rather
than the whole thing. Indeed I believe the idea of doing Nonesuch for as
many as will came to me when I was teaching it in the corridor of some
elementary school. Inevitably when I do this, neighboring classrooms empty
out into the hall to see what is going on and they never wait to ask but
just start lining up and imitating the ones I started with. Before you know
it, the 4 couple set has extended to include 25 or thirty! I more often
teach dances like the Black Nag because the youngsters sure enjoy some
vigorous slipping (and it quickly assumes the alternate title of Galoping
Nag)!

2) I myself was a victim of being coerced to do a square dance with the
most kootie-infested (imagined of course) 4th grade girl during gym class,
taught by a phys ed teacher who hated it and only did it because it was
required curriculum. This experience was so traumatic that I refused to
attempt any kind of dance until late in my high school years and even then
my parents had to practically drag me to a contra.
In contrast, last week on Monday a 5th grade teacher asked me to play some
tunes for her students and of course when I mentioned that this was all
dance music they begged me to teach them one. Out in the hall we were soon
joined by another 5th grade and a 6th grade class and as word spread I was
engaged to play and teach dances every morning that week (grades K-6) in
every hall in the school.


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--Boundary_(ID_HLYJgHWqHra8+zCjwiDkKg)--
================================================================================
Archive-Date: Thu, 27 Jun 2002 11:33:13 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 13:33:01 -0500
From: Paul Stamler <pstamler-AT-
pobox.com>
Subject: Re: ...? [Skip, if Lit. Crit. makes your eyes glaze over]
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
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paulstam>
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References: <OFA8075A3C.A2F7FDA4-ON85256BE5.00603E8B-AT-
risk.sungard.com>

----- Original Message -----
From: <Graham.Christian-AT-
risk.sungard.com>

<<As a sometime scholar of poetry--Campion's period in particular--I must at
least question, if not challenge, the meanings imparted to his text and to
Heidenroslein--I am guessing here that we mean the text by (or fluffed up
by, in the Burns manner) Goethe, set by Brahms, Schubert, and many another.
Here is Campion:

[lyrics snipped]

<<I do not read date rape in this. The speaker guesses--perhaps on the basis
of experience, perhaps in hope--that his "Amaryllis," while rejecting his
advances at first, will accept them "when we come where comfort is."
Meaning either that she prefers private play to more public "courting"; or
when the lovers play as she likes to play (her "comfort zone," as it were).
The former is strongly suggested by the last stanza, where we move toward a
physical "bower." Then too, there is a kind of tradition in the poetry of
the period of the lover who objects to wooing, apparently out of virtue,
but in reality out of *discretion* ("No, no!...not where everyone can
hear/see us!") but is happy to beck and coo in private.

Male wish-fulfillment? Perhaps--but perhaps only in part. True to human
nature? That too--I've known some very like this Amaryllis.>>

So have I. But that's a different story.

<<Moreover, the *topos* of the poem is not seduction or whether women will
respond to wooing or not--in *this* poem, both types of woman do. The topos
is simplicity rather than sophistication. >>

Yes, but there's an underlying power relationship, understood by all who
sang the song in the time when it was composed, that can't be ignored. The
speaker (singer) is a gentleman; the woman is lower-class. She never will
say "No" because she *can't*; she dare not. In those circumstances, consent
is problematic.

<<Heidenroslein is a harder case--if I indeed have the correct text. It is
true that plucking a flower is a common image for taking a girl's virginity
(hence "deflower"). But this poem is not very specific. It does not depict
a man and a woman, and then use this image; it depicts, strictly speaking,
a man and verdure. Does it speak symbolically? of course. But it could also
depict a fumbled pass: a stolen kiss that results in a sharp slap or a
well-placed kick.>>

Or an encounter with a femme fatale [most of us have met a few of those,
too], or even, most prosaically, a social disease.

None of which is reason, in my book, to blacklist the tune.

Peace,
Paul


================================================================================
Archive-Date: Thu, 27 Jun 2002 11:34:32 PST
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Date: Thu, 27 Jun 2002 14:31:35 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: ...? [Skip, if Lit. Crit. makes your eye
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Good try, Graham - 
Roeslein actually  - little rose
***Half ihm doch kein Weh und Ach - neither [crying] woe nor [and then 
       another word for woe] MADE ANY DIFFERENCE
***musst es eben leiden - it had to SUFFER anyway
(quite a different meaning from your translation...)

Lyrics by Goethe. at least THREE different tunes, this particular one by F.
Werner

  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<

================================================================================
Archive-Date: Thu, 27 Jun 2002 11:37:57 PST
Sender: owner-ecd-AT-
playford.slac.stanford.edu
Date: Thu, 27 Jun 2002 13:37:46 -0500
From: Paul Stamler <pstamler-AT-
pobox.com>
Subject: Re: Hole Tempi
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Reply-To: ECD-AT-
playford.slac.stanford.edu
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paulstam>
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----- Original Message -----
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>

<<Note: Bear in mind that the difference of just one second in the length of
a tune makes a HUGE difference in how it feels to dance. I typically play
contra tunes at 32.5 seconds for once through. Anything greater than 33
seconds feels like the dancers are plodding through and if it is anything
less than 32 it feels like you're trotting through the dance.>>

In the area surrounding St. Louis contras typically time out at 30 sec. per
time, or 128 bpm, probably the fastest average contras in the USA. Yes,
we're definitely trotting. (Down around Ava, MO, they do squares at up to
140 bpm, and fairly fly.)

Regional differences still exist, despite the homogenization of a national
culture.

Peace,
Paul


================================================================================
Archive-Date: Thu, 27 Jun 2002 11:58:47 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 15:15:02 -0400
From: Graham.Christian-AT-
risk.sungard.com
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Goethe v. Campion
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <OF290440D8.71417D24-ON85256BE5.00692680-AT-
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Hanny has gently pointed out some fudging in the translation (not my own)
of Heidenroslein I quoted. She's right: it's implicitly pretty unpleasant.
But I'll stick by Campion--I don't see much danger in his lyric.
But in neither case would I give up the dance for the sake of the original
song's lyrics--in that case, I'd have to give up "Would You Have a Young
Virgin," "Lilliburlero," "Dublin Bay," and many another.
Graham Christian
Technical Writer, Product Management
Telephone number: (617)542-2800, extension 247
Email address:  graham.christian-AT-
risk.sungard.com
Group web address:  http://www.risk.sungard.com
SunGard Trading and Risk Systems, BancWare
3 Post Office Square
Boston, MA  02109

"Sphinx of black quartz, judge my vow."




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Archive-Date: Thu, 27 Jun 2002 12:12:05 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 15:12:09 -0400
From: Campbell Kaynor <Campbell_Kaynor-AT-
biogen.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Hole Tempi
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
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I have noticed as I travel the country how the pace quickens when you leave
New England. In some places this can be attributed to the use of Old Time
music for contras but now New England repertoire is making itself known in
nearly every location. Also, bands like Swallowtail and Wild Asparagus who
travel widely and rehearse without dancers have a faster pace. This may be
due to the preferences of the rest of the country, rehearsing without
dancers, or simply because they get really excited about the music and
often face each other rather than the dancers. I don't know - but they are
still good.

For me, the buzz step swing becomes laborious as the pace quickens, but in
many other regions (especially where the "running squares" were the
indigenous genre), the buzz step is not nearly so prevalent as it is in
Western Massachusetts and when I switch to what I call the "walk around
swing" the dances become much more enjoyable. However, the pace is by no
means dictated by the style of swinging because walk around swings were
very common in Southern NH (what I think of as the heartland of New England
Contra) when I first started contradancing and yet the pace was as slow as
anywhere.
I apologize for using seconds instead of bpm, but where ever I call and
play there is usually a clock with a second hand subtending the balcony and
nobody has a metronome so I use seconds to verify my pace when it doesn't
feel right.
Cammy



In the area surrounding St. Louis contras typically time out at 30 sec. per
time, or 128 bpm, probably the fastest average contras in the USA. Yes,
we're definitely trotting. (Down around Ava, MO, they do squares at up to
140 bpm, and fairly fly.)

Regional differences still exist, despite the homogenization of a national
culture.

Peace,
Paul






================================================================================
Archive-Date: Thu, 27 Jun 2002 14:20:08 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 14:19:59 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ...? [Skip, if Lit. Crit. makes your eyes glaze over]
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020627211959.46030.qmail-AT-
web20005.mail.yahoo.com>
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--- Paul Stamler <pstamler-AT-
pobox.com> wrote:
> None of which is reason, in my book, to blacklist the tune.

We just won't allow any singing while dancing.  ;-})

Andy

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Archive-Date: Thu, 27 Jun 2002 15:13:55 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 18:12:11 -0400
From: "Hanny D. Budnick" <74031.77-AT-
compuserve.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ...? [Skip, if Lit. Crit. makes your
To: Blind.Copy.Receiver-AT-
compuserve.com
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compuserve.com>
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Hey Andy,
what a funny thought! Actually, I heard a great version of Jamaica, sung by
a female, while I was in Germany. I'd love to find out more about that
recording!
  _-AT-
_      {)/'
 /\ /\_._,<_/
'  \      /_\
   />    /<  Hanny

================================================================================
Archive-Date: Thu, 27 Jun 2002 15:37:15 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 18:37:07 -0400 (EDT)
From: Will Linden <wlinden-AT-
panix.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: "Heidenroslein," Was: Never had _tha
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <Pine.NEB.4.44.0206271836290.287-100000-AT-
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On Thu, 27 Jun 2002, Emma Rushton wrote:

> The ballad "Broom the Bonny Bonny Broom" also has a somewhat
> ambiguous, possible rape in it.  Somebody on this list once sent me
> the whole text, which was very interesting. He comes back when she's
> pregnant, and marries her - apparently with her joyful consent (if I
> remember rightly).

 Ditto in "Jamaica" (as cited in THE PLAYFORD BALL).

Will Linden  wlinden-AT-
panix.com
http://www.ecben.net/
Magic Code: MAS/GD S++ W++ N+ PWM++ Ds/r+ A-> a++ C+ G- QO++ 666 Y

================================================================================
Archive-Date: Thu, 27 Jun 2002 16:42:51 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 19:39:35 -0400
From: "Linda M. Nelson" <lindan-AT-
capecod.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ...? [Skip, if Lit. Crit. makes your eye
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <a05100300b941522bb87b-AT-
[165.247.4.49]>
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>Lyrics by Goethe. at least THREE different tunes, this particular
>one by F. Werner

OK, so Goethe is a genuinely sick puppy.  F. Werner still wrote a 
lovely and memorable tune.  Any chance of forgetting the sick puppy 
and just enjoying the tune?

- L
================================================================================
Archive-Date: Thu, 27 Jun 2002 18:58:13 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 18:58:03 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020628015803.2565.qmail-AT-
web20009.mail.yahoo.com>
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--- Benjamin Stein <ecdscd-AT-
yahoo.com> wrote:
> And that may very well be why many people never do any form
> of "folk dancing" again. Because they were turned off by a
> physical education teacher who didn't give a damn about
> music or dance. I have met all too many americans who will
> not think of square dancing as adults because the school
> experience spoiled dancing for them "forever" and just as
> many scots who won't do scottish country dancing as adults,
> for the same reason. Rather give me a leader who cares-not
> one who does it ony because it is a required part of the
> curiculum.

I remember _many_ years ago driving to New york from Maryland for a
CDSS Saturday evening dance. It was St. Patrick's Day and we had a
group of young Irish dancers perform for us. Their teacher taught us
some of the steps and I remember May Gadd dancing right along with
the rest of us. I remember the teacher saying that Irish step dancing
is so competitive that most of the kids burn out before they reach
their teens. I'll bet that many of them won't dance as adults, but
they might push their children into step dancing to perpetuate the
mistake. It's like the father's who were pushed in competitive sports
as a child and now push their children. 

Andy
...who believes that dancing is as much a sport as any other, just
more civilized.

Andy

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Archive-Date: Thu, 27 Jun 2002 19:04:25 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 19:04:16 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Re:RE: Basic ECD Repertoire List
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020628020416.56612.qmail-AT-
web20008.mail.yahoo.com>
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> From: <dcculb-AT-
juno.com>
> <<...Black Nag is not a mixer...>>
> 
--- Paul Stamler <pstamler-AT-
pobox.com> wrote:
> It's pretty scary to contemplate as a mixer: "Take 1 jigger of
> bourbon; add one horse; shake."

I prefer my dancing without liquor.

Andy
...remembering the reasons I don't go to the Irish Ceilidh dances on
third Fridays. They are held in the ballroom at the Portland Police
Athletic Assocoation, with a bar at the back of the room. As the
evening progresses, it becomes increasingly more dangerous to dance.

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Archive-Date: Thu, 27 Jun 2002 19:11:26 PST
Sender: owner-ecd-AT-
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Date: Thu, 27 Jun 2002 19:11:17 -0700 (PDT)
From: Andy Peterson <lyrlsbro-AT-
yahoo.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Basic ECD Repertoire
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020628021117.28467.qmail-AT-
web20010.mail.yahoo.com>
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--- Alan Corkett <alan-AT-
bcorkett.freeserve.co.uk> wrote:
> If Virginia Reel is easy because it was learnt at school, then
> that's where to teach Nonesuch!

A woman who used to be in Nordlys used to teach simple Scandinavian
dances to her kindergarten class. When we include participatory
dancing after a performance, it's the kids who willingly get up and
dance, even the very youngest ones. Unfortunately, we've built
inhibitions into most of the adult population.

Andy
...who actually _liked_ dancing in elementary school phys. ed. class.

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Archive-Date: Fri, 28 Jun 2002 06:49:48 PST
Sender: owner-ecd-AT-
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Date: Fri, 28 Jun 2002 09:49:39 -0400 (EDT)
From: Eric Arnold <eba-AT-
umich.edu>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: ...? [Skip, if Lit. Crit. makes your eye
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <Pine.SOL.4.44.0206280932450.9498-100000-AT-
xexex.gpcc.itd.umich.edu>
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On Thu, 27 Jun 2002, Linda M. Nelson wrote:

> OK, so Goethe is a genuinely sick puppy.

???  Not the conclusion I draw at all.  Why should a man who writes about
rape be condemned for writing about rape?  Should it not be the feeling
expressed, and not the subject, on which judgement is made?

I do not get any sense that Goethe is glorifying the nameless Knab' in his
assult on Roeslein, who at least is granted an aesthetic and poetic name
of beauty.  I feel it is a lament on the fate of Roeslein.

The music is completely consistent with a lament.  If we misinterpreted
this as a love poem, that is our mistake, not Goethe's; and if other
generations twisted the meaning, that is not Goethe's fault.

Eric Arnold

================================================================================
Archive-Date: Fri, 28 Jun 2002 09:54:55 PST
Sender: owner-ecd-AT-
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Date: Fri, 28 Jun 2002 10:02:04 -0700
From: Mary Devlin <mary-AT-
mdevlin.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Hole Tempi
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <B941E49C.3635%mary-AT-
mdevlin.com>
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Graham said:

> Yes, except that Hole in the Wall is not a minuet. The original tune is
> marked Hornpipe. Even if you aver that the dance is only derived from the
> Hornpipe and that one therefore need not be locked into a Hornpipe tempo,
> it's not a minuet.
> Graham Christian

I know... but it's Way Fun danced as a minuet nonetheless!  The SF Bay area
ball included Hole in the Wall danced with a minuet step this past spring.
Loved it!  (Ah... those crazy Californians...!!)

Mary Devlin

================================================================================
Archive-Date: Fri, 28 Jun 2002 11:44:54 PST
Sender: owner-ecd-AT-
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Date: Fri, 28 Jun 2002 11:44:45 -0700 (PDT)
From: Barbara Ruth <barbararuth-AT-
rocketmail.com>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: A rose is a rose is a rose (was Re: [Skip, if Lit. Crit. makes your eyes glaze over]
To: ECD-AT-
PLAYFORD.SLAC.STANFORD.EDU
Message-ID: <20020628184445.44220.qmail-AT-
web13605.mail.yahoo.com>
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Or to paraphrase Freud, sometimes a rose is _only_ a rose.

Barbara 


--- Graham.Christian-AT-
risk.sungard.com wrote:
> But this poem is not very specific. It does not
> depict
> a man and a woman, and then use this image; it depicts, strictly
> speaking,
> a man and verdure. Does it speak symbolically? of course. But it
> could also depict a fumbled pass: a stolen kiss that results in a >
sharp slap or a well-placed kick.




=====
"There is no inverse relationship between freedom and security. Less of one does not lead to more of the other. People with no rights are not safe from terrorist attack."  Molly Ivins

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Archive-Date: Fri, 28 Jun 2002 19:01:44 PST
Sender: owner-ecd-AT-
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Date: Fri, 28 Jun 2002 22:05:54 -0400
From: Robert and Kathryn Johnson <bobkat-AT-
shentel.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Leland Tichnor
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <000f01c21f11$9a6bdb20$201d6fcc-AT-
ACERG5D1L0J2UR>
MIME-Version: 1.0
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Leland Tichnor, long time ECDer, known to many of you died this morning
after a 3 month bout with cancer and complications.

Viewing will be at Henry's Funeral Home, 1030 West Beverley, Staunton, VA
from 7-8:30 Sunday Evening the 30th of June 2002.

The funeral will be at 10am Tuesday, the 2nd of July 2002 at Oaklawn
Cemetery, 1921 Shutterlee Mill Road, Staunton, VA.

Bob Johnson

================================================================================
Archive-Date: Sun, 30 Jun 2002 10:35:29 PST
Sender: owner-ecd-AT-
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Date: Sun, 30 Jun 2002 12:34:34 -0500
From: "M.G. Mudrey, Jr." <mgmudrey-AT-
mhtc.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Found my notes to the weaver website
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
CC: John Wood <johnwood-AT-
accesscable.net>
Message-ID: <5.1.1.5.2.20020630122504.00b45028-AT-
mail.mhtc.net>
MIME-Version: 1.0
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--Boundary_(ID_+xd9j1HAjRGBP6DfBCzr2A)
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John Wood requested some help in translating the graphic language into 
modern notations for a an early 18th century dance.
Several years ago Greg Lindahl put up a facsimile of the Weave dance 
manuals from the early 1700s. (which I finally found in my bookmarks!!).

John Weaver, Dancing-Master, lived from 1673 to 1760. In addition to his 
translation of Feuillet's dance manual, he also published several shorter 
books.

John, Check out Gregs images...they might help your reconstruction.

http://www.pbm.com/%7Elindahl/weaver/orchesography/

Mike




Madison Wisconsin English Country Dancing

The Madison (Wisconsin) English Country Dance Society meets
on the first and third Mondays of the month from 7:30-9:30 PM.

Dancing
         October through May at the Wilmar Center,
                 953 Jenifer St., Madison, Wisconsin
         June through September in front of Memorial Library,
                 University of Wisconsin-Madison,
For more information, contact
         Mike (mgmudrey-AT-
mhtc.net),
         Jean (608-231-1040) or
         Don (608-238-9951)
Website
images
http://sprott.physics.wisc.edu/mecds/home.htm
no images
http://sprott.physics.wisc.edu/mecds/hometext.htm

--Boundary_(ID_+xd9j1HAjRGBP6DfBCzr2A)
Content-type: text/html; charset=us-ascii
Content-transfer-encoding: 7BIT

<html>
<br><br>
John Wood requested some help in translating the graphic language into
modern notations for a an early 18th century dance.<br>
Several years ago Greg Lindahl put up a facsimile of the Weave dance
manuals from the early 1700s. (which I finally found in my
bookmarks!!).<br><br>
John Weaver, Dancing-Master, lived from 1673 to 1760. In addition to his
translation of Feuillet's dance manual, he also published several shorter
books.<br><br>
John, Check out Gregs images...they might help your
reconstruction.<br><br>
<a href="http://www.pbm.com/~lindahl/weaver/orchesography/" eudora="autourl">http://www.pbm.com/%7Elindahl/weaver/orchesography/</a><br><br>
Mike<br><br>
<br><br>
<x-sigsep><p></x-sigsep>
<font size=3><b>Madison Wisconsin English Country Dancing<br><br>
</b><i>The Madison (Wisconsin) English Country Dance Society meets<br>
on the first and third Mondays of the month from 7:30-9:30 PM. <br>
&nbsp;<br>
Dancing <br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>October
through May at the Wilmar Center, <br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>953
Jenifer St., Madison, Wisconsin<br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>June
through September in front of Memorial Library, <br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>University
of Wisconsin-Madison,<br>
For more information, contact<br>
&nbsp;</i><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><i>Mike
(mgmudrey-AT-
mhtc.net),<br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Jean
(608-231-1040) or <br>
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab>Don
(608-238-9951)<br>
</i>Website <br>
images<br>
<b><a href="http://sprott.physics.wisc.edu/mecds/home.htm" eudora="autourl">http://sprott.physics.wisc.edu/mecds/home.htm</a><br>
</b>no images<br>
<b><a href="http://sprott.physics.wisc.edu/mecds/hometext.htm" eudora="autourl">http://sprott.physics.wisc.edu/mecds/hometext.htm</a><br>
</font></b></html>

--Boundary_(ID_+xd9j1HAjRGBP6DfBCzr2A)--
================================================================================
Archive-Date: Sun, 30 Jun 2002 15:01:11 PST
Sender: owner-ecd-AT-
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Date: Sun, 30 Jun 2002 19:00:52 -0300
From: John Wood <johnwood-AT-
accesscable.net>
Reply-To: ECD-AT-
playford.slac.stanford.edu
Subject: Re: Found my notes [2]
To: ECD-AT-
SSRL04.SLAC.STANFORD.EDU
Message-ID: <3D1F7F94.9EEE99D0-AT-
accesscable.net>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7BIT
References: <5.1.1.5.2.20020630122504.00b45028-AT-
mail.mhtc.net>

Hi, Mike:

> John Wood requested some help in translating the graphic language into
> modern notations for a an early 18th century dance. Several years ago
> Greg Lindahl put up a facsimile of the Weave dance manuals from the
> early 1700s. (which I finally found in my bookmarks!!).
> John Weaver, Dancing-Master, lived from 1673 to 1760. In addition to
> his translation of Feuillet's dance manual, he also published several
> shorter books.

I appreciate very much the trouble you have gone to to
get the information you sent. I haven't, as yet, followed
up on it, but will surely do so for these old dance notations
intrigue me.

Sincere regards, John

Bedford, Nova Scotia